Volume 7 - Realismo Fantasmagórico

MARGULIES, Ivone. “Bodies too much”. In: MARGULIES, Ivone (Org.). Rites of
Realism: Essays on Corporeal Cinema. Durham: Duke University Press, 2003.
MARKS, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment and
The Senses. Durham: Duke University Press, 2000.
MULVEY, Laura. Death 24x a Second: Stillness and the Moving Image. Londres:
Reaktion, 2006.
NAGIB, Lúcia. World Cinema and the Ethics of Realism. Londres: Continuum,
2011.
NAGIB, Lúcia; MELLO, Cecilia. Introduction. In: NAGIB, Lúcia; MELLO, Cecilia
(Orgs). Realism and the Audiovisual Media. Basingstoke: Palgrave Macmillan,
2009.
PASOLINI, Pier Paolo. “Observations on the long take”. October. N. 13, 1980.
p. 3-6.
PASOLINI, Pier Paolo. Heretical Empiricism. Washington: New Academia Publishing,
2005.
PRINCE, Stephen. “True lies: Perceptual Realism, Digital Images, and Film Theory”.
Film Quarterly. N. 49, 1996. p. 27-37.
RANCIÈRE, Jacques. Film Fables. Oxford: Berg, 2006.
RANCIÈRE, Jacques. Dissensus: On Politics and Aesthetics. Londres: Continuum,
2010.
RODOWICK, D.N. The Virtual Life of Film. Londres: Harvard University Press,
2007.
ROSEN, Philip. Change Mummified: Cinema, Historicity, Theory. Minneapolis:
University of Minnesota Press, 2001.
SHAVIRO, Steven. The Cinematic Body. Minneapolis: University of Minnesota
Press, 1993.
SOBCHACK, Vivian. “What My Fingers Knew: the Cinesthetic Subject, or Vision
in the Flesh”. In: Senses of Cinema. 2000. Disponível em: http://sensesofcinema.com/2000/conference-special-effects-special-affects/fingers/.
Acesso em:
20 out. 2015.
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