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IN THIS ISSUE<br />
<strong>Gunars</strong> <strong>Saliņš</strong> (1924-2010) shed the<br />
mortal coil this summer, to go, as Latvians<br />
say, Beyond the Sun. We feature a selection<br />
of his poetry, followed by remembrances<br />
and words of homage from his fellow writers<br />
Baiba Bičole, Kārlis Vērdiņš, Jānis Krēsliņš,<br />
Sr., Uldis Bērziņš and Sniedze Ruņģe. <strong>Saliņš</strong><br />
was a central figure of the Hell’s Kitchen<br />
group of Latvian exile artists and writers,<br />
who, in the 50’s, 60’s and 70’s, never<br />
lost touch with their Latvianness even while<br />
drawing inspiration from the loud cosmopolitan<br />
contrasts of New York City. Never<br />
before published photographs by Gunārs<br />
Janaitis show <strong>Saliņš</strong> and artist Fridrichs Milts<br />
revisiting Hell’s Kitchen on a very grey day<br />
in 1989. In the poem “Eat of me, drink of<br />
me” (translated into English by his daughter,<br />
singer Laila Saliņa), <strong>Saliņš</strong> speaks of a place...<br />
where one no longer treasures / mere trifles<br />
and farewells, / but only death’s pleasures.<br />
LITERARY COMMENT. Poet and translator<br />
Ingmāra Balode (“I Do not Write Obituaries”)<br />
pays eloquent homage to <strong>Saliņš</strong> and<br />
also to another exile poet, Olafs Stumbrs<br />
(1931-1996), whose earthly remains were<br />
interred in his family plot in a cemetery in<br />
Rīga last summer. ••• In a separate article<br />
Balode comments on the life and art of<br />
Kurts Fridrihsons (1911-1991), as revealed<br />
in his personal letters to his wife from a Soviet<br />
labor camp (1951-1956), selected and<br />
published by Gundega Repše, one of Latvia’s<br />
foremost prose writers. ••• Having,<br />
in the previous issue, reviewed the attitudes<br />
of Latvian writers in the West toward the<br />
writings of their colleagues in Russian-occupied<br />
Latvia, Eva Eglāja-Kristsone, in part<br />
VIII of her serialized study of Latvian cultural<br />
contacts across the Iron Curtain during<br />
the Cold War, looks at official Soviet attitudes<br />
toward exile literature. ••• Rolfs<br />
Ekmanis comments on a voluminous collection<br />
of studies on literary and cultural contacts<br />
among the three Baltic nations, edited<br />
by Benedikts Kalnačs at the University of<br />
Latvia Institute for Literature, Folklore and<br />
Art. ••• How to teach history to secondary<br />
school students − didactically, so as to<br />
strengthen national identity Or analytically,<br />
so as to develop critical thinking Aldis<br />
Austers reports on current practice in Latvia<br />
and in other countries in Europe, and<br />
recommends discussion of reform. •••<br />
Mummery − celebration involving elaborate<br />
masks and costumes − is an important<br />
part of Latvian folk custom. Juris Šlesers reports<br />
and comments on a recent study of<br />
the subject by Aīda Rancāne.<br />
VISUAL ART. Interviewed by Sarma Muižniece-Liepiņa,<br />
our art editor Linda Treija reveals,<br />
among other things, that, as of this<br />
fall, she has been elected Chair of the Association<br />
of Latvian Artists in America. •••<br />
Three of Linda’s paintings are reproduced<br />
in color as well as an abstraction by Jānis<br />
Kalmīte. Black and white photographs by<br />
Uldis Briedis commemorate the renewal, 20<br />
years ago, of national freedom in Latvia. Six<br />
full-figure character portraits of ordinary citizens<br />
of the town of <strong>Kuldīga</strong> are from a set<br />
of 40 taken by Modris Rubenis, also some<br />
20 years ago. According to Vilnis Auziņš,<br />
Head of Latvia’s Photography Museum, Rubenis’<br />
documentary photography, underappreciated<br />
during Soviet rule, is now finding<br />
popular acclaim in a touring exhibit organized<br />
by FotoForma. The cover design by Indra<br />
Ekmane depicts participants at the 10 th<br />
Latvian Youth Song and Dance Festival in<br />
Riga, July 2010.<br />
MEMORIES AND ACTUALITIES. Uldis Siliņš’<br />
memoir of life in Displaced Persons Camp,<br />
Alt-Garge, Germany in 1945, “Looking Back<br />
with a Smile”, contains excerpts about camp<br />
life from the British and German press. •••<br />
Rolfs Ekmanis in his appreciation of Tony<br />
Judt (1948-2010) accents the British-born<br />
historian’s prediction that the 21 st century<br />
will be neither the Chinese, nor the American<br />
Century, but the Century of Europe, also,<br />
Judt’s view that the US, in order to survive,<br />
must move towards a more egalitarian European<br />
model. ••• The Marginalia section<br />
contains the usual kaleidoscopic compendium<br />
of news shorts, carefully selected to be<br />
relevant to all Latvians the world over. •••<br />
The featured discussion in the Kiberkambaris<br />
section, “Stockholm Syndrome and<br />
George Soros”, tries to come to grips with<br />
the fact that Latvia has been and continues<br />
to be subject to powerful foreign influences,<br />
some for the worse, and some for the better.<br />
BOOK REVIEWS. Ilze Jansone’s Insomnia, a<br />
novel that promotes understanding of homosexuality<br />
in contemporary Latvia – reviewed<br />
by Aina Siksna • Leons Briedis’ collection<br />
of poetry Viļņi tuksnesī (Waves in<br />
the Desert) – Juris Silenieks • Lidija Dombrovska’s<br />
novel Aurorā pa Austrāliju (Australian<br />
Travel by “Aurora”) – Juris Silenieks<br />
• Vilis Vītols’ Savējiem: Pārdomas, pieredze,<br />
atziņas (To My Compatriots: Reflections, Experience,<br />
Observations), lessons on how to<br />
live right – Astra Roze • W.G. Sebald’s Austerlitz,<br />
translated from the German by Silvija<br />
Ģibiete – Heini Dubre • Journal of Baltic<br />
Studies ( J u n e 2 0 1 0 ) – G u n d a r s Ķe n i ņ š K i n g s .<br />
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