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ART/DESIGN CATALOGUE<br />

The traditional workflow for an art/design catalogue is roughly the same as<br />

the InDesign workflow described for research publications, and focused on<br />

the production of one ‘unified’ book. The ‘new’ workflow however is based on<br />

a highly modularized publication process. The catalogue is built up of multiple<br />

modules or building blocks, for example different paintings, each with<br />

its own description, all following a standardized format. By considering these<br />

modules as separate entities and by storing, describing and tagging them as<br />

such, it becomes possible to generate customized publications using specific<br />

selections of the building blocks.<br />

This also provides a solution for the problem of the publication’s file size. In<br />

most cases, due to current limitations in bandwidth and storage space, an<br />

art catalogue is difficult to convert one-to-one to an electronic publication<br />

which can be downloaded within a reasonable amount of time. Therefore<br />

it is advisable to split up the publication into smaller sub-publications, such<br />

as monographic micro-ebooks on single art works, or collections of articles<br />

from which each reader can individually choose, thereby automatically generating<br />

a customized ebook. Modularized content can also lead to different<br />

commercial strategies, for example by offering parts of a publication through<br />

an ‘in-app’ download. An example of this is a project by the Stedelijk Museum<br />

in Amsterdam, which resulted in the MyHighlights app.<br />

On a more philosophical level, we may well wonder whether a catalogue in<br />

the traditional sense actually constitutes a desirable publication genre for<br />

electronic publishing. It is of course interesting and exciting to consider new<br />

forms of small and smart catalogues, such as the micro-ebooks mentioned<br />

above. However, we will have to wait for increased storage capacity on portable<br />

devices, as well as faster mobile network speeds, before we can start to<br />

enjoy the full potential of these new forms. Currently, producing a high-resolution<br />

electronic catalogue of 100 pages or more only really makes sense as a<br />

large PDF file designed for desktop computer viewing.<br />

Workflows<br />

In the specific case of art and design catalogues, the following changes to the<br />

workflow should be taken into consideration:<br />

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