Japani_ki_lisaniyati_Nazam_or_bhol_chal
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
JPANI KA LASANIYATI NAZAAM AUR<br />
BOOL CHAL By Maqssoq Hasni<br />
86<br />
Compiled By: Dr. M. Riaz Anjum<br />
JPANI KA LASANIYATI NAZAAM AUR<br />
BOOL CHAL By Maqssoq Hasni<br />
85<br />
Compiled By: Dr. M. Riaz Anjum<br />
Ku Qunkar Qauood<br />
Ya Angya<br />
Sho Shosha<br />
Shu Shukar<br />
Sha Shatar<br />
Jo J<strong>or</strong>ab<br />
Ju Jungno<br />
Ja Baja<br />
Cho Chola<br />
Chu Chuha<br />
Cha Chakar<br />
Huo Rahihuo<br />
Heu Heute<br />
Hea Dehean<br />
Beu Unkbeut<br />
Beo Beonut<br />
Biya Biyaban<br />
Meo Me<strong>or</strong><br />
Miu Miuwati<br />
Mia Mian<br />
Neo Neota<br />
Niu Reniu<br />
Nia Niaz<br />
Reu Rewand, Raywar<br />
Ru Otaru<br />
Rya Rya’kar<br />
OTHER LANGUAGES HAVE A<br />
NATURAL LINK WITH JAPANESE<br />
SOUNDS<br />
Every sound has its own mood, behavi<strong>or</strong>, trend and culture.<br />
It adopts the f<strong>or</strong>m of w<strong>or</strong>d acc<strong>or</strong>dingly. While with the<br />
individual identity, social culture also involves. And it also<br />
keeps the nature of sounds with them. When a w<strong>or</strong>d enters<br />
43<br />
Hi Tabahi<br />
Ha Karaha<br />
Mo Mohubbut<br />
Mai Hungamay<br />
Mu Munch<br />
Mi Aasami<br />
Ma Mahi<br />
Ro Rokna<br />
Ra Sitar<br />
Yo Sanayo<br />
Ya Saya<br />
Oo Ooncha<br />
Go Bagola<br />
Gy Dhagy<br />
Gu Guftagu<br />
Gi Sadgi<br />
Ga Dhaga<br />
Zu Bazu<br />
Zay Tazay<br />
Zu Zood<br />
Gi Hagi<br />
Za Durwaza<br />
Do Dusra<br />
Sy Sady<br />
Zu Zulifqar<br />
Ge Gena<br />
Da Dildada<br />
Bo Bona<br />
Bay Baykar<br />
Bu Khushbu<br />
Bi Golabi<br />
Ba Baqi Pu Punja<br />
Pi Gopi Pu Pura<br />
Pi Papi<br />
Pa Pass