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Classical Mythology, 7th Edition - obinfonet: dia logou

Classical Mythology, 7th Edition - obinfonet: dia logou

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THE MYCENAEAN SAGA 427<br />

ORESTES: Of whom are you afraid? Whom do you not recognize?<br />

AEGISTHUS: Into the trap of what men have I fallen? Poor me!<br />

ORESTES: Haven't you been aware that you who are alive have been conversing<br />

face to face with the dead?<br />

AEGISTHUS: I understand your meaning. It cannot be otherwise; this must be<br />

Orestes who is speaking to me.<br />

ORESTES: You the best of prophets and yet fooled for so long?<br />

AEGISTHUS: Wretched me, I am done for! Yet let me say a word.<br />

ELECTRA: Don't let him say more, brother; don't prolong all this talk, by the<br />

gods. When mortals are enmeshed in evil, what advantage is there in delay for<br />

the one who is about die? Kill him as quickly as possible, and when he is dead<br />

throw his body to scavengers for the burial he deserves, far from our sight, since<br />

for me this would be the only deliverance from evil.<br />

ORESTES: Go inside. Be quick about it. For now the contest is no longer of<br />

words but about your life.<br />

AEGISTHUS: Why do you force me into the palace? If your action is good,<br />

how come you need the dark and are not ready to kill me out here?<br />

ORESTES: Don't give orders to me. Go inside where you killed my father so<br />

that you may die in the same place.<br />

AEGISTHUS: Is it really necessary that this house witness future as well as the<br />

present evils that have fallen upon the family of Pelops?<br />

ORESTES: It will witness yours, for sure. I am your unerring prophet in this.<br />

AEGISTHUS: You boast about a skill that you did not inherit from your father.<br />

ORESTES: Your replies are too long and our short journey is delayed. Now go.<br />

AEGISTHUS: Lead on.<br />

ORESTES: You must go first.<br />

AEGISTHUS: So that I may not escape you?<br />

ORESTES: No, so that you may not die where it pleases you. I must see to it<br />

that this is bitter for you. This swift justice should be meted out to all who desire<br />

to act outside of the laws—death, for then there would not be so much crime.<br />

CHORUS: O family of Atreus, how much you have suffered to reach freedom<br />

amid such adversity, freedom crowned by this present act of daring.<br />

Apollo's will has been accomplished and the justice of Zeus has been fulfilled.<br />

There are no Furies to pursue a guilty Orestes in this masterpiece that explores<br />

so profoundly the heart and the soul of a frightening, pitiable, and tragic<br />

Electra.<br />

EURIPIDES' ELECTRA<br />

By clever manipulation of the plot to create a different emphasis in the interpretation<br />

of the characters and their motives, Euripides seriously questions religious<br />

and philosophical beliefs about right and wrong action and the nature<br />

of justice. The setting for his play is the hut of a peasant, who is the husband of<br />

Electra. This peasant provides a prologue that gives the essential background

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