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Classical Mythology, 7th Edition - obinfonet: dia logou

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CLASSICAL MYTHOLOGY IN MUSIC, DANCE, AND FILM 761<br />

Duncan training and illustrates six dances (including "Three Graces") with a class at<br />

Smith College; Isadora Duncan: Movement from the Soul—a documentary narrated by<br />

Julie Harris that includes "Dance of the Furies," "Dance of the Blessed Spirits," and<br />

"Narcissus," performed by the Oakland Ballet; and What Is New (Series, Magic of the<br />

Dance)—narrated by Margot Fonteyn, with a short film of Duncan dancing in a garden.<br />

There are two film biographies: Isadora Duncan, The Biggest Dancer in the World<br />

(1966), Kit Parker Films—an inventive biography by the iconoclastic director Ken Russell,<br />

with Vivien Pickles as Isadora; also Isadora (1968)—directed by Karel Reisz, starring<br />

Vanessa Redgrave. See Louise Spain, éd., Dance on Camera, A Guide to Dance Films<br />

and Videos (Latham, Md.: The Scarecrow Press, 1998).<br />

37. Terry, Isadora Duncan, p. 102.<br />

38. Ted Shawn with Gray Poole, One Thousand and One Night Stands (New York: Doubleday<br />

and Company, 1960), pp. 10-11.<br />

39. Ibid., p. 15.<br />

40. Ibid., p. 66. Information for this dance, choreographed by Shawn and St. Denis, is as<br />

follows: Dance Pageant of In<strong>dia</strong>, Greece and Egypt (or Life and Afterlife in Egypt, Greece<br />

and In<strong>dia</strong>), 1916. Music by Meyrowitz, De Lachau, Nevin, and Halverson. The section<br />

on Greece was subdivided: Plastic; Figures from an Amphora; Dancers with Musical<br />

Instruments; From a Grecian Vase; and Greek Youth.<br />

41. Ted Shawn,Thirty-three Years of American Dance (1927-1959) and the American Ballet<br />

(Pittsfield, Mass.: Eagle Printing and Binding Co., 1959), pp. 4-6. Beginning in 1915,<br />

Denishawn toured the United States and the world until 1931; then, beginning in<br />

1933, Shawn and his Men Dancers toured for seven years in over 750 cities in the<br />

United States, Canada, Cuba, and England, presenting over 1259 performances; in<br />

their repertoire were many dances related to Greek and Roman themes.<br />

42. Ted Shawn, How Beautiful upon the Mountain, A History of Jacob's Pillow, 3d ed. (n.p.,<br />

1947).<br />

43. See Christina L. Schlundt, The Professional Appearances of Ruth St. Denis and Ted Shawn,<br />

A Chronology and Index of Dances 1906-1932 (New York: The New York Public Library,<br />

1962). The following videos offer insight into the careers and choreography of Shawn<br />

and St. Denis: Denishawn, The Birth of Modern Dance and The Men Who Danced, a nostalgic<br />

reunion of members of Shawn's all-male troupe, founded in 1933, that offers a<br />

history of life and performance at Jacob's Pillow. For these and other videos and films<br />

see Spain, Dance on Camera.<br />

44. Terry, Isadora Duncan, pp. 101-102. This dance is on the Denishawn video.<br />

45. Ibid., p. 102.<br />

46. Ibid., p. 102, comments that O, Libertad, "his greatest group work . . . restated in contemporary<br />

dance terms the ceremonial of the threshing floor and its testimony to<br />

love, life, death and afterlife."<br />

47. Martha Graham, Blood Memory (New York: Doubleday, 1991), p. 236.<br />

48. Ibid., pp. 27 and 234.<br />

49. Ibid., p. 120.<br />

50. Ibid., p. 75.<br />

51. Ibid., p. 263.<br />

52. Ibid., p. 4.<br />

53. Ibid., p. 211.<br />

54. Quoted in Barbara Morgan, Martha Graham, Sixteen Dances in Photographs (Dobbs

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