UAD Powered Plug-Ins Manual v5.2 - Just Music

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Host Application Settings For optimum results, the “Plug-in Delay Compensation” option setting should be enabled in the host application. This will provide automatic latency compensation when UAD plug-ins are used on track inserts (and sends/groups/buses if full compensation is supported), so the UAD Delay- Comp will not have to be used. This option is usually found in the audio or plug-in preferences window. The specific location of the setting for this option within some popular applications is as follows: • Cubase 5.x: Options Menu>Audio Setup>System... • Nuendo 1.x, Cubase SX 1.x: File Menu>Preferences>VST • Cubase SX 2/3, Nuendo 2/3: Always on. (Steinberg’s Constrain Delay Compensation feature can be used to disable delay compensation on individual plug-ins: Devices Menu>Plug-in Information) • Emagic Logic Audio (PC): Options Menu>Preferences>Audio Preferences... • Apple Logic Pro: Preferences>Audio... • MOTU Digital Performer 4.5+: Setup menu>Configure Audio System>Configure Studio Settings... • Cakewalk Sonar, Sony applications, Mackie Tracktion: Automatic. (No preference for enabling/disabling other than turning off or removing plug-ins that require delay compensation. • Samplitude: Options Menu>Project Properties>Mixer Setup... (Project independent; session file must be open to configure) • Ableton Live: Options>Delay Compensation UAD Delay Compensator The UAD Delay Compensator (DelayComp for short) is a simple plug-in which can be used to synchronize unprocessed tracks with those that are processed by UAD Powered Plug-Ins. It provides a mechanism of delay compensation for situations when the host application does not implement automatic plug-in latency compensation, such as on sends, groups, and buses (see Table 6 on page 91). Figure 22. The UAD Delay Compensator plug-in window UAD Powered Plug-Ins Manual - 92 - Chapter 9: UAD Delay Compensation
The UAD Delay Compensator acts as a dummy UAD Powered Plug-In, automatically introducing the necessary amount of latency for tracks which are NOT processed by UAD Powered Plug-Ins. It requires no DSP from the UAD card and allows you specify the number of UAD Powered Plug-Ins instances you wish to compensate. When to use DelayComp Virtual Instruments UAD DelayComp should be used whenever unprocessed audio tracks are played alongside audio tracks that are assigned to a send/group/bus that is using a UAD plug-in(s). In this scenario, inserting a UAD DelayComp plug-in on the UNPROCESSED track(s) will automatically re-synchronize the audio. Cubase and Nuendo currently do not automatically compensate for latency on MIDI virtual instrument (VSTi) tracks. Therefore, UAD DelayComp should also be used on non-VSTi tracks when VSTi’s are in use. Note: Check out our UAD DelayComp Examples on the UAD Powered Plug- Ins CD-ROM (or download them from our website) for “real-world” examples formatted for several popular host applications. Plugs Parameter The DelayComp Plugs parameter value to be used on an unprocessed track or tracks is simply the number of UAD Powered Plug-Ins that are being used in sequence on the send, group, or bus. For example, if three separate sends are used and each send has one instance of UAD plug-ins, the Delay Compensator Plugs value for the unprocessed tracks would be one. However, if one send/group/bus is used that has three instances of UAD Powered Plug-Ins stacked up, the Delay Compensator Plugs value for the dry tracks would be three. Note: The Delay Compensator “Plugs” value matches the total of UAD Powered Plug-Ins used serially (stacked one above another in series), NOT the total number of UAD Powered Plug-Ins used. Samples parameter The Samples parameter shifts the audio with single-sample accuracy in either direction. It is provided mainly for compensation of the upsampled UAD plugins (see “Compensating Upsampled Plug-Ins” on page 97). However, it can be used anytime minute shifting of audio is desired. Audio can be shifted up to 128 samples in either direction. The keyboard shortcuts PageUp/PageDown and Shift+Arrow automatically add shift the Samples value in 13-sample increments. UAD Powered Plug-Ins Manual - 93 - Chapter 9: UAD Delay Compensation
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
Page 41 and 42: I/O Drivers The audio interface is
Page 43 and 44: Bundled Plug-Ins UAD plug-ins that
Page 45 and 46: My Systems The UAD cards and plug-i
Page 47 and 48: 2. Launch the UAD Meter & Control P
Page 49 and 50: Buying Plug-Ins To obtain optional
Page 51 and 52: CHAPTER 5 Using Multiple UAD Cards
Page 53 and 54: Important: If insufficient power is
Page 55 and 56: CHAPTER 6 UAD Meter & Control Panel
Page 57 and 58: UAD Meter Elements Refer to Figure
Page 59 and 60: Click the Menu button Figure 8. Acc
Page 61 and 62: UAD-2 The displayed latency is the
Page 63 and 64: Status Column The Status column ref
Page 65 and 66: For example, you could run low-DSP
Page 67 and 68: With the Limit DSP Load feature, th
Page 69 and 70: AMD-8131 Compatible Mode is only re
Page 71 and 72: Use Host Mode When Use Host Mode is
Page 73 and 74: Pro Tools Configuration Window Figu
Page 75 and 76: Logic Pro Figure 16. Launching a UA
Page 77 and 78: Settings Menu The Settings menu pro
Page 79 and 80: Increased Host Loading using LiveTr
Page 81 and 82: Text Entry Parameter values can be
Page 83 and 84: Multi-DSP UAD-2 systems use signifi
Page 85 and 86: CHAPTER 8 Tempo Sync Overview The t
Page 87 and 88: Range Limits Some parameters in Tem
Page 89 and 90: Roland RE-201 Sync When the RE-201i
Page 91: Table 6. Host Application plug-in d
Page 95 and 96: UAD Track Advance Overview The prev
Page 97 and 98: Solution: Put a TrackAdv plug-in on
Page 99 and 100: Upsampled Compensation Examples Gro
Page 101 and 102: Live Processing The previous discus
Page 103 and 104: In this chapter you will find instr
Page 105 and 106: Note: Do not bend sharp angles into
Page 107 and 108: UAD-Xpander Pre-Flight Check 1. Ens
Page 109 and 110: 3. Turn off the power switch on the
Page 111 and 112: CHAPTER 11 LA-2A and 1176LN Overvie
Page 113 and 114: +10 0 Compression region 10 dB of c
Page 115 and 116: LA-2A Controls Figure 30. The LA-2A
Page 117 and 118: 1176LN Controls Figure 32. The 1176
Page 119 and 120: 1176SE “Special Edition” Figure
Page 121 and 122: LA-3A Controls Background Comp/Lim
Page 123 and 124: Fairchild Screenshot Figure 35. The
Page 125 and 126: Fairchild Modes Dual Left/Right Lat
Page 127 and 128: Meter Select Switch This switch det
Page 129 and 130: DC Bias DC Bias controls the ratio
Page 131 and 132: Precision Multiband Interface The P
Page 133 and 134: EQ Display Selection A band can als
Page 135 and 136: COMPRESS When a band is set to Comp
Page 137 and 138: EQ Display In the EQ Display, the e
Page 139 and 140: Frequency Controls Frequency Values
Page 141 and 142: The band is soloed when its Solo bu
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Power Switch The Power Switch deter
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Precision Limiter Screenshot Figure
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Sliding Meter Scale With the K-Syst
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Meter The Meter switch specifies th
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CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 17 Neve 33609 Compressor Ov
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Technical Article The article “As
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Ratio This control determines the c
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In stereo operation the controls fo
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14dB Typical starting point for mas
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CHAPTER 18 VCA VU Overview The VCA
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Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
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The RECIR units are expressed as a
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RS-1 Controls Sync Button Shape Pop
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CHAPTER 21 Precision Equalizer Over
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Dual Mode In Dual mode (dual-mono m
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Frequency Knob The Frequency knob d
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CHAPTER 22 Cambridge EQ Overview Th
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Zoom Buttons The vertical scale of
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Low Cut / High Cut Filters The Low
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Gain Knob Q (Bandwidth) Knob This p
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Type III When set to Type III, ther
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Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
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Note: In the documentation supplied
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In the hardware MEQ-5, the audio is
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Dip Response Figure 73. Pultec MEQ-
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CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
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Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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