16.03.2014 Views

UAD Powered Plug-Ins Manual v5.2 - Just Music

UAD Powered Plug-Ins Manual v5.2 - Just Music

UAD Powered Plug-Ins Manual v5.2 - Just Music

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CHAPTER 13<br />

Fairchild 670<br />

Overview<br />

In the annals of compressor history, the products produced by Fairchild are<br />

some of the best built and most highly prized on the vintage market. The most<br />

famous Fairchild products produced were the 660 and 670 compressor/limiters,<br />

which are famous for their fantastic sound quality.<br />

The stereo Fairchild 670 is probably the “Holy Grail” of compressors in studio<br />

gear esoterica, not only because of its price (known to fetch $30,000 and beyond<br />

on the vintage market), but also its extreme rareness and the difficulties<br />

in maintaining such a unit. With its 14 transformers, 20 vacuum tubes, 6 rackspace<br />

encompassing girth and weighing in at 65 pounds, the Fairchild 670<br />

is truly the heavyweight champion of compression.<br />

Originating from the early 1950’s, the design of the 670 uses a single pushpull<br />

stage of amplification with an extremely high control voltage. The Fairchild<br />

670 is a variable-mu tube limiter. Variable-mu limiters are unique in that<br />

they use tubes for gain reduction, and not just as amplifiers. The audio path<br />

is quite simple, and compression happens directly in the audio path, rather<br />

than sending out to a separate compression circuit.<br />

The unit can be used as a limiter or compressor, depending upon personal<br />

taste and program material. It can go from a 2:1 ratio as a compressor to a<br />

peak limiter with a 30:1 ratio. The unit can also be adjusted to operate anywhere<br />

between these two extremes using the Threshold and DC Bias controls.<br />

The <strong>UAD</strong> Fairchild was created by meticulously modeling (down to the component<br />

level as usual) a carefully selected hardware unit. Our “golden unit”<br />

was the Fairchild 670 (SN #505) at Ocean Way Recording in Hollywood.<br />

The Fairchild was advertised as “The World Accepted Standard for Level<br />

Control” back in the 1950’s when it was originally sold. It is still revered for<br />

its extremely smooth, artifact-free sound, and now Universal Audio has made<br />

it easily accessible to you. And you don’t have to let it warm up for 30 minutes<br />

before use!<br />

<strong>UAD</strong> <strong>Powered</strong> <strong>Plug</strong>-<strong>Ins</strong> <strong>Manual</strong> - 122 - Chapter 13: Fairchild 670

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!