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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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ARTEMIS 215<br />

stead may they live and flourish in the renowned city of Athens, free men, open<br />

in speech and their good reputation unsullied by their mother. For man is enslaved,<br />

even if he is bold of heart, whenever he is conscious of the sins of a<br />

mother or a father.<br />

They say that to win in life's contest, one needs only this: a good and just<br />

character. But the base among mortals are exposed, sooner or later, when Time<br />

holds a mirror before them, as before a young girl. Among such as these may I<br />

never be discovered.<br />

Thus the noble Phaedra reveals her character and her motivation. The Nurse,<br />

upon first learning of Phaedra's love for Hippolytus, was shocked and horrified.<br />

Now, however, in response to her mistress, she offers assurances that Phaedra's<br />

experience is nothing unusual. She is the victim of the goddess of love, like many<br />

others. Not only mortals but even deities succumb to illicit passions. Phaedra must<br />

bear up. The pragmatic Nurse ends her sophistic arguments by claiming that she<br />

will find some cure. She is deliberately ambiguous about the precise nature of this<br />

cure in order to win Phaedra's confidence, hinting at some potion or magic that<br />

must be employed. She dismisses Phaedra's fear that she will reveal her love for<br />

Hippolytus—but this is exactly the cure that she has resolved upon, with the preliminary<br />

precaution of exacting from the young man an oath of silence.<br />

Poor Phaedra learns that her Nurse (in a loving but misguided attempt to<br />

help) has indeed approached Hippolytus from his angry shouts that come from<br />

the palace. She overhears Hippolytus brutally denouncing the Nurse, calling her<br />

a procurer of evils, in betrayal of her master's marriage-bed. Phaedra believes<br />

that she is now ruined and confides to the Chorus that she is resolved to die.<br />

We do not have Euripides' stage directions. Some would have Phaedra exit at<br />

this point, but the drama is intensified and her subsequent actions are more comprehensible<br />

if she remains, compelled to witness the entire following scene. Hippolytus<br />

bursts forth from the palace followed by the Nurse (581-668):<br />

f<br />

HIPPOLYTUS: O mother earth and vast reaches of the sun, What unspeakable<br />

words have I listened to!<br />

NURSE: Be quiet, my boy, before someone hears you shouting.<br />

HIPPOLYTUS: I have heard such dreadful things that it is impossible for me<br />

to be silent.<br />

NURSE: Please, by your strong right hand.<br />

HIPPOLYTUS: Keep your hands off me! Don't touch my cloak!<br />

NURSE: I beseech you, by your knees. Don't ruin me.<br />

HIPPOLYTUS: What do you mean? Didn't you claim that there was nothing<br />

wrong in what you said?<br />

NURSE: What I said was by no means intended for all to hear.<br />

HIPPOLYTUS: Good words spread among many become even better.<br />

NURSE: My child, do not be untrue to your oath, in any way.<br />

HIPPOLYTUS: My tongue swore but my mind is under no oath.<br />

NURSE: My boy, what will you do? Ruin those near and dear to you?<br />

HIPPOLYTUS: I spit upon them! No evil person is near and dear to me.

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