UAD Powered Plug-Ins Manual v5.2 - Just Music

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Output The Output knob controls the signal level that is output from the plug-in. The default value is 0dB. The available range is ±20dB. Power The Power switch determines whether the plug-in is active. This is useful for comparing the processed settings to the original signal or bypassing the plug-in to reduce the UAD DSP load. Toggle the switch to change the Power state; the switch is illuminated in red when the plug-in is active. Note: You can click-hold the power switch then drag it like a slider to quickly compare the enabled/disabled state. WebZine Article An article about the Neve 88RS console can be found in the “Analog Obsession” article of the Universal Audio May 2007 Webzine (Volume 5, Number 4), published on the internet at: • http://www.uaudio.com/webzine/2007/may/index4.html The 88RS at Skywalker Sound in California UAD Powered Plug-Ins Manual - 184 - Chapter 19: Neve 88RS Channel Strip
CHAPTER 20 CS-1 Channel Strip Overview The CS-1 Channel Strip provides the EX-1 Equalizer and Compressor, DM-1 Delay Modulator, and RS-1 Reflection Engine combined into one plug-in. Individual effects in the CS-1 Channel Strip can be bypassed when not in use to preserve UAD CPU use. The CS-1 effects can also be accessed individually by using the individual plug-ins. This is useful if you want to use the plug-ins in a different order, or if you want to use multiple instances of the same plug-in (such as a flange routed to a ping-pong delay with the DM-1 plug-in). Figure 51. The CS-1 Channel Strip plug-in window UAD Powered Plug-Ins Manual - 185 - Chapter 20: CS-1 Channel Strip
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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AMD-8131 Compatible Mode is only re
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Use Host Mode When Use Host Mode is
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Pro Tools Configuration Window Figu
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Logic Pro Figure 16. Launching a UA
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Settings Menu The Settings menu pro
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Increased Host Loading using LiveTr
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Text Entry Parameter values can be
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Multi-DSP UAD-2 systems use signifi
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CHAPTER 8 Tempo Sync Overview The t
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Range Limits Some parameters in Tem
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Roland RE-201 Sync When the RE-201i
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Table 6. Host Application plug-in d
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The UAD Delay Compensator acts as a
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UAD Track Advance Overview The prev
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Solution: Put a TrackAdv plug-in on
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Upsampled Compensation Examples Gro
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Live Processing The previous discus
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In this chapter you will find instr
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Note: Do not bend sharp angles into
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UAD-Xpander Pre-Flight Check 1. Ens
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3. Turn off the power switch on the
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CHAPTER 11 LA-2A and 1176LN Overvie
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+10 0 Compression region 10 dB of c
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LA-2A Controls Figure 30. The LA-2A
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1176LN Controls Figure 32. The 1176
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1176SE “Special Edition” Figure
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LA-3A Controls Background Comp/Lim
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Fairchild Screenshot Figure 35. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Precision Multiband Interface The P
Page 133 and 134: EQ Display Selection A band can als
Page 135 and 136: COMPRESS When a band is set to Comp
Page 137 and 138: EQ Display In the EQ Display, the e
Page 139 and 140: Frequency Controls Frequency Values
Page 141 and 142: The band is soloed when its Solo bu
Page 143 and 144: Power Switch The Power Switch deter
Page 145 and 146: Precision Limiter Screenshot Figure
Page 147 and 148: Sliding Meter Scale With the K-Syst
Page 149 and 150: Meter The Meter switch specifies th
Page 151 and 152: CHAPTER 16 Precision Buss Compresso
Page 153 and 154: When Ratio is changed, the Threshol
Page 155 and 156: Toggling the Fade switch causes an
Page 157 and 158: CHAPTER 17 Neve 33609 Compressor Ov
Page 159 and 160: Technical Article The article “As
Page 161 and 162: Ratio This control determines the c
Page 163 and 164: In stereo operation the controls fo
Page 165 and 166: 14dB Typical starting point for mas
Page 167 and 168: CHAPTER 18 VCA VU Overview The VCA
Page 169 and 170: Output Gain Output Gain controls th
Page 171 and 172: Neve 88RS Screenshot Figure 46. The
Page 173 and 174: Gate/Expander The gate/expander mod
Page 175 and 176: The available range is -25dB to +15
Page 177 and 178: An example: When compressing a snar
Page 179 and 180: Slower release times can smooth the
Page 181 and 182: HF Freq This parameter determines t
Page 183: Cut Enable Cut Frequency This butto
Page 187 and 188: Gain (G) Knob Frequency (fc) Knob B
Page 189 and 190: DM-1 Delay Modulator Figure 53. The
Page 191 and 192: The RECIR units are expressed as a
Page 193 and 194: RS-1 Controls Sync Button Shape Pop
Page 195 and 196: CHAPTER 21 Precision Equalizer Over
Page 197 and 198: Dual Mode In Dual mode (dual-mono m
Page 199 and 200: Frequency Knob The Frequency knob d
Page 201 and 202: CHAPTER 22 Cambridge EQ Overview Th
Page 203 and 204: Zoom Buttons The vertical scale of
Page 205 and 206: Low Cut / High Cut Filters The Low
Page 207 and 208: Gain Knob Q (Bandwidth) Knob This p
Page 209 and 210: Type III When set to Type III, ther
Page 211 and 212: Figure 65. Shelf Type A Figure 66.
Page 213 and 214: Pultec Latency The Pultec and Pulte
Page 215 and 216: Note: In the documentation supplied
Page 217 and 218: In the hardware MEQ-5, the audio is
Page 219 and 220: Dip Response Figure 73. Pultec MEQ-
Page 221 and 222: CHAPTER 24 Neve 1073 Equalizer Over
Page 223 and 224: Note: You can also click the midran
Page 225 and 226: Neve 1073SE Controls The Neve 1073S
Page 227 and 228: Neve 1081 and 1081SE Controls Overv
Page 229 and 230: High-Mid Frequency The high-midrang
Page 231 and 232: Cut Filters The independent low and
Page 233 and 234: CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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