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UAD Powered Plug-Ins Manual v5.2 - Just Music

UAD Powered Plug-Ins Manual v5.2 - Just Music

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Space<br />

In some sense, Shape determines the spatial characteristics of the reverberator,<br />

whereas Materials effects the spectral characteristics.<br />

Preset Design Tips<br />

Here are some practical tips for creating useful reverbs with DreamVerb.<br />

These are not rules of course, but techniques that can be helpful in designing<br />

the perfect sonic environment.<br />

ER = Early Reflections<br />

LF = Late-field Reverberation<br />

Hf = High frequency<br />

Lf = Low frequency<br />

General Tips (a tour):<br />

• Start by setting a general timing on the ER and LF graphs to give a rough reverb<br />

size. This timing ordinarily needs to be tweaked several times along<br />

the way.<br />

• The materials and air density define the frequency decay of the LF, and also<br />

the coloration of the ER if ER filtering is used (the slider on the right of the Reflections<br />

panel).<br />

• Typically, materials should be blended. Try blending contrasting high frequency<br />

roll-off materials with high-frequency reflecting materials or inverse<br />

materials. This tends to add nice dimension to the LF tail. Start with one useful<br />

material and experiment with blending.<br />

• Materials can have an extreme filtering effect if no air density is used. Most<br />

presets sound better with an air blending. If you don't want the additional<br />

coloration of air, blend with “Ideal Gas” which performs no filtering.<br />

• The room shapes define the ER pattern; they do not effect the LF. Solo the ER<br />

and choose a shape that works well for your source or environment.<br />

• Blending shapes does not always yield desirable results. Use shape blending<br />

with discretion, or to define a more complex room.<br />

• Start with the EQ flat, set the approximate sound with the materials, then EQ<br />

the input to cut or boost specific frequencies.<br />

• The EQ is often most useful for a simple Lf or Hf roll-off/boost, or to notch out<br />

bothersome frequencies for particular sources. For full mix ambience/mastering<br />

presets, use the EQ to cut most of all LF input, which yields added ambience<br />

without mucking up the mix. This is a powerful EQ, so experiment!<br />

<strong>UAD</strong> <strong>Powered</strong> <strong>Plug</strong>-<strong>Ins</strong> <strong>Manual</strong> - 288 - Chapter 32: DreamVerb

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