UAD Powered Plug-Ins Manual v5.2 - Just Music

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Gain The Gain knob controls the signal level that is output from the plug-in. The default value is 0dB. The available range is ±10dB. Harrison 32C SE Figure 83. The Harrison 32C SE plug-in window Overview The UAD Harrison 32C SE is derived from the UAD Harrison 32C. Its algorithm has been revised in order to provide sonic characteristics very similar to the Harrison 32C but with significantly less DSP usage. It is provided to allow Harrison-like sound when DSP resources are limited. Nobody with “golden ears” will say it sounds exactly like the full version, but it still sounds great and is very usable in most situations. The Harrison 32C SE interface can be differentiated from the Harrison 32C by knob color and the module name. The Harrison 32C SE blue knobs instead of the Harrison 32C’s ivory knobs, and the module name on the upper right of the interface panel includes “SE.” Harrison 32C SE Controls The Harrison 32C SE controls are exactly the same as the Harrison 32C. Please refer to the Harrison 32C section for Harrison 32C SE control descriptions (see “Harrison 32C EQ and Harrison 32C SE Controls” on page 240). UAD Powered Plug-Ins Manual - 242 - Chapter 27: Harrison 32C EQ
Harrison 32C Latency The Harrison 32C (but not the Harrison 32C SE) uses an internal upsampling technique to facilitate its amazing sonic accuracy. This upsampling results in a slightly larger latency than other UAD plug-ins. You may enter a value in the “Samples” parameter in DelayComp or TrackAdv to compensate. See “Compensating Upsampled Plug-Ins” on page 97 for more information. The Harrison 32C SE does not require additional latency compensation because it is not upsampled. Note: Compensating for Harrison 32C is not required if the host application supports full plug-in delay compensation throughout the signal path, or when it is used only on the outputs. See “Host PDC Implementation” on page 90. The Harrison 4032 Console, featuring the Harrison 32C EQ Special thanks to Bruce Swedien for his gracious cooperation with the UAD Harrison 32C project. UAD Powered Plug-Ins Manual - 243 - Chapter 27: Harrison 32C EQ
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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AMD-8131 Compatible Mode is only re
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Use Host Mode When Use Host Mode is
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Pro Tools Configuration Window Figu
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Logic Pro Figure 16. Launching a UA
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Settings Menu The Settings menu pro
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Increased Host Loading using LiveTr
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Text Entry Parameter values can be
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Multi-DSP UAD-2 systems use signifi
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CHAPTER 8 Tempo Sync Overview The t
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Range Limits Some parameters in Tem
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Roland RE-201 Sync When the RE-201i
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Table 6. Host Application plug-in d
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The UAD Delay Compensator acts as a
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UAD Track Advance Overview The prev
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Solution: Put a TrackAdv plug-in on
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Upsampled Compensation Examples Gro
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Live Processing The previous discus
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In this chapter you will find instr
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Note: Do not bend sharp angles into
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UAD-Xpander Pre-Flight Check 1. Ens
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3. Turn off the power switch on the
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CHAPTER 11 LA-2A and 1176LN Overvie
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+10 0 Compression region 10 dB of c
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LA-2A Controls Figure 30. The LA-2A
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1176LN Controls Figure 32. The 1176
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1176SE “Special Edition” Figure
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LA-3A Controls Background Comp/Lim
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Fairchild Screenshot Figure 35. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Precision Multiband Interface The P
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EQ Display Selection A band can als
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COMPRESS When a band is set to Comp
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EQ Display In the EQ Display, the e
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Frequency Controls Frequency Values
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The band is soloed when its Solo bu
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Power Switch The Power Switch deter
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Precision Limiter Screenshot Figure
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Sliding Meter Scale With the K-Syst
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Meter The Meter switch specifies th
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CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 17 Neve 33609 Compressor Ov
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Technical Article The article “As
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Ratio This control determines the c
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In stereo operation the controls fo
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14dB Typical starting point for mas
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CHAPTER 18 VCA VU Overview The VCA
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Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
Page 191 and 192: The RECIR units are expressed as a
Page 193 and 194: RS-1 Controls Sync Button Shape Pop
Page 195 and 196: CHAPTER 21 Precision Equalizer Over
Page 197 and 198: Dual Mode In Dual mode (dual-mono m
Page 199 and 200: Frequency Knob The Frequency knob d
Page 201 and 202: CHAPTER 22 Cambridge EQ Overview Th
Page 203 and 204: Zoom Buttons The vertical scale of
Page 205 and 206: Low Cut / High Cut Filters The Low
Page 207 and 208: Gain Knob Q (Bandwidth) Knob This p
Page 209 and 210: Type III When set to Type III, ther
Page 211 and 212: Figure 65. Shelf Type A Figure 66.
Page 213 and 214: Pultec Latency The Pultec and Pulte
Page 215 and 216: Note: In the documentation supplied
Page 217 and 218: In the hardware MEQ-5, the audio is
Page 219 and 220: Dip Response Figure 73. Pultec MEQ-
Page 221 and 222: CHAPTER 24 Neve 1073 Equalizer Over
Page 223 and 224: Note: You can also click the midran
Page 225 and 226: Neve 1073SE Controls The Neve 1073S
Page 227 and 228: Neve 1081 and 1081SE Controls Overv
Page 229 and 230: High-Mid Frequency The high-midrang
Page 231 and 232: Cut Filters The independent low and
Page 233 and 234: CHAPTER 26 Helios Type 69 Equalizer
Page 235 and 236: Bass The Bass knob has a dual purpo
Page 237 and 238: Line The Line switch determines whe
Page 239 and 240: CHAPTER 27 Harrison 32C EQ Overview
Page 241: Four EQ Bands Low Peak Low Frequenc
Page 245 and 246: Roland CE-1 Controls The Roland CE-
Page 247 and 248: Vibrato Controls These two knobs co
Page 249 and 250: Roland Dimension D Controls The Rol
Page 251 and 252: Roland RE-201 Screenshot Figure 86.
Page 253 and 254: Table 15. RE-201 Mode Selector Posi
Page 255 and 256: Note: Echo Volume has no affect whe
Page 257 and 258: CHAPTER 31 RealVerb Pro Overview Re
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Page 261 and 262: First material Second material Blen
Page 263 and 264: tion frequency, the frequency at wh
Page 265 and 266: 3. Adjust the Band-edge controls fo
Page 267 and 268: 3. Drag the Decay Time control for
Page 269 and 270: Levels The Levels panel lets you ad
Page 271 and 272: RealVerb Pro Preset Management Fact
Page 273 and 274: Screenshot Figure 97. The DreamVerb
Page 275 and 276: Bypass switch Band Amplitude contro
Page 277 and 278: Shape Menus DreamVerb lets you spec
Page 279 and 280: Materials Menus DreamVerb lets you
Page 281 and 282: ER End control bat (time & amplitud
Page 283 and 284: Late-Field Start Amplitude & Slope
Page 285 and 286: Distance DreamVerb allows you to co
Page 287 and 288: Windows On Windows systems, the def
Page 289 and 290: • Try different diffusion setting
Page 291 and 292: Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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