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theundergraduateschoo ls - Wake Forest University

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252. Introduction to Chinese Film. (3h) Introductory study of film from mainland China, Hong<br />

Kong, and Taiwan from its inception at the turn of the twentieth century to the present. Explores<br />

Chinese film as an art form, an instrument of political propaganda, and a medium of<br />

popular entertainment. A<strong>ls</strong>o listed as EAL 252.<br />

2561. Beijing: A Study of Chinese Religion and Politics. (3h) Study of the religion and politics in<br />

the recent history of China, beginning with the founding of present Beijing in the early Ming<br />

Dynasty.<br />

265. Gender, Spirituality, and Art. (3h) Introduction to the current discussion of the nature of art<br />

and spiritual experience, with special attention to definitions of femininity and masculinity in<br />

the construction of symbo<strong>ls</strong> and religious meaning.<br />

266. Perceptions of Islam. (3h) Exploration of Islam as understood by Muslims and non-<br />

Muslims, with particular focus on issues of war and peace, gender equity, human rights, and<br />

prospects for future relations between Islamic and Western countries. (CD)<br />

267. China, Character, and Columbine. (3h) An examination, in Eastern and Western terms, of<br />

methodologies used to form and to reform the configurations of innate and learned factors that<br />

produce saints or sociopaths, centering on the psychological theory of Yan Xi-zhai. (CD)<br />

268. Ancestors, Indians, Immigrants: A Southwest Cultural Tapestry. (3h) Exploration of factors<br />

that shaped the lives of people in the Southwest with attention to Native American and Hispanic<br />

experience. From kivas to casinos, coyotes to carte<strong>ls</strong>, it links archeological and prehispanic<br />

history to contemporary lifeways in the canyons, deserts, and cities of the U.S./North Mexico.<br />

A<strong>ls</strong>o listed as ANT 377. (CD)<br />

280. Reason and Revelation. (3h) Investigation of the intellectual roots of Western civilization as<br />

they are found in the emergence of philosophical universalism and Biblical monotheism. These<br />

distinctive approaches are considered through the reading of such authors as Plato, Hesiod,<br />

Aristophanes, and St. Thomas Aquinas, and of selections from the Bible.<br />

282. Public Life and the Liberal Arts. (3h) Devoted to topics of abiding public significance. Fundamental<br />

dilemmas and resolutions associated with each topic are examined through a consideration<br />

of their treatment in the liberal arts tradition. “Politics and the Arts” and “Theory and<br />

Practice in Public Life” are representative topics.<br />

283. Foundations of Revolution in Modernity. (3h) Subject viewed through such representative<br />

writers as Machiavelli, Spinoza, Pascal, Hobbes, Locke, Rousseau, Flaubert, Eckermann, Hegel,<br />

Nietzsche, and Conrad, each of whom in a different way participated in the rejection of the<br />

teachings of both the Socratic tradition and the Christian church.<br />

285. Culture and Religion in Contemporary Native America. (3h) Interdisciplinary survey of<br />

American-Indian cultures, including the arts and literature, religions, and historical changes.<br />

Emphasis is on the impact of the Conquista, encounters with Northern Atlantic societies, and<br />

contemporary developments. A<strong>ls</strong>o listed as REL 265. (CD)<br />

290. Innovation and Inclusivity. (3h) Introduction to cultural innovation in the twentieth century.<br />

Written texts, visual arts, and performance art are analyzed through the perspectives of (1.)<br />

paradigms such as psychoanalysis, Marxism, feminism, and liberation theology, (2.) debates<br />

about political correctness and multiculturalism, and (3.) strategies used by minority and non-<br />

Western voices. (CD)<br />

H U M A N I T I E S<br />

157

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