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MAINTAINABILITY DESIGN TECHNIQUES METRIC - AcqNotes.com

MAINTAINABILITY DESIGN TECHNIQUES METRIC - AcqNotes.com

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Downloaded from http://www.everyspec.<strong>com</strong> on 2011-10-29T14:56:01.DOD-HDBK-791(AM)3. Brightness of the signal4. Length of time the signal is present5. State of adaptation of the eye.The level of luminance re<strong>com</strong>mended for characters on avisual display terminal is 170 cd m 2 (50 fc) (Ref. 13).9-4.2 HEARINGHearing is an important sense in terms of informationgathering. Sound waves reaching the ear vary in frequency,amplitude, and <strong>com</strong>plexity. Sound is usually describedin terms of its two major characteristics, i.e.,frequency and intensity. Frequency is measured in cyclesper second expressed as hertz (Hz). Generally, the humanear responds to frequencies between 20 and 20,000 Hz,though few adults hear near the 20,000-Hz limit. Frequenciesabove the 20,000-Hz limit cannot normally beheard by humans, but they do produce some biologicaleffects.The intensity of sound, or loudness, is usually measuredin decibels (d B). Weighting networks consist ofthree alternate frequency response characteristics designatedA-, B-, and C-weighting. Whenever one of thesenetworks is used, the reading obtained must be identifiedproperly. For example, if an A-weighted sound pressurelevel of 90 is obtained, it would be reptorted as a 90-dB(A).The A-weighted network is particularly valuable if aquick estimate of the interference of noise upon speech isrequired (par. B.1.1.2.1.2. Ret. 3). Areas requiring occasionaltelephone use or occasional direct <strong>com</strong>municationat distances up to 1.5 m (5 ft) should not exceed a 75-dB(A) level (par. 10-5.1. Ret. 13).The intensity and source location of audio alarms andsignals should be selected for <strong>com</strong>patibility with theacoustic environmenl of the intended receiver (Ref. 14).When discrimination of warning signals is critical to personnelsafety or system performance, audio signals shoulddeselected to signify different conditions requiring difierentoperator responses i.e. one signal for maintenance,another for emergencies, etc. For the purpose of thishandbook, auditory signals will be considered to be ofthree basic types i.e., tones, <strong>com</strong>plex sounds, andspeech. A <strong>com</strong>parison of the strengths and weaknesses ofthese types with respect to their use for various functionsis presented in Table 9-5 (Ref. 3).FUNCTIONQUANTITATIVEINDICATIONQUALITATIVEINDICATIONSTATUSINDICATIONTRACKINGGENERALTABLE 9-5. FUNCTIONAL EVALUATION OF AUDIO SIGNALS (Ref. 3)TONES(Periodic)POORMaximum of 5 to 6 tonesabsolutely recognizable.POOR-TO-FAIRDifficult to judge approximatevalue and direction of deviationfrom null setting unlesspresented in close temporalsequence.GOODStart and stop timing. Continuousinformation whererate of change of input is.FAIRNull position easily monitored;problem of signalresponse<strong>com</strong>patibility.Good for automatic <strong>com</strong>municationof limited information.Meaning must be learned.Easily generated.TYPE OF SIGNALCOMPLEX SOUNDS(Nonperiodic)POORInterpolation between signalsinaccurate.POORDifficult to judge approximatedeviation fromdesired value.GOODEspecially suitable forirregularly occurring signals.e.g., alarm signals.POORRequired qualitative indicationsdifficult to provide.Some sounds available with<strong>com</strong>mon meaning, e.g., firebell. Easily generated.SPEECHGOODMinimum time and error inobtaining exact value in terms<strong>com</strong>patible with response.GOODInformation concerning displacement,direction, and ratepresented in form <strong>com</strong>patiblewith required response.POORInefficient: more easilymasked; problem of repeatability.GOODMeaning intrinsic in signal.Most effective for rapid (butnot automatic) <strong>com</strong>municationof <strong>com</strong>plex, multidimensionalinformation. Meaningintrinsic in signal and contextwhen standardized. Minimumof new learning required.9-10

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