theundergraduateschoo ls - Wake Forest University
theundergraduateschoo ls - Wake Forest University
theundergraduateschoo ls - Wake Forest University
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353. Indigenous Myth in Spanish-American Literary Art. (3h) Study of Spanish-American writers’<br />
incorporation of Amerindian myths in twentieth-century narrative art. Includes works by<br />
Miguel Angel Asturias, Mario Vargas Llosa, and José Donoso. P—SPA 217 or 218 or POI.<br />
354. The Social Canvas of Gabriel García Márquez and Pablo Neruda. (3h) Exploration of the techniques<br />
used by two Nobel Prize-winning writers to create a literary vision of Latin America.<br />
Attention to humor, surrealism and the grotesque, and both writers’ assimilation of personal<br />
anxieties to their portrayal of a social world. P—SPA 217 or 218 or POI.<br />
360. Cultural and Literary Identity in Latin America: From Colonial to Postcolonial Voices. (3h)<br />
A study of a variety of texts from the eighteenth and nineteenth centuries dealing with political<br />
emancipation, nation-building, and construction of continental identity. P—SPA 217 or 218 or<br />
POI.<br />
361. Latin-American Cinema and Ideology. (3h) Examination of major Latin-American films as<br />
cinematographic expressions of social and political issues. P—SPA 217 or 218 or POI.<br />
362. Romantic Nationalism, Avant-garde Nihilism, and the Deconstruction of Utopia. (3h) Study<br />
of Latin-American poetry, including symbolist, surrealist, and conversational poetry, “happenings,”<br />
and artistic manifestoes. Politics, nation-building, liberation theology, and love are<br />
common themes. P—SPA 217 or 218 or POI.<br />
363. Twentieth-Century Spanish-American Theatre. (3h) Study of major dramatic works from<br />
various Latin-American countries. P—SPA 217 or 218 or POI.<br />
364. Spanish-American Short Story. (3h) Intensive study of the twentieth-century Spanish-<br />
American short story with emphasis on major trends and representative authors, such as<br />
Quiroga, Rulfo, Borges, Cortázar, Donoso, and García Marquéz. P—SPA 217 or 218 or POI.<br />
365. Spanish-American Novel. (3h) Study of the novel in Spanish America from its beginning<br />
through the contemporary period. P—SPA 217 or 218 or POI.<br />
366. Seminar in Spanish-American Novel. (1h or 3h) Study of one or more categories of Spanish-<br />
American nove<strong>ls</strong>, such as romantic, indianista, realistic, gauchesca, and social protest.<br />
P—SPA 217 or 218 or POI.<br />
367. Colonial Spanish America. (3h) Explores the early Spanish-American colonial period alongside<br />
contemporary intellectua<strong>ls</strong>’ attempt to return to and recover this historical past. Readings<br />
include fifteenth- and sixteenth-century codices, post-conquest indigenous writings, Iberian<br />
chronicles and letters, as well as twentieth-century documents. P—SPA 217 or 218 or POI.<br />
368C. Cuban Literature. (3h) Study of Cuban literature from the eighteenth century to the<br />
present: romanticism, modernism, naturalism, the avant-garde movement, and the post-<br />
Revolutionary period. P—SPA 217 or 218 or permission of director of the Cuba program.<br />
369. Imagined “White” Nations: Race and Color in Latin America. (3h) Study of anti-slavery narratives,<br />
nineteenth-century scientific racism, and twentieth-century Negritude and “negrismo”<br />
movements. An exploration of race, the stratification of color, and ethnic images in Latin American<br />
literature and culture. P—SPA 217 or 218 or POI. (CD)<br />
370. Film Adaptations of Literary Works. (3h) Study of the cinematic and literary discourses<br />
through major Spanish literary works from different historical periods and their film adaptation.<br />
P—SPA 217 or 218 or POI.<br />
R O M A N C E L A N G U A G E S<br />
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