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Presentation-Secrets-Of-Steve-Jobs

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N E 17<br />

SCENE 17<br />

SCE<br />

Toss the Script<br />

Be a yardstick of quality. Some people aren’t used<br />

to an environment where excellence is expected.<br />

—STEVE JOBS<br />

<strong>Steve</strong> <strong>Jobs</strong> is the consummate presenter for twenty-firstcentury<br />

audiences who want to engage in conversations,<br />

not lectures. <strong>Jobs</strong> has a casual speaking style, an informality<br />

that, as discussed in the preceding chapter, comes from<br />

hours of practice. Practice allows him to work largely without a<br />

script. During demonstrations, <strong>Jobs</strong> conceals notes discreetly from<br />

the audience but never reads them word for word. The notes serve<br />

only as cue cards for the next step in the demonstration. <strong>Jobs</strong> performs<br />

largely without notes for the majority of his presentation.<br />

As suggested in Scene 8, most presenters create “slideuments”:<br />

documents masking as slides. Slideuments act as a crutch for mediocre<br />

presenters who read every word on the slide, often turning<br />

their backs to the audience to do so. <strong>Jobs</strong> does have a script—largely<br />

in his head. His slides, which are highly visual, act as a prompter.<br />

Each slide has one key idea and one idea only.<br />

After <strong>Jobs</strong> pulled the new MacBook Air from a manila envelope<br />

in the “holy shit” moment at Macworld 2008, he explored<br />

the new computer in more detail. As you can see in Table 17.1, his<br />

slides contained very few words but contained just enough information<br />

to act as a prompter for one idea—one theme per slide. 1<br />

<strong>Jobs</strong> went on to explain that MacBook Air had the same<br />

processor used in all of Apple’s other notebooks and iMacs. He<br />

marveled at the fact that Intel could step up to the challenge,<br />

199

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