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Volume 7 - Realismo Fantasmagórico

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Referências Bibliográficas<br />

AITKEN, Ian. Realist Film Theory and Cinema. Manchester: Manchester University<br />

Press, 2006.<br />

BAZIN, André. O que é o cinema?. São Paulo: Cosac & Naify, 2014.<br />

BORDWELL, David; CARROLL, Noël (Orgs.). Post-Theory: Reconstructing Film<br />

Studies. Madison: University of Wisconsin Press, 1996.<br />

BRECHT, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Londres:<br />

Methuen, 1974.<br />

CIMENT, Michel. “Peindre les contacts physiques entre les personnages: Entretien<br />

avec Tsai Ming-liang”. Positif 439, September 1997.<br />

DE LUCA, Tiago. Realism of the Senses in World Cinema: The Experience of Physical<br />

Reality. Londres : I.B. Tauris, 2013.<br />

DELEUZE, Gilles. Cinéma 1: l’image-movement. Paris: Minuit, 1983.<br />

DELEUZE, Gilles. Cinéma 2: l’image-temps. Paris: Minuit, 1985.<br />

DOANE, Mary Ann. “The Object of Theory”. In: MARGULIES, Ivone (Org.). Rites<br />

of Realism: essays on corporeal cinema. Durham e Londres: Duke University<br />

Press, 2003. p. 80-89.<br />

HANSEN, Miriam Bratu. “Introduction”. In: KRACAUER, Siegfried. Theory of<br />

Film: The Redemption of Physical Reality. Princeton: Princeton University<br />

Press, 1997.<br />

JERSLEY, Anne. “Introduction”. In: JERSLEY, Anne (Org.). Realism and ‘Reality’<br />

in Film and Media. Copenhague: Museum Tusculanum Press/University of Copenhagen,<br />

2002.<br />

KRACAUER, Siegfried, Theory of Film: The Redemption of Physical Reality. Oxford:<br />

Oxford University Press, 1965.<br />

LIM, Song Hwee. Tsai Ming-liang and a Cinema of Slowness. Honolulu: University<br />

of Hawai`i Press, 2014.<br />

LÓPEZ, José Manuel. Naomi Kawase: El cine en el umbral. Madrid: T&B Editores,<br />

2008.<br />

30 REALISMO FANTASMAGÓRICO

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