Classical Mythology, 7th Edition - obinfonet: dia logou

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514 THE GREEK SAGAS: GREEK LOCAL LEGENDS Andromeda, whom he married, using the Gorgon's head to deal with the opposition of Cepheus' brother Phineus, to whom Andromeda had previously been betrothed. After their son Perses was born, Perseus and Andromeda flew back to Seriphos, leaving Perses behind as heir to Cepheus' kingdom. THE ORIGIN OF LIBYAN SNAKES, THE ATLAS RANGE, AND CORAL A number of other details have been added to the original account of Perseus' flight with the Gorgon's head. The Gorgon's blood is said to have dripped through the kibisis as Perseus flew over Libya, and from the drops sprang the infinite number of poisonous snakes that (according to the belief of the ancients) infested the Libyan desert. The giant Atlas, supporter of the heavens, refused to show Perseus any hospitality, and Perseus turned him into stone with the Gorgon's head. His head and body became a mountain range, his hair the forests upon the mountains. As an example of these ingenious additions to the legend, we give Ovid's description of the creation of coral (Metamorphoses 4. 740-752): Perseus washed his hands, bloody from his victory over the monster, in the sea. So that the hard sand should not damage the snake-bearing head, he made the ground soft with leaves and branches that grow beneath the sea's surface, and on these he placed the head of Medusa, daughter of Phorcys. The branch that a few moments before had been fresh and filled with living pith absorbed the monster's power; and touched by the head, its leaves and stems took on a new hardness. But the sea-nymphs tested the miraculous change on other branches and rejoiced to see the same thing happen. Now coral still retains its same nature: it grows hard in contact with air, and what in the sea was flexible becomes stone out of the water. POLYDECTES AND PERSEUS' RETURN TO ARGOS When Perseus and Andromeda reached Seriphos, they found that Danaë and Dictys had taken refuge at an altar from the violence of Polydectes. Perseus displayed the Gorgon's head before Polydectes and his assembled followers, who were all turned to stone. Thus Danaë was released and returned to Argos with Perseus and Andromeda. Perseus made Dictys king of Seriphos and returned the magic objects to the gods—the sandals, kibisis, and cap to Hermes (who returned them to the nymphs) and the Gorgon's head to Athena, who set it in the middle of her shield (see illustration on p. 165). THE DEATH OF ACRISIUS When Acrisius heard that Danaë's son was indeed alive and returning to Argos, he left the city and went to the city of Larissa, in Thessaly, where Perseus followed him. Here Acrisius met his long-foretold death. Competing in the athletic
PERSEUS AND THE LEGENDS OF ARGOS 515 The Baleful Head. By Edward Burne-Jones (1833-1898); oil on canvas, 1887, 6OV2 X 50 3 /4 in. This is the final painting in Burne-Jones' Perseus cycle, undertaken for Arthur Balfour in 1875 and based on William Morris' poem "The Doom of Acrisius" in The Early Paradise. Ten full-scale watercolor cartoons (now in Southampton, England) and four oil paintings (now in Stuttgart, Germany) were completed. Burne-Jones sets the lovers in an enclosed garden. They look at the reflection of the Gorgon's head, held up by Perseus, in the surface of a marble-sided well. The bright, open eyes of Andromeda provide a dramatic contrast with the reflection of Medusa's closed eyes. The scene is an intense yet peaceful close to the turbulent adventures of Perseus, who still must face the battle with Phineus. (Stuttgart, Staatsgallerie.)
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CLASSICAL MYTHOLOGY
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Oxford University Press Oxford New
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PLATES, MAPS, AND FIGURES ix PREFAC
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PLATES, MAPS AND FIGURES COLOR PLAT
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PLATES, MAPS AND FIGURES XI 81 Oedi
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PREFACE This is the seventh edition
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PREFACE XV The Introduction in prev
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ABOUT THE AUTHORS Mark Morford is P
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CHAPTER 1 INTERPRETATION AND DEFINI
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INTERPRETATION AND DEFINITION OF CL
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CHAPTER 2 HISTORICAL BACKGROUND OF
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HISTORICAL BACKGROUND OF GREEK MYTH
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CHAPTER 3 MYTHS OF CREATION There w
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MYTHS OF CREATION 53 Another myth o
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MYTHS OF CREATION 55 wonder to prim
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MYTHS OF CREATION 57 Selene, and Eo
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MYTHS OF CREATION 59 Selene's conti
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MYTHS OF CREATION 61 simply and eff
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MYTHS OF CREATION 63 love, lay on G
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MYTHS OF CREATION 65 after he is de
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MYTHS OF CREATION 67 Gigantomachy.
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MYTHS OF CREATION 69
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MYTHS OF CREATION 71 for power agai
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MYTHS OF CREATION 73 ing a branch,
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MYTHS OF CREATION 75 8. See the bib
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ZEUS' RISE TO POWER: THE CREATION O
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THE TWELVE OLYMPIANS: ZEUS, HERA, A
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THE NATURE OF THE GODS 129 dition,
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THE NATURE OF THE GODS 131 He argue
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THE NATURE OF THE GODS 133 all the
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THE NATURE OF THE GODS 135
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THE NATURE OF THE GODS 137 solutely
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THE NATURE OF THE GODS 139 group of
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THE NATURE OF THE GODS 141 Croesus,
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THE NATURE OF THE GODS 143 Yet ther
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THE NATURE OF THE GODS 145 and God
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CHAPTER 7 POSEIDON, SEA DEITIES, GR
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POSEIDON, SEA DEITIES, GROUP DIVINI
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CHAPTER 8 ATHENA THE BIRTH OF ATHEN
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ATHENA 159 all honoring Athena, who
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ATHENA 161 brate the festival of th
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ATHENA 163 birth Athena was reared
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ATHENA 165 Athena. Detail from an A
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ATHENA 167 in a more generic and ab
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ATHENA 169 oning progress and the a
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CHAPTER 9 APHRODITE AND EROS As we
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APHRODITE AND EROS 173
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APHRODITE AND EROS 175 The Godhead
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APHRODITE AND EROS 177 The goddess
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APHRODITE AND EROS 179 youth. Obvio
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APHRODITE AND EROS 181 Venus and An
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APHRODITE AND EROS 183 tiful woods
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APHRODITE AND EROS 185 taken his de
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APHRODITE AND EROS 187 honors, alth
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APHRODITE AND EROS 189 able to tell
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APHRODITE AND EROS 191 a feast and
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APHRODITE AND EROS 193 SOCRATES AND
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APHRODITE AND EROS 195 bridegroom v
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APHRODITE AND EROS 197 ¥ Immediate
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APHRODITE AND EROS 199 NOTES 1. in
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ARTEMIS 201 Artemis the Huntress. R
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ARTEMIS 203 of her primary function
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ARTEMIS 205 out "Actaeon am I; obey
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ARTEMIS 207 ana's side nor be the f
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ARTEMIS Artemis of Ephesus. Alabast
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ARTEMIS 211 favorite of Aphrodite,
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ARTEMIS 213 ¥ APHRODITE: I am call
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ARTEMIS 215 stead may they live and
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ARTEMIS 217 her own life. She confi
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ARTEMIS 219 my unhappy mother, O my
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ARTEMIS 221 your enemies. The god o
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ARTEMIS 223 with the last gasps of
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ARTEMIS 225 3. A rock on Mt. Sipylu
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APOLLO 227 peaks of Pelion, Thracia
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APOLLO 229
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APOLLO 231 a she-dragon by the fair
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APOLLO 233 neath or inside the bowl
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APOLLO 235 entrust them to the leav
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APOLLO 237 all-consuming fire and f
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APOLLO 239 Apollo and Daphne, by Gi
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APOLLO 241 APOLLO, CORONIS, AND ASC
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APOLLO 243 that he dared to challen
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APOLLO 245 knows by experience the
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APOLLO 247 mediately the immortals
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APOLLO 249 me his dear and trusting
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APOLLO *mm** 251
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APOLLO 253 to land? This is the rig
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APOLLO 255 4. It is not difficult t
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CHAPTER 12 HERMES THE BIRTH AND CHI
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HERMES 259 seashore, he wove sandal
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HERMES 261 The old man spoke to him
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HERMES 263 and by arguments. But wh
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HERMES 265 uttered sound I hear is
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HERMES 267 messenger to Hades, who,
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HERMES 269 THE MUTILATION OF THE HE
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HERMES 271 uous exercise of the hun
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HERMES 273 3. As he walks along, He
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DIONYSUS, PAN, ECHO, AND NARCISSUS
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CHAPTER 14 DEMETER AND THE ELEUSINI
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DEMETER AND THE ELEUSINIAN MYSTERIE
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VIEWS OF THE AFTERLIFE: THE REALM O
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ORPHEUS AND ORPHISM: MYSTERY RELIGI
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INTRODUCTION Universal themes are p
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374 THE GREEK SAGAS: GREEK LOCAL LE
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CHAPTER 18 THE MYCENAEAN SAGA The l
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o CD Dioscuri Zeus Tyndareus 1^ Hel
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CHAPTER 19 THE TROJAN SAGA AND THE
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440 ¥ PARIS: THE GREEK SAGAS: GREE
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i 1 Telamon m. Hesione Teucer 1 lit
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Aeolus 3 I I I I I Salmoneus Alcyon
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CHAPTER 25 MYTHS OF LOCAL HEROES AN
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The François Vase. Attic black-fig
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C HAPTER 26 ROMAN MYTHOLOGY AND SAG
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ROMAN MYTHOLOGY AND SAGA 625 ALPES
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ROMAN MYTHOLOGY AND SAGA 627 Mars i
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ROMAN MYTHOLOGY AND SAGA 629 archai
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ROMAN MYTHOLOGY AND SAGA 631 The se
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ROMAN MYTHOLOGY AND SAGA 633 obscur
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ROMAN MYTHOLOGY AND SAGA 635 famous
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ROMAN MYTHOLOGY AND SAGA 637 on the
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ROMAN MYTHOLOGY AND SAGA 639 f Guar
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ROMAN MYTHOLOGY AND SAGA 641 with s
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ROMAN MYTHOLOGY AND SAGA 643 same p
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ROMAN MYTHOLOGY AND SAGA 645 Map 26
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ROMAN MYTHOLOGY AND SAGA 647 who fo
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ROMAN MYTHOLOGY AND SAGA 649 Underw
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ROMAN MYTHOLOGY AND SAGA 651 Dido a
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ROMAN MYTHOLOGY AND SAGA 653 hersel
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ROMAN MYTHOLOGY AND SAGA 655 Ennius
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ROMAN MYTHOLOGY AND SAGA 657 f "Go,
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ROMAN MYTHOLOGY AND SAGA 659 The Oa
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ROMAN MYTHOLOGY AND SAGA Rape of Lu
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ROMAN MYTHOLOGY AND SAGA 663 8. See
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CHAPTER 27 CLASSICAL MYTHOLOGY IN L
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CLASSICAL MYTHOLOGY IN LITERATURE A
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CHAPTER 28 CLASSICAL MYTHOLOGY IN M
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CLASSICAL MYTHOLOGY IN MUSIC, DANCE
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SELECT BIBLIOGRAPHY Only a few of t
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GLOSSARY OF MYTHOLOGICAL WORDS AND
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THE GREEK SPELLING OF NAMES 777 Che
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CAPTIONS FOR COLOR PLATES 1-10 1. J
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PLATE 2 Dionysus, kylix by Exekias.
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? & & * |£ ^^H v \i\à ' PLATE 6 T
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PLATE 8 The Discovery of the Infant
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s PLATE 10 Las Manderas (The Weaver
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CAPTIONS FOR COLOR PLATES 11-21 11.
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PLATE 13 The Triumph of Neptune and
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PLATE 15 Earth: Vertumnus and Pomon
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IPSBKTIÎHB S'Y ;.--:«r.i. m&Z
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PLATE 20 Hector and Andromache, by
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INDEXES INDEX OF AUTHORS, ARTISTS,
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INDEXES 1-3 Bruch, Max, 711 Brueghe
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INDEXES 1-5 Erechtheus (Euripides),
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INDEXES 1-7 Hymn to Apollo (Bliss),
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INDEXES 1-9 Mourning Becomes Electr
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INDEXES 1-11 Rapp, Michael, 730 Rec
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INDEXES 1-13 Villa-Lobos, Hector, 7
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INDEXES Alcaeus (al-së' us), fathe
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INDEXES 1-17 Baucis (baw' kis), she
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INDEXES 1-19 from the earth, who lo
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INDEXES 1-21 Eurybië (u-rib' i-e),
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INDEXES 1-23 Icarius (i-kar' i-us):
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INDEXES 1-25 Melpomene (mel-pom' e-
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INDEXES 1-27 Periclymenus (per-i-kl
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INDEXES 1-29 Sphinx (sfinks), "Stra
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