Layout LC.indd - Professur Schett
Layout LC.indd - Professur Schett
Layout LC.indd - Professur Schett
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Villa Ternisien<br />
Le Corbusier<br />
mit Pierre Jeanneret<br />
1926-1927<br />
5, allée des Pins, 92100 Boulogne-sur-Seine<br />
<strong>LC</strong> Paris<br />
97<br />
Le Corbusier described the house as a „jeu d‘esprit“ referring to its witty<br />
adaptation of his studio type to a peculiar site. The Ternisiens engaged Le<br />
Corbusier after hearing him lecture at the Sorbonne in 1923. Originally,<br />
Madame Ternisien‘s painting studio stood at the rear, an unmodulated<br />
double-height box with industrial sash windows, the pure studio type.<br />
Paul Ternisien‘s music room engaged the corner with a curved wall<br />
evocative of the instruments depicted in purist paintings. A smalI,<br />
glazed dining room and entrance connected the two studios and framed<br />
the site‘s small tree. One can imagine the neighborhood of 1926 as an<br />
extended site unifi ed by the nautical theme of Le Corbusier‘s purist<br />
shapes: the „smokestack“ stair and ship‘s bridge of Miestchaninoff down<br />
the street, complemented by Ternisien‘s „pointed bow.“
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