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Classical Mythology, 7th Edition - obinfonet: dia logou

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212<br />

THE MYTHS OF CREATION: THE GODS<br />

somehow Hippolytus himself were a typical ancient Greek male. It is abundantly<br />

clear from the play that he is anything but that. Aphrodite herself punishes him<br />

for his aberration, and his father hates him for his religious fanaticism and cannot<br />

believe his virginal protestations; Theseus hastily convinces himself that Hippolytus<br />

raped Phaedra because he never could believe that his boy does not like<br />

women. Theseus is the archetype of the traditional, extrovert father who loves<br />

his wife and is disappointed by his son who has turned out to be an introvert,<br />

different from him in almost every way. If one were to pick an average Athenian<br />

(a dangerous, if not foolish, game to play), it would be Theseus.<br />

Misandry, Artemis, and the Amazons. Misandry, hatred of men, rather than misogyny<br />

is a more imme<strong>dia</strong>te theme in connection with Artemis, where it manifests<br />

itself in the close religious bonds of her group, which excludes the male,<br />

as made evident in the stories of Actaeon and Callisto. In this connection the<br />

Amazons are relevant, important figures not only in the legends of Theseus, but<br />

also in those of Heracles and of the Trojan War; the Amazons developed a society<br />

not unlike that of Artemis the huntress, which excluded men. The Amazons,<br />

however, were devoted to the pursuits of battle and determined to become<br />

invincible warriors. Their arete ("excellence") was to be the same and in no way<br />

different from that of a male.<br />

Lesbian Themes. Lesbianism is a latent motif in stories about the strong bond of<br />

affection among Artemis and her band of female followers. The atmosphere is<br />

virginal and the relationships pure, although the success of Jupiter with Callisto,<br />

when he takes the form of her beloved virgin goddess Diana, is fraught with<br />

Freu<strong>dia</strong>n overtones and makes one wonder. Athena, another virgin goddess, has<br />

close female companions. We learned in Chapter 8 about the tragic story of her<br />

relationship with Pallas; and she was also closely linked to the nymph Chariclo,<br />

who became the mother of Tiresias. Because of the avowed purity of these two<br />

virgin goddesses, it seems appropriate that Aphrodite (and not Artemis or<br />

Athena) preside over more sensual female relationships.<br />

The society and mores of the warlike Amazons may also be subjected to lesbian<br />

interpretations, if one so desires.<br />

ADDITIONAL READING<br />

SELECTIONS FROM EURIPIDES' HIPPOLYTUS<br />

The scene of Euripides' Hippolytus is in front of the palace in Troezen, a city<br />

linked to Athens and the hero Theseus. In a typically Euripidean prologue (cf.<br />

the opening of the Bacchae in Chapter 13), the mighty goddess Aphrodite proclaims<br />

the universality of her power and establishes the action of the play. She<br />

is outraged because the young and virginal hunter Hippolytus slights her and<br />

bestows all his love and attention upon Artemis, and she explains how she will<br />

exact vengeance (1-28):

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