PUBLISHING
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0419-HVA_DPT_from_print_to_ebooks_OS_RGB_aanp_lr_totaal
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GENERAL CONSIDERATIONS<br />
Following the step-by-step guide to making a simple EPUB (Chapter 6) and<br />
the general introduction to workflows for hybrid publishing (Chapter 7), we<br />
will now address a number of considerations that are specific to each of the<br />
most common publication genres in the field of arts and culture, as described<br />
in chapter 3.<br />
The following points, which apply to all genres, should be clearly defined at<br />
the beginning of any hybrid publication project:<br />
∞∞<br />
∞∞<br />
∞∞<br />
Will the publication be medium-specific or medium-neutral? In<br />
other words, is the project a one-to-one conversion of a print book<br />
into an electronic book, or will the project include content and<br />
design elements that can only be realized with electronic media?<br />
One should also consider that many of the advantages of a hybrid<br />
publishing approach, as pointed out earlier, lie in modularized or<br />
database publishing. By dividing a larger work into small modules<br />
or ‘building blocks’, it is easier to generate custom publications, to<br />
apply updates to some parts only, to replace ‘heavy’ high-resolution<br />
images or other media files with ‘lighter’ ones when necessary, etc.<br />
Metadata is significantly more important in the context of hybrid<br />
publishing than it is in traditional print publishing. Carefully applied<br />
metadata will ensure that the publication can be found online in<br />
databases and bookstores such as Amazon, and will also make the<br />
electronic editing and design process more efficient. Especially<br />
in the case of modularized or database publishing, it is of utmost<br />
importance to start gathering metadata as early as possible in the<br />
production process. Otherwise it soon becomes impossible to<br />
meaningfully keep track of, and put together, the modular building<br />
blocks of the source document.<br />
For publishers in the field of arts and culture, file sizes pose a fundamental<br />
problem: on one hand, electronic publication seems to offer<br />
new opportunities for including multimedia and other possibilities<br />
not provided by ‘static’ print publishing; on the other hand, in the<br />
real world this often results in files that will be too large to be downloaded,<br />
stored or ‘flipped through’ in a practical manner.<br />
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