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The Disney Song Encyclopedia - fieldi

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“TRANSFORMATION” 205<br />

As the jester Clopin (voice of Paul Kandel) sings about Topsy Turvy Day, in<br />

which everything is backward and upside down, the Paris crowd sings and<br />

celebrates the riotous holiday. When they hold a contest to see who has the<br />

ugliest mask, the hunchback Quasimodo (Tom Hulce) is pushed onto the<br />

platform and wins. But when the people realize it is not a mask and that<br />

Quasimodo is a deformed creature, they turn on him. Alan Menken composed<br />

the vigorous music and Stephen Schwartz wrote the ribald lyric.<br />

“<strong>The</strong> Torkelsons <strong>The</strong>me <strong>Song</strong>” is the pleasing gospel number Ray Colcord<br />

wrote for the 1991 television series about a single mother with five<br />

children. <strong>The</strong> flowing title song, sung by a choir over the opening credits,<br />

finds comfort in the sun coming out and each day having the possibility of<br />

things being all right. After the first season, the series was re-titled Almost<br />

Home, but it retained the same theme song.<br />

“Town Meeting” is the sinister and ironic patter song written by Danny<br />

Elfman for the stop-motion film <strong>The</strong> Nightmare Before Christmas (1993).<br />

<strong>The</strong> Pumpkin King Jack Skellington (singing voice of Elfman) gathers the<br />

citizens of Halloween Town and tries to explain to them the concept of<br />

Christmas. <strong>The</strong>y do not comprehend the spirit of the holiday, thinking, for<br />

instance, that a stocking ought to have a severed foot in it. <strong>The</strong> more Jack<br />

tries to illustrate the Christmas traditions, the more the villagers inflict their<br />

ghoulish Halloween sensibilities on the holiday.<br />

“Toys” is the exuberant and insightful song that illustrates how children and<br />

their parents are often uncomfortably alike, written by Stephen Schwartz<br />

for the live-action television musical Geppetto (2000). In the village toy<br />

shop of Geppetto (Drew Carey), obnoxious children and their equally<br />

obnoxious parents make demands and fight over purchases, while lonely,<br />

childless Geppetto wonders why the wrong people have children. Later in<br />

the musical, after Pinocchio has run away, Geppetto and the bungling Magician<br />

(Wayne Brady) sing a quieter duet version of the song, reflecting on<br />

the delicate nature of the relationship between parents and children.<br />

“Transformation” is the mystical, hymn-like song by Phil Collins that is<br />

used effectively in a pivotal moment in the animated movie Brother Bear<br />

(2003). After the Native American Kenai kills the bear who clawed his<br />

brother to death, the Great Spirits turn Kenai into a bear so that he will<br />

see nature with a new point of view. While images of different animals are<br />

conjured up before Kenai, the Bulgarian Women’s Choir sings the ritualistic

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