Classical Mythology, 7th Edition - obinfonet: dia logou

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238 THE MYTHS OF CREATION: THE GODS Apollo and Daphne, attributed to Antonio del Pollaiuolo (1433-1498). Oil on panel; 11 5 /s X 7 7 /8 in, Apollo, in the guise of a young Florentine nobleman, has just caught up with Daphne. Her left leg is rooted in the ground and her arms have already become leafy branches, while she looks down at the god with a mysterious smile. The painter has caught the interaction of movement and fixity that permeates Ovid's narrative, while the tragedy is set in a jewel-like Tuscan landscape. (National Gallery, London. Reproduced by courtesy of the Trustees.) be honored with green leaves!" Apollo's speech was done: the new-made laurel nodded her assent and like a head bowed her topmost branches. The interpretation of this most artistically inspiring tale of passion is discussed in Chapter 1 (pp. 19-20). Is it the most touching and poignant of love stories or the glorification of attempted rape?
APOLLO 239 Apollo and Daphne, by Gian Lorenzo Bernini (1598-1680). Marble, 1624; height 96 in. Like Pollaiuolo, Bernini has chosen the moment when swift movement is stopped. The sculptor brilliantly incorporates the psychological tensions of Ovid's narrative, frozen in the moment of metamorphosis. The contrast between Apollo, adapted from the famous Apollo Belvedere, and the agitated emotions of Daphne serves to heighten the tragedy. On the base (not shown) are inscribed Ovid's description of the metamorphosis (Metamorphoses 1. 519-521) and two Latin lines by the future Pope Urban VIII: "Every lover who pursues the joys of fleeing beauty fills his hands with leaves or plucks bitter berries." (Galleria Borghese, Rome, Italy. Courtesy of Alinari/Art Resource, New York.)
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CLASSICAL MYTHOLOGY
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Oxford University Press Oxford New
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PLATES, MAPS, AND FIGURES ix PREFAC
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PLATES, MAPS AND FIGURES COLOR PLAT
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PLATES, MAPS AND FIGURES XI 81 Oedi
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PREFACE This is the seventh edition
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PREFACE XV The Introduction in prev
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ABOUT THE AUTHORS Mark Morford is P
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CHAPTER 1 INTERPRETATION AND DEFINI
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INTERPRETATION AND DEFINITION OF CL
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CHAPTER 2 HISTORICAL BACKGROUND OF
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HISTORICAL BACKGROUND OF GREEK MYTH
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CHAPTER 3 MYTHS OF CREATION There w
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MYTHS OF CREATION 53 Another myth o
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MYTHS OF CREATION 55 wonder to prim
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MYTHS OF CREATION 57 Selene, and Eo
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MYTHS OF CREATION 59 Selene's conti
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MYTHS OF CREATION 61 simply and eff
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MYTHS OF CREATION 63 love, lay on G
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MYTHS OF CREATION 65 after he is de
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MYTHS OF CREATION 67 Gigantomachy.
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MYTHS OF CREATION 69
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MYTHS OF CREATION 71 for power agai
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MYTHS OF CREATION 73 ing a branch,
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MYTHS OF CREATION 75 8. See the bib
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ZEUS' RISE TO POWER: THE CREATION O
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THE TWELVE OLYMPIANS: ZEUS, HERA, A
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THE NATURE OF THE GODS 129 dition,
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THE NATURE OF THE GODS 131 He argue
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THE NATURE OF THE GODS 133 all the
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THE NATURE OF THE GODS 135
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THE NATURE OF THE GODS 137 solutely
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THE NATURE OF THE GODS 139 group of
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THE NATURE OF THE GODS 141 Croesus,
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THE NATURE OF THE GODS 143 Yet ther
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THE NATURE OF THE GODS 145 and God
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CHAPTER 7 POSEIDON, SEA DEITIES, GR
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POSEIDON, SEA DEITIES, GROUP DIVINI
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CHAPTER 8 ATHENA THE BIRTH OF ATHEN
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ATHENA 159 all honoring Athena, who
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ATHENA 161 brate the festival of th
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ATHENA 163 birth Athena was reared
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ATHENA 165 Athena. Detail from an A
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ATHENA 167 in a more generic and ab
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ATHENA 169 oning progress and the a
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CHAPTER 9 APHRODITE AND EROS As we
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APHRODITE AND EROS 173
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APHRODITE AND EROS 175 The Godhead
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APHRODITE AND EROS 177 The goddess
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APHRODITE AND EROS 179 youth. Obvio
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APHRODITE AND EROS 181 Venus and An
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APHRODITE AND EROS 183 tiful woods
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APHRODITE AND EROS 185 taken his de
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Page 217 and 218: APHRODITE AND EROS 195 bridegroom v
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Page 223 and 224: ARTEMIS 201 Artemis the Huntress. R
Page 225 and 226: ARTEMIS 203 of her primary function
Page 227 and 228: ARTEMIS 205 out "Actaeon am I; obey
Page 229 and 230: ARTEMIS 207 ana's side nor be the f
Page 231 and 232: ARTEMIS Artemis of Ephesus. Alabast
Page 233 and 234: ARTEMIS 211 favorite of Aphrodite,
Page 235 and 236: ARTEMIS 213 ¥ APHRODITE: I am call
Page 237 and 238: ARTEMIS 215 stead may they live and
Page 239 and 240: ARTEMIS 217 her own life. She confi
Page 241 and 242: ARTEMIS 219 my unhappy mother, O my
Page 243 and 244: ARTEMIS 221 your enemies. The god o
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Page 247 and 248: ARTEMIS 225 3. A rock on Mt. Sipylu
Page 249 and 250: APOLLO 227 peaks of Pelion, Thracia
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Page 263 and 264: APOLLO 241 APOLLO, CORONIS, AND ASC
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Page 271 and 272: APOLLO 249 me his dear and trusting
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Page 281 and 282: HERMES 259 seashore, he wove sandal
Page 283 and 284: HERMES 261 The old man spoke to him
Page 285 and 286: HERMES 263 and by arguments. But wh
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Page 291 and 292: HERMES 269 THE MUTILATION OF THE HE
Page 293 and 294: HERMES 271 uous exercise of the hun
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DIONYSUS, PAN, ECHO, AND NARCISSUS
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CHAPTER 14 DEMETER AND THE ELEUSINI
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DEMETER AND THE ELEUSINIAN MYSTERIE
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VIEWS OF THE AFTERLIFE: THE REALM O
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ORPHEUS AND ORPHISM: MYSTERY RELIGI
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INTRODUCTION Universal themes are p
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374 THE GREEK SAGAS: GREEK LOCAL LE
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CHAPTER 18 THE MYCENAEAN SAGA The l
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o CD Dioscuri Zeus Tyndareus 1^ Hel
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CHAPTER 19 THE TROJAN SAGA AND THE
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440 ¥ PARIS: THE GREEK SAGAS: GREE
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i 1 Telamon m. Hesione Teucer 1 lit
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The Building of the Trojan Horse, b
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CHAPTER 20 THE RETURNS AND THE ODYS
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UT. o 00 bya r 5 Danaus Aegyptuj r~
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Zeus m. Danaë I Perseus m. Androme
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C HAPTER 23 THESEUS AND THE LEGENDS
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Dionysus and Ariadne. Marble sarcop
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Aeolus 3 I I I I I Salmoneus Alcyon
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CHAPTER 25 MYTHS OF LOCAL HEROES AN
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The François Vase. Attic black-fig
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C HAPTER 26 ROMAN MYTHOLOGY AND SAG
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ROMAN MYTHOLOGY AND SAGA 625 ALPES
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ROMAN MYTHOLOGY AND SAGA 627 Mars i
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ROMAN MYTHOLOGY AND SAGA 629 archai
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ROMAN MYTHOLOGY AND SAGA 631 The se
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ROMAN MYTHOLOGY AND SAGA 633 obscur
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ROMAN MYTHOLOGY AND SAGA 635 famous
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ROMAN MYTHOLOGY AND SAGA 637 on the
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ROMAN MYTHOLOGY AND SAGA 639 f Guar
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ROMAN MYTHOLOGY AND SAGA 641 with s
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ROMAN MYTHOLOGY AND SAGA 645 Map 26
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ROMAN MYTHOLOGY AND SAGA 647 who fo
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ROMAN MYTHOLOGY AND SAGA 649 Underw
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ROMAN MYTHOLOGY AND SAGA 651 Dido a
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ROMAN MYTHOLOGY AND SAGA 653 hersel
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ROMAN MYTHOLOGY AND SAGA 655 Ennius
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ROMAN MYTHOLOGY AND SAGA 657 f "Go,
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ROMAN MYTHOLOGY AND SAGA 659 The Oa
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ROMAN MYTHOLOGY AND SAGA Rape of Lu
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ROMAN MYTHOLOGY AND SAGA 663 8. See
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CHAPTER 27 CLASSICAL MYTHOLOGY IN L
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CLASSICAL MYTHOLOGY IN LITERATURE A
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CHAPTER 28 CLASSICAL MYTHOLOGY IN M
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CLASSICAL MYTHOLOGY IN MUSIC, DANCE
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SELECT BIBLIOGRAPHY Only a few of t
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THE GREEK SPELLING OF NAMES 777 Che
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CAPTIONS FOR COLOR PLATES 1-10 1. J
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PLATE 2 Dionysus, kylix by Exekias.
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? & & * |£ ^^H v \i\à ' PLATE 6 T
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PLATE 8 The Discovery of the Infant
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s PLATE 10 Las Manderas (The Weaver
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CAPTIONS FOR COLOR PLATES 11-21 11.
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PLATE 13 The Triumph of Neptune and
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PLATE 15 Earth: Vertumnus and Pomon
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IPSBKTIÎHB S'Y ;.--:«r.i. m&Z
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PLATE 20 Hector and Andromache, by
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INDEXES INDEX OF AUTHORS, ARTISTS,
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INDEXES 1-3 Bruch, Max, 711 Brueghe
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INDEXES 1-5 Erechtheus (Euripides),
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INDEXES 1-7 Hymn to Apollo (Bliss),
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INDEXES 1-9 Mourning Becomes Electr
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INDEXES 1-11 Rapp, Michael, 730 Rec
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INDEXES 1-13 Villa-Lobos, Hector, 7
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INDEXES Alcaeus (al-së' us), fathe
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INDEXES 1-17 Baucis (baw' kis), she
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INDEXES 1-19 from the earth, who lo
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INDEXES 1-21 Eurybië (u-rib' i-e),
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INDEXES 1-23 Icarius (i-kar' i-us):
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INDEXES 1-25 Melpomene (mel-pom' e-
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INDEXES 1-27 Periclymenus (per-i-kl
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INDEXES 1-29 Sphinx (sfinks), "Stra
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