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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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THE THEBAN SAGA 387<br />

The Chorus, speaking for ordinary citizens of Thebes (or of any Greek city<br />

that honored the gods), is appalled. They (so they affirm) will not resist what is<br />

fated, for its laws have been established by Zeus and never die, while human<br />

beings grow old and die. The human being who dismisses the laws of Zeus commits<br />

hubris (pride, leading to insolent violence) and becomes a tyrant, his world<br />

one in which the proper order of things human and divine is thrown into disorder.<br />

Such insolence, so the Chorus sings, they never will display. In famous<br />

lines they conclude (893-896):<br />

f What<br />

man who lives his life like this [i.e., disregarding the divine law] can protect<br />

his soul from the shafts [of Zeus]? If deeds such as his are honored, why<br />

should I dance in the Chorus?<br />

In the lines that follow these words they pray to Zeus to assert his power,<br />

for if the prophecies of Apollo are disregarded, then religion (and with it, the<br />

power of the gods) no longer has any meaning.<br />

Imme<strong>dia</strong>tely after this chorus, in a brilliant dramatic stroke, Sophocles brings<br />

on Jocasta, the very person who had declared that the prophecies of Apollo were<br />

useless. She has kept faith in the god but not in the prophecies she believes were<br />

delivered by his false prophets. Jocasta sacrifices at the altar of Apollo but to no<br />

avail. In bitter irony, her prayer is answered at once by the arrival of the<br />

Corinthian messenger, who sets in motion events leading to her own death. The<br />

inexorable progress of Oedipus' discovery continues to its fated climax.<br />

Returning now to the last scene of the tragedy, we see that the power of<br />

Zeus is confirmed, but with it comes the potential for the hero to assert<br />

his dignity in the face of the worst that the will of Zeus can do to him. In<br />

the final lines of the drama, the Chorus, in lines that appear repeatedly in<br />

Sophocles (and in Herodotus' story of Croesus, as told in Chapter 6), sing<br />

(1528-1530):<br />

S Call no man happy until he reaches the end of his life without suffering.<br />

The will of Zeus, as foretold by Apollo at Delphi, has triumphed, but so also<br />

has Oedipus, who has asserted his greatness as a human being and has not given<br />

in to despair.<br />

SOPHOCLES' OEDIPUS AT COLONUS<br />

Sophocles died in 406-405 B.C. at about the age of ninety, and his final drama,<br />

Oedipus at Colonus, was produced at Athens by his grandson in 401. 4 It is the<br />

longest of Sophocles' tragedies, and it is a profound meditation upon the wisdom<br />

that old age brings after a lifetime of experience—success and failure, suffering<br />

and happiness. It develops the themes of the Oedipus Tyrannus, produced<br />

in about 428, bringing the hero to his mysterious yet glorious end near the village<br />

of Colonus, the birthplace of Sophocles himself.

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