UAD Powered Plug-Ins Manual v5.2 - Just Music

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CHAPTER 13 Fairchild 670 Overview In the annals of compressor history, the products produced by Fairchild are some of the best built and most highly prized on the vintage market. The most famous Fairchild products produced were the 660 and 670 compressor/limiters, which are famous for their fantastic sound quality. The stereo Fairchild 670 is probably the “Holy Grail” of compressors in studio gear esoterica, not only because of its price (known to fetch $30,000 and beyond on the vintage market), but also its extreme rareness and the difficulties in maintaining such a unit. With its 14 transformers, 20 vacuum tubes, 6 rackspace encompassing girth and weighing in at 65 pounds, the Fairchild 670 is truly the heavyweight champion of compression. Originating from the early 1950’s, the design of the 670 uses a single pushpull stage of amplification with an extremely high control voltage. The Fairchild 670 is a variable-mu tube limiter. Variable-mu limiters are unique in that they use tubes for gain reduction, and not just as amplifiers. The audio path is quite simple, and compression happens directly in the audio path, rather than sending out to a separate compression circuit. The unit can be used as a limiter or compressor, depending upon personal taste and program material. It can go from a 2:1 ratio as a compressor to a peak limiter with a 30:1 ratio. The unit can also be adjusted to operate anywhere between these two extremes using the Threshold and DC Bias controls. The UAD Fairchild was created by meticulously modeling (down to the component level as usual) a carefully selected hardware unit. Our “golden unit” was the Fairchild 670 (SN #505) at Ocean Way Recording in Hollywood. The Fairchild was advertised as “The World Accepted Standard for Level Control” back in the 1950’s when it was originally sold. It is still revered for its extremely smooth, artifact-free sound, and now Universal Audio has made it easily accessible to you. And you don’t have to let it warm up for 30 minutes before use! UAD Powered Plug-Ins Manual - 122 - Chapter 13: Fairchild 670
Fairchild Screenshot Figure 35. The Fairchild plug-in window 2 Compressors, 4 Modes There are two compressors within the Fairchild 670. They can be used as dual L/R, dual mono/stereo, or they can be linked together and used on either the L/R or mono/stereo signals. The mode in which the compressors operate is determined by the combination of the AGC switch and the Sidechain Link switch. See “Fairchild Modes” on page 125 for detailed mode information. UAD Powered Plug-Ins Manual - 123 - Chapter 13: Fairchild 670
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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AMD-8131 Compatible Mode is only re
Page 71 and 72: Use Host Mode When Use Host Mode is
Page 73 and 74: Pro Tools Configuration Window Figu
Page 75 and 76: Logic Pro Figure 16. Launching a UA
Page 77 and 78: Settings Menu The Settings menu pro
Page 79 and 80: Increased Host Loading using LiveTr
Page 81 and 82: Text Entry Parameter values can be
Page 83 and 84: Multi-DSP UAD-2 systems use signifi
Page 85 and 86: CHAPTER 8 Tempo Sync Overview The t
Page 87 and 88: Range Limits Some parameters in Tem
Page 89 and 90: Roland RE-201 Sync When the RE-201i
Page 91 and 92: Table 6. Host Application plug-in d
Page 93 and 94: The UAD Delay Compensator acts as a
Page 95 and 96: UAD Track Advance Overview The prev
Page 97 and 98: Solution: Put a TrackAdv plug-in on
Page 99 and 100: Upsampled Compensation Examples Gro
Page 101 and 102: Live Processing The previous discus
Page 103 and 104: In this chapter you will find instr
Page 105 and 106: Note: Do not bend sharp angles into
Page 107 and 108: UAD-Xpander Pre-Flight Check 1. Ens
Page 109 and 110: 3. Turn off the power switch on the
Page 111 and 112: CHAPTER 11 LA-2A and 1176LN Overvie
Page 113 and 114: +10 0 Compression region 10 dB of c
Page 115 and 116: LA-2A Controls Figure 30. The LA-2A
Page 117 and 118: 1176LN Controls Figure 32. The 1176
Page 119 and 120: 1176SE “Special Edition” Figure
Page 121: LA-3A Controls Background Comp/Lim
Page 125 and 126: Fairchild Modes Dual Left/Right Lat
Page 127 and 128: Meter Select Switch This switch det
Page 129 and 130: DC Bias DC Bias controls the ratio
Page 131 and 132: Precision Multiband Interface The P
Page 133 and 134: EQ Display Selection A band can als
Page 135 and 136: COMPRESS When a band is set to Comp
Page 137 and 138: EQ Display In the EQ Display, the e
Page 139 and 140: Frequency Controls Frequency Values
Page 141 and 142: The band is soloed when its Solo bu
Page 143 and 144: Power Switch The Power Switch deter
Page 145 and 146: Precision Limiter Screenshot Figure
Page 147 and 148: Sliding Meter Scale With the K-Syst
Page 149 and 150: Meter The Meter switch specifies th
Page 151 and 152: CHAPTER 16 Precision Buss Compresso
Page 153 and 154: When Ratio is changed, the Threshol
Page 155 and 156: Toggling the Fade switch causes an
Page 157 and 158: CHAPTER 17 Neve 33609 Compressor Ov
Page 159 and 160: Technical Article The article “As
Page 161 and 162: Ratio This control determines the c
Page 163 and 164: In stereo operation the controls fo
Page 165 and 166: 14dB Typical starting point for mas
Page 167 and 168: CHAPTER 18 VCA VU Overview The VCA
Page 169 and 170: Output Gain Output Gain controls th
Page 171 and 172: Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
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The RECIR units are expressed as a
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RS-1 Controls Sync Button Shape Pop
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CHAPTER 21 Precision Equalizer Over
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Dual Mode In Dual mode (dual-mono m
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Frequency Knob The Frequency knob d
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CHAPTER 22 Cambridge EQ Overview Th
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Zoom Buttons The vertical scale of
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Low Cut / High Cut Filters The Low
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Gain Knob Q (Bandwidth) Knob This p
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Type III When set to Type III, ther
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Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
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Note: In the documentation supplied
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In the hardware MEQ-5, the audio is
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Dip Response Figure 73. Pultec MEQ-
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CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
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Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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