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Gunars Saliņš - Sākums - Kuldīga

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IN THIS ISSUE<br />

<strong>Gunars</strong> <strong>Saliņš</strong> (1924-2010) shed the<br />

mortal coil this summer, to go, as Latvians<br />

say, Beyond the Sun. We feature a selection<br />

of his poetry, followed by remembrances<br />

and words of homage from his fellow writers<br />

Baiba Bičole, Kārlis Vērdiņš, Jānis Krēsliņš,<br />

Sr., Uldis Bērziņš and Sniedze Ruņģe. <strong>Saliņš</strong><br />

was a central figure of the Hell’s Kitchen<br />

group of Latvian exile artists and writers,<br />

who, in the 50’s, 60’s and 70’s, never<br />

lost touch with their Latvianness even while<br />

drawing inspiration from the loud cosmopolitan<br />

contrasts of New York City. Never<br />

before published photographs by Gunārs<br />

Janaitis show <strong>Saliņš</strong> and artist Fridrichs Milts<br />

revisiting Hell’s Kitchen on a very grey day<br />

in 1989. In the poem “Eat of me, drink of<br />

me” (translated into English by his daughter,<br />

singer Laila Saliņa), <strong>Saliņš</strong> speaks of a place...<br />

where one no longer treasures / mere trifles<br />

and farewells, / but only death’s pleasures.<br />

LITERARY COMMENT. Poet and translator<br />

Ingmāra Balode (“I Do not Write Obituaries”)<br />

pays eloquent homage to <strong>Saliņš</strong> and<br />

also to another exile poet, Olafs Stumbrs<br />

(1931-1996), whose earthly remains were<br />

interred in his family plot in a cemetery in<br />

Rīga last summer. ••• In a separate article<br />

Balode comments on the life and art of<br />

Kurts Fridrihsons (1911-1991), as revealed<br />

in his personal letters to his wife from a Soviet<br />

labor camp (1951-1956), selected and<br />

published by Gundega Repše, one of Latvia’s<br />

foremost prose writers. ••• Having,<br />

in the previous issue, reviewed the attitudes<br />

of Latvian writers in the West toward the<br />

writings of their colleagues in Russian-occupied<br />

Latvia, Eva Eglāja-Kristsone, in part<br />

VIII of her serialized study of Latvian cultural<br />

contacts across the Iron Curtain during<br />

the Cold War, looks at official Soviet attitudes<br />

toward exile literature. ••• Rolfs<br />

Ekmanis comments on a voluminous collection<br />

of studies on literary and cultural contacts<br />

among the three Baltic nations, edited<br />

by Benedikts Kalnačs at the University of<br />

Latvia Institute for Literature, Folklore and<br />

Art. ••• How to teach history to secondary<br />

school students − didactically, so as to<br />

strengthen national identity Or analytically,<br />

so as to develop critical thinking Aldis<br />

Austers reports on current practice in Latvia<br />

and in other countries in Europe, and<br />

recommends discussion of reform. •••<br />

Mummery − celebration involving elaborate<br />

masks and costumes − is an important<br />

part of Latvian folk custom. Juris Šlesers reports<br />

and comments on a recent study of<br />

the subject by Aīda Rancāne.<br />

VISUAL ART. Interviewed by Sarma Muižniece-Liepiņa,<br />

our art editor Linda Treija reveals,<br />

among other things, that, as of this<br />

fall, she has been elected Chair of the Association<br />

of Latvian Artists in America. •••<br />

Three of Linda’s paintings are reproduced<br />

in color as well as an abstraction by Jānis<br />

Kalmīte. Black and white photographs by<br />

Uldis Briedis commemorate the renewal, 20<br />

years ago, of national freedom in Latvia. Six<br />

full-figure character portraits of ordinary citizens<br />

of the town of <strong>Kuldīga</strong> are from a set<br />

of 40 taken by Modris Rubenis, also some<br />

20 years ago. According to Vilnis Auziņš,<br />

Head of Latvia’s Photography Museum, Rubenis’<br />

documentary photography, underappreciated<br />

during Soviet rule, is now finding<br />

popular acclaim in a touring exhibit organized<br />

by FotoForma. The cover design by Indra<br />

Ekmane depicts participants at the 10 th<br />

Latvian Youth Song and Dance Festival in<br />

Riga, July 2010.<br />

MEMORIES AND ACTUALITIES. Uldis Siliņš’<br />

memoir of life in Displaced Persons Camp,<br />

Alt-Garge, Germany in 1945, “Looking Back<br />

with a Smile”, contains excerpts about camp<br />

life from the British and German press. •••<br />

Rolfs Ekmanis in his appreciation of Tony<br />

Judt (1948-2010) accents the British-born<br />

historian’s prediction that the 21 st century<br />

will be neither the Chinese, nor the American<br />

Century, but the Century of Europe, also,<br />

Judt’s view that the US, in order to survive,<br />

must move towards a more egalitarian European<br />

model. ••• The Marginalia section<br />

contains the usual kaleidoscopic compendium<br />

of news shorts, carefully selected to be<br />

relevant to all Latvians the world over. •••<br />

The featured discussion in the Kiberkambaris<br />

section, “Stockholm Syndrome and<br />

George Soros”, tries to come to grips with<br />

the fact that Latvia has been and continues<br />

to be subject to powerful foreign influences,<br />

some for the worse, and some for the better.<br />

BOOK REVIEWS. Ilze Jansone’s Insomnia, a<br />

novel that promotes understanding of homosexuality<br />

in contemporary Latvia – reviewed<br />

by Aina Siksna • Leons Briedis’ collection<br />

of poetry Viļņi tuksnesī (Waves in<br />

the Desert) – Juris Silenieks • Lidija Dombrovska’s<br />

novel Aurorā pa Austrāliju (Australian<br />

Travel by “Aurora”) – Juris Silenieks<br />

• Vilis Vītols’ Savējiem: Pārdomas, pieredze,<br />

atziņas (To My Compatriots: Reflections, Experience,<br />

Observations), lessons on how to<br />

live right – Astra Roze • W.G. Sebald’s Austerlitz,<br />

translated from the German by Silvija<br />

Ģibiete – Heini Dubre • Journal of Baltic<br />

Studies ( J u n e 2 0 1 0 ) – G u n d a r s Ķe n i ņ š K i n g s .<br />

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