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theundergraduateschoo ls - Wake Forest University

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353. Indigenous Myth in Spanish-American Literary Art. (3h) Study of Spanish-American writers’<br />

incorporation of Amerindian myths in twentieth-century narrative art. Includes works by<br />

Miguel Angel Asturias, Mario Vargas Llosa, and José Donoso. P—SPA 217 or 218 or POI.<br />

354. The Social Canvas of Gabriel García Márquez and Pablo Neruda. (3h) Exploration of the techniques<br />

used by two Nobel Prize-winning writers to create a literary vision of Latin America.<br />

Attention to humor, surrealism and the grotesque, and both writers’ assimilation of personal<br />

anxieties to their portrayal of a social world. P—SPA 217 or 218 or POI.<br />

360. Cultural and Literary Identity in Latin America: From Colonial to Postcolonial Voices. (3h)<br />

A study of a variety of texts from the eighteenth and nineteenth centuries dealing with political<br />

emancipation, nation-building, and construction of continental identity. P—SPA 217 or 218 or<br />

POI.<br />

361. Latin-American Cinema and Ideology. (3h) Examination of major Latin-American films as<br />

cinematographic expressions of social and political issues. P—SPA 217 or 218 or POI.<br />

362. Romantic Nationalism, Avant-garde Nihilism, and the Deconstruction of Utopia. (3h) Study<br />

of Latin-American poetry, including symbolist, surrealist, and conversational poetry, “happenings,”<br />

and artistic manifestoes. Politics, nation-building, liberation theology, and love are<br />

common themes. P—SPA 217 or 218 or POI.<br />

363. Twentieth-Century Spanish-American Theatre. (3h) Study of major dramatic works from<br />

various Latin-American countries. P—SPA 217 or 218 or POI.<br />

364. Spanish-American Short Story. (3h) Intensive study of the twentieth-century Spanish-<br />

American short story with emphasis on major trends and representative authors, such as<br />

Quiroga, Rulfo, Borges, Cortázar, Donoso, and García Marquéz. P—SPA 217 or 218 or POI.<br />

365. Spanish-American Novel. (3h) Study of the novel in Spanish America from its beginning<br />

through the contemporary period. P—SPA 217 or 218 or POI.<br />

366. Seminar in Spanish-American Novel. (1h or 3h) Study of one or more categories of Spanish-<br />

American nove<strong>ls</strong>, such as romantic, indianista, realistic, gauchesca, and social protest.<br />

P—SPA 217 or 218 or POI.<br />

367. Colonial Spanish America. (3h) Explores the early Spanish-American colonial period alongside<br />

contemporary intellectua<strong>ls</strong>’ attempt to return to and recover this historical past. Readings<br />

include fifteenth- and sixteenth-century codices, post-conquest indigenous writings, Iberian<br />

chronicles and letters, as well as twentieth-century documents. P—SPA 217 or 218 or POI.<br />

368C. Cuban Literature. (3h) Study of Cuban literature from the eighteenth century to the<br />

present: romanticism, modernism, naturalism, the avant-garde movement, and the post-<br />

Revolutionary period. P—SPA 217 or 218 or permission of director of the Cuba program.<br />

369. Imagined “White” Nations: Race and Color in Latin America. (3h) Study of anti-slavery narratives,<br />

nineteenth-century scientific racism, and twentieth-century Negritude and “negrismo”<br />

movements. An exploration of race, the stratification of color, and ethnic images in Latin American<br />

literature and culture. P—SPA 217 or 218 or POI. (CD)<br />

370. Film Adaptations of Literary Works. (3h) Study of the cinematic and literary discourses<br />

through major Spanish literary works from different historical periods and their film adaptation.<br />

P—SPA 217 or 218 or POI.<br />

R O M A N C E L A N G U A G E S<br />

227

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