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Journal of Film Preservation N° 60/61 - FIAF

Journal of Film Preservation N° 60/61 - FIAF

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made and time has come to look seriously at the possibilities for<br />

restoring tinted and/or toned versions, and to thoroughly discuss the<br />

different methods for doing so.<br />

From the nitrate part <strong>of</strong> the sound era the archive holds the nitrate<br />

negatives and has made masters on acetate. But since this transfer<br />

began in the fifties there is today a need to look at the material,<br />

especially since the archival conditions have been shockingly far<br />

from ideal. Furthermore we are making prints <strong>of</strong> the important films<br />

not available on 35mm.<br />

As for the short films and documentaries, newsreels etc. the situation<br />

is more critical. We do not have a proper overview <strong>of</strong> the collection<br />

and its condition, although we have transferred obvious important<br />

films threatened by nitrate disintegration to acetate.<br />

Acetate<br />

The Danish film archive’s collection <strong>of</strong> prints <strong>of</strong> Danish sound feature<br />

films is close to complete. The negatives are mostly still at<br />

laboratories and it is a priority to go through our collection,<br />

comparing it to the actual production, try to get hold <strong>of</strong> the few we<br />

do not have and trace the negatives and collect them or produce a<br />

master. The same goes for colour films: we need to go through the<br />

negatives at laboratories and compare with our own material. But<br />

instead <strong>of</strong> starting alphabetically or chronologically we have decided<br />

to prioritise our effort. That means we have constructed a top 100<br />

list <strong>of</strong> Danish feature films from which we will start to locate and<br />

collect negatives or preserve by making a master.<br />

For our collection <strong>of</strong> shorts and documentaries we have the same<br />

situation as for the nitrate material: we do not have a proper<br />

inventory but we know it is far from complete. A priority is to<br />

establish an inventory and start systematically to locate material and<br />

collect it for safeguarding. Like the feature films project we will start<br />

out with a prioritised list selecting three <strong>of</strong> the more historically and<br />

artistically important documentary filmmakers and go through their<br />

work, locating material and inspecting it.<br />

The future<br />

In 1999 we signed a four year contract with the ministry, which<br />

meant that the archive would get an increase <strong>of</strong> about 75% <strong>of</strong> the<br />

budget over the next four years, also for new staff. In return we are<br />

to fulfil defined goals put up by ourselves. Furthermore the ministry<br />

accepted as a precondition that new and better archival facilities were<br />

central to our ability to fulfil our obligations. So until 2002 we are<br />

planning to work out a technical survey on the overall condition <strong>of</strong><br />

the collection <strong>of</strong> film and to prepare a preservation plan as well as<br />

increase the number <strong>of</strong> secured and/or restored films. Just to<br />

mention the issues central for this article. This preservation plan will<br />

have both a technical and a film historical parameter to define our<br />

prioritised effort.<br />

The technical survey is the first necessary step in order to prepare a<br />

5 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / <strong>60</strong>/<strong>61</strong> / 2000<br />

Los archivos cinematográficos en los<br />

países nórdicos<br />

El futuro de los archivos cambia con las<br />

nuevas tecnologías al mismo tiempo que los<br />

hábitos de consumo modifican nuestra<br />

manera de ver las películas. Nuevos<br />

materiales y nuevos lugares de consumo<br />

permiten a un mayor número de personas<br />

ver las películas a través del mundo y en un<br />

medio que no se limita ya exclusivamente a<br />

las salas de proyección. En este contexto,<br />

resulta importante reconsiderar el rol de los<br />

archivos cinematográficos y retornar al<br />

pasado para obtener una mejor visión de lo<br />

que nos depara el futuro.<br />

Esta recopilación, editada por Dan Nissen<br />

del Danish <strong>Film</strong> Institute, propone un<br />

balance global de la situación de los archivos<br />

cinematográficos en Suecia, Dinamarca,<br />

Finlandia y Noruega, que están<br />

implementando un programa con el objeto<br />

de rescatar y salvaguardar su acervo<br />

audiovisual.<br />

Cada informe presenta la historia del<br />

archivo, el inventario de las películas<br />

restauradas, ya sean de ficción,<br />

documentales o corto-metrajes, en soporte<br />

nitrato o acetato, así como la descripción de<br />

las tareas que se deben iniciar y los<br />

problemas que quedan por resolver.

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