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Classical Mythology, 7th Edition - obinfonet: dia logou

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34 THE MYTHS OF CREATION: THE GODS<br />

ICONOGRAPHY, RELIGION, AND<br />

FEMINIST INTERPRETATIONS<br />

Dexter, Miriam Robbins. Whence the Goddesses: A Source Book. Elmsford, N.Y.: Pergamon<br />

Press, 1990. A history of goddesses through a comparison of the iconography with<br />

the literary tradition.<br />

Ehrenberg, Margaret. Women in Prehistory. Norman: University of Oklahoma Press, 1989.<br />

The role of women from the Paleolithic to the Iron Age, with a consideration of matriarchy<br />

in Minoan Crete.<br />

Eller, Cynthia. The Myth of Matriarchal Prehistory: Why an Invented Past Won't Give Women<br />

a Future. New York: Beacon Press, 2000. An argument against the validity of interpretations<br />

of feminists such as Marija Gimbutas, who imagine in a time of goddess<br />

worship a gynocentric golden age before the onslaught of patriarchy.<br />

Gimbutas, Marija. Goddesses and Gods of Old Europe, 7000-3500 B.C.: Myths and Cult Images.<br />

New and updated ed. Berkeley: University of California Press, 1982. A study<br />

of figurines, which includes analysis of "Mistresses of Waters," "The Great Goddess<br />

of Life," "Death and Regeneration," and the "Year God."<br />

. The Language of the Goddesses. Foreword by Joseph Campbell. New York: Harper<br />

& Row, 1989. An analysis of the symbols in the archaeological evidence under the<br />

major categories of "Life-Giving," "The Renewing and Eternal Earth," "Death and<br />

Regeneration," and "Energy and Unfolding."<br />

THE GODS, RELIGION, AND THE OCCULT<br />

See the Select Bibliography at the end of Chapter 6.<br />

NOTES<br />

1. See the bibliography for this chapter.<br />

2. G. S. Kirk, The Nature of Greek Myths (Harmondsworth and Baltimore: Penguin Books,<br />

1974), p. 27. Kirk identifies a "traditional tale" as a myth that has "succeeded in becoming<br />

traditional . . . [and is] important enough to be passed from generation to<br />

generation."<br />

3. See especially H. J. Rose, A Handbook of <strong>Classical</strong> <strong>Mythology</strong>, 6th ed. (London: Methuen,<br />

1958), pp. 12-14, for his designations of myth, saga, and folktale.<br />

4. Legend may be used as a general term like myth in its broadest sense. Often, however,<br />

it is defined as equivalent to saga and made to refer to stories inspired by actual persons<br />

and events. Thus for us legend and saga are one and the same. Many prefer the<br />

German word Mdrchen for the designation of folktales because of the pioneering work<br />

of the brothers Grimm (1857) in collecting and collating variations of oral tales and<br />

publishing their own versions.<br />

5. Graham Anderson, Fairytales in the Ancient World (London and New York: Routledge,<br />

2000), p. 1. He has identified several motifs from familiar fairytales in Greek and Roman<br />

stories (e.g., those of Cinderella, Snow White, Red Riding Hood, and Bluebeard,<br />

among many others) and offers a comparison of Cupid and Psyche and Beauty and the<br />

Beast.

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