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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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APHRODITE AND EROS 177<br />

The goddess is present at the marriage that she has made, and now when<br />

the crescent moon had become full nine times, Pygmalion's wife gave birth to<br />

Paphos, and from him the place got its name.<br />

Galatea is the name given to Pygmalion's beloved in later versions of the tale.<br />

APHRODITE AND ADONIS<br />

In the most famous of her myths, Aphrodite is confused with the great Phoenician<br />

goddess Astarte; they have in common as their love a young and handsome<br />

youth named by the Greeks Adonis. 4 Perhaps the best-known version of the<br />

story of Aphrodite and Adonis is told by Ovid. Paphos (the son of Pygmalion<br />

and Galatea) had a son, Cinyras. Myrrha, the daughter of Cinyras, fell desperately<br />

in love with her own father. Tormented by her sense of shame and guilt,<br />

the poor girl was on the point of suicide, but she was rescued just in time by<br />

her faithful nurse, who eventually wrenched the secret from her. Although the<br />

old woman was horrified by what she learned, she preferred to help satisfy the<br />

girl's passion rather than to see her die.<br />

It was arranged that the daughter should go to the bed of her father without<br />

his knowing her identity, and their incestuous relations continued for some<br />

time until Cinyras in dismay found out with whom he had been sleeping. In terror,<br />

Myrrha fled from the wrath of her father. As he pursued her she prayed for<br />

deliverance and was changed into a myrrh tree, which continually drips with<br />

her tears. Myrrha had become pregnant by her father, and from the tree was<br />

born a beautiful son named Adonis, who grew up to be a most handsome youth<br />

and keen hunter. At the sight of him Aphrodite fell desperately in love. She<br />

warned Adonis against the dangers of the hunt, telling him to be especially wary<br />

of any wild beasts that would not turn and flee but stood firm (see Color Plate<br />

7). Ovid's story continues as follows (Metamorphoses 10. 708-739):<br />

f<br />

These were the warnings of Venus and she rode away through the air in her<br />

chariot yoked with swans. But Adonis' courageous nature stood in the way of<br />

her admonitions. By chance his dogs followed the clear tracks of a wild boar<br />

and frightened it from its hiding place. As it was ready to come out of the woods,<br />

the son of Cinyras hit a glancing blow on its side. With its crooked snout the<br />

savage beast imme<strong>dia</strong>tely dislodged the blood-stained spear and made for the<br />

frightened youth as he fled for safety. The boar buried its tusk deep within his<br />

groin and brought him down on the yellow sand, dying.<br />

As Venus was being borne through the air in her light chariot on the wings<br />

of swans (she had not yet reached Cyprus), she heard the groans of the dying<br />

boy from afar and turned the course of her white birds toward them. When she<br />

saw from the air above his lifeless body lying in his own blood, she rushed<br />

down, and rent her bosom and her hair and beat her breast with hands not meant<br />

to do such violence. She complained against the Fates, crying: "But still everything<br />

will not be subject to your decrees; a memorial of my grief for you, Adonis,<br />

will abide forever. The scene of your death will be re-created annually with

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