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Saggi e recensioni<br />
Bagh Peter von, Emile de Antonio, “Filmihullu”, 6, 1976.<br />
Bassan Raphaël, Point of Order et Underground, “Écran”, 75, 15 dicembre 1978.<br />
Bazelon David T., Background to Point of Order, “Film Comment”, 2.1, inverno<br />
1964.<br />
Callenbach Ernest, Point ot Order, “Film Quarterly”, 17.4, estate 1964.<br />
Canby Vincent, Emile de Antonio’s toughts on himself and the F.B.I.: a leftist’s<br />
sympathies, “New York Times”, 20 aprile 1990.<br />
Crawford Edward, More than nostalgia, “Film Comment”, 2.1, inverno 1964.<br />
Crist Judith, Recreating the incredible McCarthy days, “New York Herald Tribune”,<br />
15 gennaio 1964.<br />
Daney Serge, Underground, “Cahiers du Cinéma”, 276, maggio 1977.<br />
Dupuich Jean-Jacques, Richard “Millhouse” Nixon (A White Comedy), “Image<br />
et Son”, 261, maggio 1972.<br />
Eyquem Olivier, Emile de Antonio: début a Lincoln après la projection de Underground,<br />
“Positif”, 200-202, dicembre 1977.<br />
Fitzpatrick Tom, Revolutionary’s film success: panning Nixon with (Groucho)<br />
Marx, “Chicago Sun-Times”, 4 ottobre 1971.<br />
Gablik Suzi, Painters Painting: a candid history of the modem art scene, 1940-<br />
1970, “Art in America”, 72, ottobre 1984.<br />
Gervais Ginette, De Antonio, analyste de la vie politique américaine, “Jeune<br />
Cinéma”, 115, dicembre 1978-gennaio 1979.<br />
Giddins Gary, Wanted by the FBI: Mr. Hoover and I, “Village Voice”, 24 aprile<br />
1990.<br />
Gleason Michie, Underground: Emile de Antonio and the Weatherpeople, “Cinema<br />
Papers”, 11, gennaio 1977.<br />
Grosoli Fabrizio, Emile de Antonio: scegliere le immagini, “parlare” la storia,<br />
“Cineforum”, 196 luglio-agosto 1980.<br />
Harness John, Subversive documentary maker outlasts enemies, “Now”, 10-16<br />
maggio 1990.<br />
Hatch Robert, Films [Millhouse], “Nation”, 213, ottobre 1971.<br />
James David, Presence of discourse/Discourse of presence: representing Vietnam,<br />
“Wide Angle”, 7.4, 1985.<br />
Kael Pauline, Blood and snow, “New Yorker”, 15 novembre, 1969.<br />
Kauffmann Stanley, Films [Painters Painting], “New Republic”, 168, 17 marzo,<br />
1973.<br />
Legrand Gerard, Painters Painting, “Positif”, 197, settembre 1977.<br />
Le Péron Serge, Point of Order (E. de Antonio), “Cahiers du Cinéma”, 298,<br />
marzo 1979.<br />
Linfield Susan, De Antonio’s day in court, “Village Voice”, 8 febbraio 1983.<br />
Machlowitz David S., Antinuclear narcissism, “American Bar Association Journal”,<br />
69, maggio 1983.<br />
152
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