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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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THE TROJAN SAGA AND THE ILIAD 467<br />

When Priam has made his appeal to Achilles and they both have had their<br />

fill of lamentation, each remembering his sorrows, Achilles explains the ultimate<br />

reason for human misery (24. 524-533):<br />

f<br />

"No [human] action is without chilling grief. For thus the gods have spun out<br />

for wretched mortals the fate of living in distress, while they live without care.<br />

Two jars sit on the door sill of Zeus, filled with gifts that he bestows, one jar of<br />

evils, the other of blessings. When Zeus, who delights in thunder, takes from<br />

both and mixes the bad with the good, a human being at one time encounters<br />

evil, and at another good. But the one to whom Zeus gives only troubles from<br />

the jar of sorrows, this one he makes an object of abuse, to be driven by cruel<br />

misery over the divine earth."<br />

Achilles has finally learned through suffering true compassion. His pessimistic<br />

view of human existence lies at the core of the Greek tragic view of life.<br />

It is a view mirrored with sad beauty by Herodotus, as we have seen in Chapter<br />

6, and echoed again and again by the dramatists, who delight in the splendid<br />

fall of those who were once great and blessed. "Never count a person happy<br />

until dead."<br />

So Priam ransomed Hector and returned to Troy with the corpse. The Iliad<br />

ends with the funeral of Hector, over whose body Andromache, Hecuba, and<br />

finally Helen had poured out their lamentations. For nine days the people of<br />

Troy mourned for Hector, whose death had made inevitable their own fate.<br />

Achilles is not only subject to vehement passions. Alone of the Greek heroes<br />

he knows his destiny clearly: to Odysseus' speech in the embassy he replies (9.<br />

410^16):<br />

f<br />

My mother, Thetis of the silver feet, has told me that two fates are carrying me<br />

to the goal of my death. If I stay here and fight before the city of the Trojans,<br />

then I lose my homecoming, but my glory will never fade. But if I return home<br />

to my own dear land, then gone is my noble glory, and my life will be long.<br />

The character of Achilles is perfectly expressed in these words. When his<br />

horse, Xanthus, prophesies his death (19. 404^17), Achilles replies:<br />

f<br />

Well do I know that my destiny is to die here, far from my dear father and<br />

mother. Even so, I shall keep on. I shall not stop until I have harried the Trojans<br />

enough with my warfare.<br />

The Funeral of Patroclus. Apulian red-figure krater by the Darius painter, ca. 330 B.c.; height<br />

56 in. In the central panel is the pyre with Hector's spoils (originally Achilles' armour<br />

worn by Patroclus) on it. To its left Achilles holds a Trojan prisoner by his hair before<br />

running him through with his sword: three other bound prisoners to the left await the<br />

same fate. To the right of the pyre Agamemnon pours a libation. In the lower panel the<br />

charioteer of Achilles, Automedon, prepares to drag the corpse of Hector behind the fourhorse<br />

chariot around the tomb of Patroclus. In the upper register the old warriors, Nestor<br />

(seated) and Phoenix, converse in a tent. (Naples, Museo Nazionale.)

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