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Classical Mythology, 7th Edition - obinfonet: dia logou

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ROMAN MYTHOLOGY AND SAGA 633<br />

obscure Italian deity Lua. In the cult of Ops, her partner was Consus, an Italian<br />

harvest deity, whose festival, the Consualia, was celebrated in both August and<br />

December. Livy tells us that the seizure of the Sabine women took place at the<br />

games held during the Consualia.<br />

Agricultural deities were very prominent in early Roman religion, and others<br />

besides Mars, Saturn, and their associates were connected with the fertility<br />

of the land. The cult of Ceres at Rome went back to the earliest days of the Roman<br />

Republic, when in 493 B.c. a temple on the Aventine was dedicated to Ceres,<br />

Liber, and Libera. Ceres was identified with Demeter, Liber with Dionysus, and<br />

Libera with Kore (i.e., Persephone, Demeter's daughter). Thus the Eleusinian<br />

triad of Demeter, Kore, and Iacchus/Bacchus had its exact counterpart at Rome.<br />

The mythology of Ceres and Liber is entirely Hellenized, and the ritual of worship<br />

in their temple was Greek, even the prayers being spoken in Greek. The<br />

wine-god Liber, however, did not share in the ecstatic aspects of Dionysus.<br />

The Aventine temple of Ceres, Liber, and Libera was also important as a political<br />

and commercial center. It was a center of plebeian activity, and was especially<br />

connected with the plebeian aediles and tribunes. In front of it was the<br />

headquarters of the state-subsidized grain supply (statio annonae).<br />

Also associated with Ceres was the Italian earth-goddess Tellus Mater, with<br />

whom she shared the festival of the sowing of the seed (feriae sementivae) in<br />

January. Thus the grain was watched over from seed to granary by three<br />

divinities—Ceres before it was sown, Tellus Mater when it was put in the earth,<br />

Consus when it was harvested and stored.<br />

Two minor fertility goddesses were Flora and Pomona. The former was the<br />

goddess of flowering, especially of grain and the vine. In Ovid she is the consort<br />

of the West Wind, Zephyrus, who gave her a garden filled with flowers.<br />

Here is how she describes it (Ovid, Fasti 5. 209-230):<br />

f<br />

l have a fertile garden in the lands that are my wedding gift, filled with noble<br />

flowers by my husband, who said, "Be ruler, O goddess, over flowers." As soon<br />

as the dewy frost is shaken from the leaves .. . the Hours come together clothed<br />

in many colors and gather my flowers in lightly woven baskets. Then come the<br />

Graces, twining flowers into garlands. ... I was the first to make a flower from<br />

the blood of the boy from Therapnae [Hyacinthus]. . . . You too, Narcissus, keep<br />

your name in my well-tended garden. . . . And need I tell of Crocus and Attis<br />

and Adonis, the son of Cinyras, from whose wounds I caused the flowers to<br />

spring that honor them?<br />

In this passage Ovid uses Greek mythology to give substance to the Italian<br />

fertility goddess. The Greek figures of Zephyrus, the Seasons (in Latin, Home)<br />

and Charités (Latin, Gratiae or Graces), and the youths who were changed into<br />

flowers give a narrative element to Flora, who otherwise has no myths. Ovid<br />

has created a Roman mythology from the Greek stories. His description of the<br />

garden of Flora, moreover, was the inspiration for Nicolas Poussin's famous

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