PUBLISHING
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0419-HVA_DPT_from_print_to_ebooks_OS_RGB_aanp_lr_totaal
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ART/DESIGN CATALOGUE<br />
The traditional workflow for an art/design catalogue is roughly the same as<br />
the InDesign workflow described for research publications, and focused on<br />
the production of one ‘unified’ book. The ‘new’ workflow however is based on<br />
a highly modularized publication process. The catalogue is built up of multiple<br />
modules or building blocks, for example different paintings, each with<br />
its own description, all following a standardized format. By considering these<br />
modules as separate entities and by storing, describing and tagging them as<br />
such, it becomes possible to generate customized publications using specific<br />
selections of the building blocks.<br />
This also provides a solution for the problem of the publication’s file size. In<br />
most cases, due to current limitations in bandwidth and storage space, an<br />
art catalogue is difficult to convert one-to-one to an electronic publication<br />
which can be downloaded within a reasonable amount of time. Therefore<br />
it is advisable to split up the publication into smaller sub-publications, such<br />
as monographic micro-ebooks on single art works, or collections of articles<br />
from which each reader can individually choose, thereby automatically generating<br />
a customized ebook. Modularized content can also lead to different<br />
commercial strategies, for example by offering parts of a publication through<br />
an ‘in-app’ download. An example of this is a project by the Stedelijk Museum<br />
in Amsterdam, which resulted in the MyHighlights app.<br />
On a more philosophical level, we may well wonder whether a catalogue in<br />
the traditional sense actually constitutes a desirable publication genre for<br />
electronic publishing. It is of course interesting and exciting to consider new<br />
forms of small and smart catalogues, such as the micro-ebooks mentioned<br />
above. However, we will have to wait for increased storage capacity on portable<br />
devices, as well as faster mobile network speeds, before we can start to<br />
enjoy the full potential of these new forms. Currently, producing a high-resolution<br />
electronic catalogue of 100 pages or more only really makes sense as a<br />
large PDF file designed for desktop computer viewing.<br />
Workflows<br />
In the specific case of art and design catalogues, the following changes to the<br />
workflow should be taken into consideration:<br />
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