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Journal of Film Preservation N° 60/61 - FIAF

Journal of Film Preservation N° 60/61 - FIAF

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A Brief History <strong>of</strong> Plasticized Cellulose<br />

Nitrate or Celuloid<br />

Alfonso del Amo<br />

This article would have been impossible to write without the knowledge <strong>of</strong> the research<br />

accomplished by Dr. Fernando Catalina.<br />

In Prometheus Bound, Aeschylus depicts the benevolent hero who, on<br />

giving humans the gift <strong>of</strong> fire, laid the foundation for all <strong>of</strong> mankind’s<br />

artistic endeavors.<br />

It is perhaps this grand idea involving Mankind being wrought on<br />

creating, developing and modifying the material aspects on which<br />

human existence is based that may aid us in understanding how the<br />

changes which filmmaking has wrought in twentieth-century culture<br />

are related, in part, to the existence <strong>of</strong> a material unstable to the<br />

point <strong>of</strong> being self-inflammable yet flexible and transparent, the<br />

golden era <strong>of</strong> which lasted little over fifty years but which would<br />

afford the possibility <strong>of</strong> the mechanical projection <strong>of</strong> moving pictures to<br />

make its way onto the scene as a possible, fundamental human art<br />

form.<br />

The discovery, the processing and the development <strong>of</strong> new materials<br />

with which to more cost-effectively cover society’s needs has been<br />

one <strong>of</strong> mankind’s constant endeavors to which it has devoted a major<br />

portion <strong>of</strong> its industriousness, but, in all truth, a vast majority <strong>of</strong> the<br />

new materials discovered are not totally new but can be termed as<br />

being processes or new ways <strong>of</strong> processing or <strong>of</strong> employing<br />

previously-existing materials already in use.<br />

Truly new materials being discovered is quite a rare event, and the<br />

processes which lead to these new materials coming into being were<br />

<strong>of</strong>ten not initially set into motion with the aim <strong>of</strong> meeting any<br />

specific, known needs, or the needs it was being attempted to cover<br />

had nothing to do with the uses achieved in the end for the material<br />

in question. Often only after many different modifications and<br />

changes were new materials used in a way that would exploit their<br />

full potential.<br />

To illustrate the above statement, we can begin by discussing another<br />

material which is in no way new and which became an essential part<br />

<strong>of</strong> our lives during the last half <strong>of</strong> the nineteenth century. Afterward,<br />

we can discuss the discovery <strong>of</strong> celluloid by drawing a comparison.<br />

Steel is a product which has been known to Man since the dawning<br />

<strong>of</strong> history and which is made by heating iron ore to release the<br />

oxygen from the iron oxide and lowering the carbon content in the<br />

masses <strong>of</strong> molten iron to quite specific proportions. But the nature <strong>of</strong><br />

41 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / <strong>60</strong>/<strong>61</strong> / 2000

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