UAD Powered Plug-Ins Manual v5.2 - Just Music

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CHAPTER 12- LA-3A Compressor Overview The original Teletronix LA-3A Audio Leveler made its debut at the 1969 New York AES show. Marking a departure from the tube design of the LA-2A Leveling Amplifier, the solid-state LA-3A offered a new sound in optical gain reduction, with faster attack and release characteristics that were noticeably different from its predecessor. Immediately embraced as a studio workhorse, the LA-3A is still widely used today. Engineers and producers the world over favor the LA-3A for its unique compression characteristics and sonic signature. Modeled from a unit in UA's vintage collection, our digital emulation of the LA-3A faithfully captures the hardware's sound, working magic on vocals, guitars and drums. LA-3A Screenshot Figure 34. The LA-3A plug-in window UAD Powered Plug-Ins Manual - 120 - Chapter 12: LA-3A Compressor
LA-3A Controls Background Comp/Lim Gain Peak Reduction Meter For detailed information about compressors, see “Compressor Basics” on page 111. This switch changes the characteristics of the compressor I/O curve. When set to Compress, the curve is more gentle, and presents a low compression ratio. When set to Limit, a higher compression ratio is used. The Gain knob adjusts the output level (by up to 50 dB). Make sure to adjust the Gain control after the desired amount of compression is achieved with the Peak Reduction control. The Gain control does not affect the amount of compression. This control adjusts the amount of gain reduction, as well as the relative threshold. A Peak Reduction value of 0 yields no compression. Rotate this control clockwise until the desired amount of compression is achieved (to monitor the Peak Reduction, set the VU Meter to Gain Reduction). The Peak Reduction should be adjusted independently of the Gain control. This switch sets the mode of the VU Meter and also disables the plug-in. When set to Gain Reduction, the VU Meter indicates the Gain Reduction level in dB. When set to output, the VU Meter represents the output level (the output meter is not calibrated). When in the Off position, the plug-in is disabled and UAD DSP usage is reduced. Stereo Operation Phase-coherent stereo imaging is maintained when the LA-3A plug-in is used on a stereo signal. UAD Powered Plug-Ins Manual - 121 - Chapter 12: LA-3A Compressor
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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Page 71 and 72: Use Host Mode When Use Host Mode is
Page 73 and 74: Pro Tools Configuration Window Figu
Page 75 and 76: Logic Pro Figure 16. Launching a UA
Page 77 and 78: Settings Menu The Settings menu pro
Page 79 and 80: Increased Host Loading using LiveTr
Page 81 and 82: Text Entry Parameter values can be
Page 83 and 84: Multi-DSP UAD-2 systems use signifi
Page 85 and 86: CHAPTER 8 Tempo Sync Overview The t
Page 87 and 88: Range Limits Some parameters in Tem
Page 89 and 90: Roland RE-201 Sync When the RE-201i
Page 91 and 92: Table 6. Host Application plug-in d
Page 93 and 94: The UAD Delay Compensator acts as a
Page 95 and 96: UAD Track Advance Overview The prev
Page 97 and 98: Solution: Put a TrackAdv plug-in on
Page 99 and 100: Upsampled Compensation Examples Gro
Page 101 and 102: Live Processing The previous discus
Page 103 and 104: In this chapter you will find instr
Page 105 and 106: Note: Do not bend sharp angles into
Page 107 and 108: UAD-Xpander Pre-Flight Check 1. Ens
Page 109 and 110: 3. Turn off the power switch on the
Page 111 and 112: CHAPTER 11 LA-2A and 1176LN Overvie
Page 113 and 114: +10 0 Compression region 10 dB of c
Page 115 and 116: LA-2A Controls Figure 30. The LA-2A
Page 117 and 118: 1176LN Controls Figure 32. The 1176
Page 119: 1176SE “Special Edition” Figure
Page 123 and 124: Fairchild Screenshot Figure 35. The
Page 125 and 126: Fairchild Modes Dual Left/Right Lat
Page 127 and 128: Meter Select Switch This switch det
Page 129 and 130: DC Bias DC Bias controls the ratio
Page 131 and 132: Precision Multiband Interface The P
Page 133 and 134: EQ Display Selection A band can als
Page 135 and 136: COMPRESS When a band is set to Comp
Page 137 and 138: EQ Display In the EQ Display, the e
Page 139 and 140: Frequency Controls Frequency Values
Page 141 and 142: The band is soloed when its Solo bu
Page 143 and 144: Power Switch The Power Switch deter
Page 145 and 146: Precision Limiter Screenshot Figure
Page 147 and 148: Sliding Meter Scale With the K-Syst
Page 149 and 150: Meter The Meter switch specifies th
Page 151 and 152: CHAPTER 16 Precision Buss Compresso
Page 153 and 154: When Ratio is changed, the Threshol
Page 155 and 156: Toggling the Fade switch causes an
Page 157 and 158: CHAPTER 17 Neve 33609 Compressor Ov
Page 159 and 160: Technical Article The article “As
Page 161 and 162: Ratio This control determines the c
Page 163 and 164: In stereo operation the controls fo
Page 165 and 166: 14dB Typical starting point for mas
Page 167 and 168: CHAPTER 18 VCA VU Overview The VCA
Page 169 and 170: Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
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The RECIR units are expressed as a
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RS-1 Controls Sync Button Shape Pop
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CHAPTER 21 Precision Equalizer Over
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Dual Mode In Dual mode (dual-mono m
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Frequency Knob The Frequency knob d
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CHAPTER 22 Cambridge EQ Overview Th
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Zoom Buttons The vertical scale of
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Low Cut / High Cut Filters The Low
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Gain Knob Q (Bandwidth) Knob This p
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Type III When set to Type III, ther
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Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
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Note: In the documentation supplied
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In the hardware MEQ-5, the audio is
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Dip Response Figure 73. Pultec MEQ-
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CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
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Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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