A grammar of the Malayan language, with an introduction and praxis..
A grammar of the Malayan language, with an introduction and praxis..
A grammar of the Malayan language, with an introduction and praxis..
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134 A GRAMMAR OF THE<br />
rhymes <strong>with</strong> <strong>the</strong> fifth, <strong>the</strong> second <strong>with</strong> <strong>the</strong> sixth, <strong>the</strong> third <strong>with</strong> <strong>the</strong><br />
seventh, <strong>an</strong>d <strong>the</strong> fourth <strong>with</strong> <strong>the</strong> eighth.<br />
To those who c<strong>an</strong>not read tlie <strong>Malay<strong>an</strong></strong> words <strong>with</strong> sufficient fluency<br />
to judge <strong>of</strong> <strong>the</strong> measure, will acquire no inadequate idea <strong>of</strong> it, as well as<br />
<strong>of</strong> <strong>the</strong> cadence, from <strong>the</strong> following doggerel st<strong>an</strong>za, altered from <strong>the</strong><br />
well-known original, for <strong>the</strong> purpose <strong>of</strong> exemplifying <strong>the</strong> weak syllable at<br />
<strong>the</strong> end <strong>of</strong> every line.<br />
Mild Ar I<br />
cadi<strong>an</strong>s | ever | blooming,<br />
Nightly j slumbering j o'er your | cattle,<br />
Far I<br />
See j my ig | noble | days con ] suming<br />
dist<strong>an</strong>t j from <strong>the</strong> | fields <strong>of</strong> | battle.<br />
Of Rhyme.<br />
It remains now to make a few observations on <strong>the</strong> subject <strong>of</strong> rhyme,<br />
esteemed a necessaiy part <strong>of</strong> <strong>the</strong> constructure <strong>of</strong> <strong>Malay<strong>an</strong></strong> verse. What-<br />
ever adv<strong>an</strong>tages may attend its use in o<strong>the</strong>r <strong>l<strong>an</strong>guage</strong>s (<strong>an</strong>d though diffi-<br />
cult to account for, its pleasing effect c<strong>an</strong> scarcely be denied), <strong>the</strong>y are<br />
here much weakened by <strong>the</strong> circumst<strong>an</strong>ce <strong>of</strong> <strong>the</strong> lines terminating <strong>with</strong><br />
unaccented syllables, <strong>an</strong>d its being held sufficient that in <strong>the</strong>se alone<br />
(especially in serious poems) <strong>the</strong> resembl<strong>an</strong>ce <strong>of</strong> sound should take place,<br />
<strong>with</strong>out <strong>an</strong>y regard to <strong>the</strong> preceding accented syllables <strong>of</strong> <strong>the</strong> same words.<br />
The rules <strong>of</strong> this art, as <strong>of</strong> m<strong>an</strong>y o<strong>the</strong>rs, are <strong>the</strong>oretically borrowed from<br />
<strong>the</strong> Arabi<strong>an</strong> poetry, but as <strong>the</strong> words <strong>of</strong> that copious <strong>an</strong>d energetic<br />
<strong>l<strong>an</strong>guage</strong>, as well as <strong>of</strong> <strong>the</strong> Persi<strong>an</strong>, frequently end <strong>with</strong> a strong syllable,<br />
those rules have no practical application to <strong>Malay<strong>an</strong></strong> verse.<br />
The rhymes most frequently occurring are those <strong>of</strong> <strong>the</strong> short or sup-<br />
plementary vowels, <strong>with</strong> which so large a proportion <strong>of</strong> <strong>the</strong> words con-<br />
clude