Valentine's Day, Sunday, February 14, 2010 at 10:20 am

More documents

Recommendations

Info

Bar 24 = Bis on E min again. Bass cl plays up to E to D 8th notes to E quarter dotto E 8th, etc.In Bar 46, "Ilderim's Song" finally starts "very slow" with Rex Harrison singing:"Dream....Dream...When Paradise is in the heart..." The vibes p (piano) play an Fmin half note dotted chord (F/Ab/C), 12 violins divisi play "dolce" the F min chord: a4on F (f''), a3 on Ab, a3 on C (c'''), and top two violins on C (c’’’’) or an octave higher. Onthe 3rd beat, the harp and celeste plays eight rising 32nd notes C-D-Eb-F-G-Ab-B-C. Aseparate "voice on track" starts on note F (f'), singing "Dream...."in Bar 46. Etc.[Edith and Kenneth] R7/2. 12/8 meter. 8pp., 35 bars. Scene: Annoyed withSaladin's awful singing, Kenneth goes to scold Edith. The music restates the theme givenin bars 5-11 in Reel 3 pt 3 which precluded the Love Theme.Bar 8 = Lady Edith speaks of this strange land and ideas of"Peace...starlight...Bethlehem." The fls/E.H./violins play the motif here, C 16th upto(Bar 8)D D half note dotted etc. Two harps and pizz strings play 8th notes on the2nd/3rd/4th beats in D min (notes D/F/A). Finger cymbals also play on those beats.The Love Theme is restated "poco appassionato" in Bar 14 in 9/8 time whenKenneth says, "I'll wage war no more..."[King Healed] R7/3-8/1. 4pp., 13 bars. Scene: King Richard arises from hisbed feeling much better, and offers Ilderim (Saladin disguised as a physician) any wishRichard can fulfill.[Jousting] R8/4. C time. trumpet, snare drum, three streets drums. Scene: TheKing participates in lance fighting festivities.[Ilderim and Lady Edith] R8/5. 10pp., 38 bars. The music here pretty muchreprises the Queen's Caravan music of cue 6/2. In Bar 25 when Ilderim speaks of the loveof a Moslem for a Christian, the flute plays the descending 8th note pattern, then the oboetakes over in Bar 26. Etc.[Richard’s Anger] R9/1. 7pp., 28 bars. Scene: Richard angrily discoverscousin Edith kissing Kenneth. The cue ends in Bars 26-28 when Richard declares"Restore the banner!" The music here is "risoluto" in B maj (B/D#/F#) half note dottedto D min (D/F/A) quarter note chord. The timp beats on quarter note B to triplet B to Bquarter note up to D quarter note. In Bar 27, two triplets on B to B quarter to D quarternote.Bar 28 = The chord ends on G maj (G/B/D) sforzando quarter notes. Bass playsG, celli on G/D, violas on D/G, violins on B, etc.[Conrad Summoned] R9/2. 3pp., 12 bars. Scene: Richard summons Conrad todetermine if Kenneth is royal blood, or else Richard will simply slay him. "He'll likelybe the youngest son of Earl of Huntington." Two horns are prominent playing D 8th to Chalf note dotted. The timp beats 8th notes on C, then Db, etc.36
[Battle Fanfare] R9/4. 2pp., 6 bars.[Fanfare] R9/6. 4pp., 14 bars.[The Death Joust] Reel 10.15 pp., 62 bars. Scene: Kenneth manages toknock Richard from his horse with a lance flat on his back.Fls/ob/E.H./clarinets/violins/violas make a rising set of six 16ths notes and seven 32ndnotes to quarter note in Bar 5. Then the trumpets/Pos/tuba play descending (fallingRichard) notes, ending on the E maj quarter note chord (E/G#/B). Etc. By Bar 24, theybattle with sword and shield on foot. Etc.[Outcast Kenneth] R10/1. 7pp., 24 bars. Scene: Kenneth's life is spared bySaladin's wish now granted, but he is outcast: "He shall be stripped of knighthood..." Themusic is held fermata on Db maj (Db/F/Ab) in Bar 13. Etc.[Aftermath] R10/2A. 2pp., 8 bars.[Strange Awakening] R10/2. 2pp., 6 bars. Scene: Kenneth awakens in strangesurroundings in Saladin's pavilion.[Moslem Dance] R10/3. Cue #35912. C meter. 6pp., 30 bars. Scene: Kennethis subjected to Arabian girls ordered to dance for him.This is the most exotic music in this score. It employs a syncopated rhythmplayed by the percussion: Finger cymbals, quasi large tom tom, small Tom Tom,tambourine. The finger cymbals play quarter notes on beats one and two, then an 8th restfollowed by a quarter note and then an 8th note. Repeat next bars. The large Tom Tomplays an 8th note at the very beginning and end of each bar. The small Tom Tom, afteran 8th rest, plays a quarter note, then five 8th notes. Sticks play on the rimof a tamb: 8th note to two 16th, etc.Two harps pluck close to the sounding board ("metallic" sound) dyad quarternotes Line 1 D/G after an 8th rest, then down to dyad C/F after another 8th rest, followedby an 8th rest and an 8th dyad C/F. The Cymbalum plays 8th notes C/G/D down to G.Then C down to F, F down to G. the bass clarinet four 8th notes on a syncopated beat(1st 8th, 4th, 6th and 8th).Bar 2 = Two oboes are highlighted playing the Arabian dance melody f (forte)starting on Line 2 A (a’’) 8th connected to a ”3” triplet of 16 th notes G-A-G to F# 8th toEb 8th dotted tied to quarter note, followed by 16th triplet D-Eb-D to 16th notes C/D to(Bar 3) Eb half note, etc. The Eb clarinet plays two quarter notes on the "chalumeau"range. The Bb clarinet plays the last two 8th notes on the 4th beat (notes G to F). TheNovachord also plays notes after a quarter rest, D to A quarter notes to G and F 8th notes.Etc.[The Bowman] R11/1. C meter. 5pp., 18 bars. Scene: The assassin bowman ofSir Giles is brought in, dying. The gong sounds, and three horns play. Then in Bar 2,after a half rest, the strings and E.H. play Bb (celli on Db) half note to (Bar 3) Bb halfnote dotted, etc. After a quarter rest, two pianos play three wavy gliss quarter note chords37
Page 1 and 2: FILM SCORE BLOGS [Blog # 41]Valenti
Page 3 and 4: I enjoyed watching The Fugitive but
Page 5 and 6: -“Fugitive Susp.” [I assume Fug
Page 7 and 8: Then in the Fugitive episode comes
Page 9 and 10: One purchase I did take advantage (
Page 11 and 12: session but almost always left behi
Page 13 and 14: pages to UCSB. The person is Marcus
Page 15 and 16: triplet value 8ths down to (Bar 2)
Page 17 and 18: for $2.50 long ago (probably at the
Page 19 and 20: marriage with Groucho was a joke?
Page 21 and 22: I discuss this in my final Talking
Page 23 and 24: “Main Title” Cue #35885 Maestos
Page 25 and 26: on note B.Bars 13-14 = The ostinato
Page 27 and 28: whole notes. Timp trill (roll) on G
Page 29 and 30: Bar 14= The melody line continues w
Page 31 and 32: find 16th notes G#-A-B-C-D-E to 32n
Page 33 and 34: sound). In Bar 12, notes F#-C#-F#,
Page 38 and 39: Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
Page 40 and 41: amongst them. Very interesting chas
Page 42 and 43: "Maria's Room" Lento (mesto) in C."
Page 44 and 45: Principal recording date was July 1
Page 47 and 48: to quarter notes as Hugo jokes abou
Page 49: whole notes D/G held fermata. Bass
Page 52 and 53: music "vira do minho" [unknown auth
Page 54 and 55: ut with notes D-Eb-E, F, Gb-Ab to (
Page 56 and 57: Bars 26-32 = The strings and organ
Page 58 and 59: minor 2nd inversion 8th note chord
Page 61 and 62: At the end of Bar 4 the baritone tr
Page 63 and 64: octave F up to small octave C 8ths
Page 65 and 66: (Bar 3) F/small octave C half notes
Page 67 and 68: hiding), Rune questions Frail. The
Page 69 and 70: on G note tied to next few bars. Th
Page 71 and 72: the beat and the cymbal sounds off
Page 73 and 74: [“Like what?!”] R6/5. Dramatic
Page 75 and 76: In Bars 12-19, as she opens her eye
Page 77 and 78: C#/E/G#/B) followed, after a half n
Page 79 and 80: starting on F minor by the violins
Page 81 and 82: twice more. Bar 1 = VC/CB B half no
Page 83 and 84: Reel 5 pt 4 "Little Mama" Slow & Te
Page 85 and 86:
Reel 9 pt 7 "The Camp(original)" Sl
Page 87 and 88:
G-A-Bb-Line 1 C-D-D# (connected as
Page 89 and 90:
next bar in the same rest pattern.
Page 91 and 92:
D-F#-A-D-F#-A-D). The last note D (
Page 93 and 94:
and violas play "rubato" quarter no
Page 95 and 96:
case the scene works better without
Page 97 and 98:
on the first two beats by the flute
Page 99 and 100:
Reel 9/A "Judith Rejected". Deleted
Page 101 and 102:
locations after all. These unaligne
Page 103 and 104:
[Cue #3767] “Discovery of Well”
Page 105 and 106:
First is John Barry's simple but ef
Page 107 and 108:
different. But my guess is that the
Page 109 and 110:
Universal-Revue Studios Television.
Page 111 and 112:
-All cues # entries (whether 1 page
Page 113 and 114:
Talking Herrmann: ON DANGEROUS GROU
Page 115 and 116:
Idea for Markus M.: It would be fas
Page 117 and 118:
last one is weirdly notated by Herr
Page 119 and 120:
I did like DePalma's stylist approa
Page 121 and 122:
___________________________________
Page 123 and 124:
Thanks for your interesting observa
Page 125 and 126:
********************************10-
Page 127 and 128:
Mer,”…certain passages of it, I
Page 129 and 130:
{Image http://img193.imageshack.us/
Page 131 and 132:
talkingherrmann mailing list*******
Page 133 and 134:
While Herrmann was not the King of
Page 135 and 136:
___________________________________
Page 137 and 138:
So Herrmann was playing with heavil
Page 139 and 140:
different takes). I wonder if Bill
Page 141 and 142:
Talking Herrmann: SUSPENSE THEME (C
Page 143 and 144:
Talking Herrmann: Mind in the Shado
Page 145 and 146:
13. Nathan Hale - Cue #8 1:48 Berna
Page 147 and 148:
NotHitch:"Coll" or "col" (normally
Page 149 and 150:
___________________________________
Page 151 and 152:
{Image http://img252.imageshack.us/
Page 153 and 154:
I had long ago written a paper on t
Page 155 and 156:
I will provide more examples shortl
Page 157 and 158:
Below is another image from "A Man'
Page 159 and 160:
CBS-television score for the pilot
Page 161 and 162:
The image below is my own personal
Page 163 and 164:
**********************Talking Herrm
Page 165 and 166:
Page 167 and 168:
six versions of the last two bars t
Page 169 and 170:
You know, I've been trying to recal
Page 171 and 172:
http://img695.imageshack.us/img695/
Page 173 and 174:
The top of the scan shows On Danger
Page 175 and 176:
Personally I was a bit disappointed
Page 177 and 178:
5. BH discussed his meeting with Co
Page 179 and 180:
Crime school, Four Daughters, Break
Page 181 and 182:
I wonder if anybody here knows (per
Page 183 and 184:
Page 185 and 186:
was far more adaptable and willing
Page 187 and 188:
I forgot to mention that the Wester
Page 189 and 190:
On Monday, they will start showing
Page 191 and 192:
Vera Miles is in episode # 19, "The
Page 193 and 194:
gets a revelation at that instant w
Page 195 and 196:
***************************Sunday,
Page 197 and 198:
2010 and maybe into 2011). This esp
Page 199 and 200:
Herrmann television scores, various
Page 201 and 202:
I archived into Word whatever inter
show all

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?