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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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THE TROJAN SAGA AND THE ILIAD 479<br />

Aeneas Carrying Anchises. Attic red-figure krater, ca. 460 B.c.; height Y7 3 /± in. The economy<br />

of the painting contrasts with Barocci's equally dramatic sketch. Ascanius is shown<br />

as an adult warrior, looking back at Aeneas, while Anchises looks back toward Creusa<br />

(on the left) and the Greek warriors. (Boston, Museum of Fine Arts.)<br />

Yet Aeneas escaped, taking with him his father, Anchises (who carried the<br />

images of the city's gods in his hands), and his son, Ascanius (also called lulus).<br />

His wife, Creusa, started with him and was lost to Aeneas' sight. Only her ghost<br />

appeared to him, foretelling his destiny and encouraging him to travel to a new<br />

world. The scene of Aeneas leaving Troy is heavy with symbolism, and it is with<br />

hope for the future that Aeneas, burdened with the past, leaves the doomed city<br />

(Aeneid 2. 707-711, 721-725):<br />

t 'Then<br />

come, dear father, sit on my shoulders; I will carry you, the load will not<br />

weigh me down. Whatever chance may fall, we will share a common danger<br />

and a common salvation. Let little lulus walk beside me and let my wife follow.

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