UAD Powered Plug-Ins Manual v5.2 - Just Music

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• Optional plug-ins are contained within the UAD software installer, not the .uad authorization file. Download and install the latest UAD software version to ensure the optional plug-ins that you are authorizing are installed. • The .uad/.uad2 authorization file contains plug-in license keys for the specific UAD cards in each computer group at My Systems. The file will not authorize any other UAD cards. • An authorization file is not associated to the host computer or the UAD installer in any way. Instead, it is associated with the UAD cards at My Systems (it’s the UAD hardware that is authorized, not the UAD plug-ins or computer). • (UAD-2 only) During authorization, the UAD plug-in license state is stored on the UAD-2 card. If the UAD-2 is moved to another computer, it is not necessary to reload an authorization file. • (UAD-1 only) If a UAD-1 card is installed into a different system, an authorization file must be loaded on the different computer. The auth file can be one obtained on the previous computer, or via Authorize Plug-Ins... button. Demo Mode All unlicensed UAD plug-ins include a free 14-day trial evaluation period. When the demonstration mode is activated, the plug-in will run without functional limitations for 14 days. Demo mode can be activated once only. After the demo trial period has expired, demo mode cannot be activated again on the same UAD card. If an unlicensed plug-in is loaded and its demo has never been started, a dialog appears with instructions to start the demo and the option to visit the online store to purchase the license. If you don’t start the demo or purchase a license, the plug-in interface appears and can be manipulated, but audio is not processed by the plug-in. Important: The 14 day demo period can only be activated once, and cannot be stopped or restarted during this period! We recommend you do not activate demo mode until you have the time to thoroughly check out its sound and functionality. Demo Activation To activate demo mode: 1. Ensure UAD Powered Plug-Ins version 5.0 or higher is already installed and configured properly (see Chapter 2, “UAD Installation”). UAD Powered Plug-Ins Manual - 46 - Chapter 4: My.uaudio.com
2. Launch the UAD Meter & Control Panel application (page 56). 3. Select “Plug-Ins...” from the Control Panel Menu (page 58). The UAD Plug-Ins panel (Figure 11 on page 64) appears. 4. Click the Start Demo button for the desired UAD plug-in. A confirmation window appears and the timed demo can be activated or demo activation can be cancelled. The timed demo is activated for 14 days. Demo Notes • (UAD-2 only) In addition to the Plug-Ins panel, Demo mode can also be activated directly from the UAD Toolbar (see page 76). • (UAD-1 only) Demos cannot be started if any UAD-1 plug-ins are running. If they are, a message instructing you to quit the host application is displayed. • Manipulating the computer’s system date and time will result in a decreased demo period. UA Online Store The UA online store at my.uaudio.com (Figure 6 on page 47) is where optional UAD plug-in licenses and other UA products can be purchased. Vouchers and promotional coupons are also redeemed here. All UAD card registrations and plug-in authorizations are managed here. My.uaudio.com can be accessed from most pages at www.uaudio.com by clicking the link in at the upper left of a webpage. The direct URL for the my.uaudio.com online store is: http://my.uaudio.com. Figure 6. The UA online store at my.uaudio.com UAD Powered Plug-Ins Manual - 47 - Chapter 4: My.uaudio.com
Page 1 and 2: UAD POWERED PLUG-INS USER MANUAL VE
Page 3 and 4: Universal Audio, Inc. End-User Lice
Page 5 and 6: TABLE OF CONTENTS Demo Mode . . . .
Page 7 and 8: TABLE OF CONTENTS Chapter 12. LA-3A
Page 9 and 10: TABLE OF CONTENTS Chapter 21. Preci
Page 11 and 12: TABLE OF CONTENTS Resonance (Equali
Page 13 and 14: TABLE OF CONTENTS Chapter 40. Littl
Page 15 and 16: The UAD-2 also introduces version 5
Page 17 and 18: The UAD System The UAD Powered Plug
Page 19 and 20: When the content of and function of
Page 21 and 22: CHAPTER 2 UAD Installation Overview
Page 23 and 24: For detailed technical information
Page 25 and 26: • a) Select the “Install the so
Page 27 and 28: PCI/PCI-X: UAD-1 only PCI Express (
Page 29 and 30: Note: The following procedure requi
Page 31 and 32: •If you already have a my.uaudio.
Page 33 and 34: Learn More Software Removal After i
Page 35 and 36: Note: Multiple UAD hardware types c
Page 37 and 38: The UAD Software The UAD Powered Pl
Page 39 and 40: The DAW Environment The digital aud
Page 41 and 42: I/O Drivers The audio interface is
Page 43 and 44: Bundled Plug-Ins UAD plug-ins that
Page 45: My Systems The UAD cards and plug-i
Page 49 and 50: Buying Plug-Ins To obtain optional
Page 51 and 52: CHAPTER 5 Using Multiple UAD Cards
Page 53 and 54: Important: If insufficient power is
Page 55 and 56: CHAPTER 6 UAD Meter & Control Panel
Page 57 and 58: UAD Meter Elements Refer to Figure
Page 59 and 60: Click the Menu button Figure 8. Acc
Page 61 and 62: UAD-2 The displayed latency is the
Page 63 and 64: Status Column The Status column ref
Page 65 and 66: For example, you could run low-DSP
Page 67 and 68: With the Limit DSP Load feature, th
Page 69 and 70: AMD-8131 Compatible Mode is only re
Page 71 and 72: Use Host Mode When Use Host Mode is
Page 73 and 74: Pro Tools Configuration Window Figu
Page 75 and 76: Logic Pro Figure 16. Launching a UA
Page 77 and 78: Settings Menu The Settings menu pro
Page 79 and 80: Increased Host Loading using LiveTr
Page 81 and 82: Text Entry Parameter values can be
Page 83 and 84: Multi-DSP UAD-2 systems use signifi
Page 85 and 86: CHAPTER 8 Tempo Sync Overview The t
Page 87 and 88: Range Limits Some parameters in Tem
Page 89 and 90: Roland RE-201 Sync When the RE-201i
Page 91 and 92: Table 6. Host Application plug-in d
Page 93 and 94: The UAD Delay Compensator acts as a
Page 95 and 96: UAD Track Advance Overview The prev
Page 97 and 98:
Solution: Put a TrackAdv plug-in on
Page 99 and 100:
Upsampled Compensation Examples Gro
Page 101 and 102:
Live Processing The previous discus
Page 103 and 104:
In this chapter you will find instr
Page 105 and 106:
Note: Do not bend sharp angles into
Page 107 and 108:
UAD-Xpander Pre-Flight Check 1. Ens
Page 109 and 110:
3. Turn off the power switch on the
Page 111 and 112:
CHAPTER 11 LA-2A and 1176LN Overvie
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+10 0 Compression region 10 dB of c
Page 115 and 116:
LA-2A Controls Figure 30. The LA-2A
Page 117 and 118:
1176LN Controls Figure 32. The 1176
Page 119 and 120:
1176SE “Special Edition” Figure
Page 121 and 122:
LA-3A Controls Background Comp/Lim
Page 123 and 124:
Fairchild Screenshot Figure 35. The
Page 125 and 126:
Fairchild Modes Dual Left/Right Lat
Page 127 and 128:
Meter Select Switch This switch det
Page 129 and 130:
DC Bias DC Bias controls the ratio
Page 131 and 132:
Precision Multiband Interface The P
Page 133 and 134:
EQ Display Selection A band can als
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COMPRESS When a band is set to Comp
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EQ Display In the EQ Display, the e
Page 139 and 140:
Frequency Controls Frequency Values
Page 141 and 142:
The band is soloed when its Solo bu
Page 143 and 144:
Power Switch The Power Switch deter
Page 145 and 146:
Precision Limiter Screenshot Figure
Page 147 and 148:
Sliding Meter Scale With the K-Syst
Page 149 and 150:
Meter The Meter switch specifies th
Page 151 and 152:
CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
Page 157 and 158:
CHAPTER 17 Neve 33609 Compressor Ov
Page 159 and 160:
Technical Article The article “As
Page 161 and 162:
Ratio This control determines the c
Page 163 and 164:
In stereo operation the controls fo
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14dB Typical starting point for mas
Page 167 and 168:
CHAPTER 18 VCA VU Overview The VCA
Page 169 and 170:
Output Gain Output Gain controls th
Page 171 and 172:
Neve 88RS Screenshot Figure 46. The
Page 173 and 174:
Gate/Expander The gate/expander mod
Page 175 and 176:
The available range is -25dB to +15
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An example: When compressing a snar
Page 179 and 180:
Slower release times can smooth the
Page 181 and 182:
HF Freq This parameter determines t
Page 183 and 184:
Cut Enable Cut Frequency This butto
Page 185 and 186:
CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
Page 189 and 190:
DM-1 Delay Modulator Figure 53. The
Page 191 and 192:
The RECIR units are expressed as a
Page 193 and 194:
RS-1 Controls Sync Button Shape Pop
Page 195 and 196:
CHAPTER 21 Precision Equalizer Over
Page 197 and 198:
Dual Mode In Dual mode (dual-mono m
Page 199 and 200:
Frequency Knob The Frequency knob d
Page 201 and 202:
CHAPTER 22 Cambridge EQ Overview Th
Page 203 and 204:
Zoom Buttons The vertical scale of
Page 205 and 206:
Low Cut / High Cut Filters The Low
Page 207 and 208:
Gain Knob Q (Bandwidth) Knob This p
Page 209 and 210:
Type III When set to Type III, ther
Page 211 and 212:
Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
Page 215 and 216:
Note: In the documentation supplied
Page 217 and 218:
In the hardware MEQ-5, the audio is
Page 219 and 220:
Dip Response Figure 73. Pultec MEQ-
Page 221 and 222:
CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
Page 225 and 226:
Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
Page 231 and 232:
Cut Filters The independent low and
Page 233 and 234:
CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
Page 237 and 238:
Line The Line switch determines whe
Page 239 and 240:
CHAPTER 27 Harrison 32C EQ Overview
Page 241 and 242:
Four EQ Bands Low Peak Low Frequenc
Page 243 and 244:
Harrison 32C Latency The Harrison 3
Page 245 and 246:
Roland CE-1 Controls The Roland CE-
Page 247 and 248:
Vibrato Controls These two knobs co
Page 249 and 250:
Roland Dimension D Controls The Rol
Page 251 and 252:
Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
Page 255 and 256:
Note: Echo Volume has no affect whe
Page 257 and 258:
CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
Page 261 and 262:
First material Second material Blen
Page 263 and 264:
tion frequency, the frequency at wh
Page 265 and 266:
3. Adjust the Band-edge controls fo
Page 267 and 268:
3. Drag the Decay Time control for
Page 269 and 270:
Levels The Levels panel lets you ad
Page 271 and 272:
RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
Page 279 and 280:
Materials Menus DreamVerb lets you
Page 281 and 282:
ER End control bat (time & amplitud
Page 283 and 284:
Late-Field Start Amplitude & Slope
Page 285 and 286:
Distance DreamVerb allows you to co
Page 287 and 288:
Windows On Windows systems, the def
Page 289 and 290:
• Try different diffusion setting
Page 291 and 292:
Plate 140 Controls The Plate 140 in
Page 293 and 294:
Low Frequency Knob This parameter s
Page 295 and 296:
Hidden Controls Several controls ex
Page 297 and 298:
CHAPTER 34 Precision Maximizer Over
Page 299 and 300:
Shape The Shape knob is the primary
Page 301 and 302:
Output The Output knob controls the
Page 303 and 304:
Precision Maximizer Latency The Pre
Page 305 and 306:
Precision De-Esser Controls Control
Page 307 and 308:
Gain Reduction The Gain Reduction m
Page 309 and 310:
Precision Enhancer kHz Screenshot F
Page 311 and 312:
Generally speaking, adjust the Outp
Page 313 and 314:
SPL Transient Designer Controls Con
Page 315 and 316:
Acknowledgement In addition to crea
Page 317 and 318:
Guitars Use the Transient Designer
Page 319 and 320:
Technology Of course you don‘t ha
Page 321 and 322:
The SUSTAIN Control Circuitry The S
Page 323 and 324:
CHAPTER 38 Nigel Introducing Nigel
Page 325 and 326:
Preflex Plug-in Preflex is the hear
Page 327 and 328:
Gate Fast Button The Fast control r
Page 329 and 330:
Amp Module The Preflex Amp is where
Page 331 and 332:
Pre-EQ Mid Knob Modifies the middle
Page 333 and 334:
Amp-A Type Menu Amp-B Type Menu Amp
Page 335 and 336:
Cabinet On/Off Button Output Level
Page 337 and 338:
LFO Type Menu Determines the LFO (l
Page 339 and 340:
Sens/Rate/ Wah Knob The function an
Page 341 and 342:
Wah Pedal Mode Similar to Wah mode,
Page 343 and 344:
Trem/Fade Module Figure 127. The Tr
Page 345 and 346:
Tremolo Mode When Tremolo mode is s
Page 347 and 348:
If the LFO Type menu is set to one
Page 349 and 350:
Mod Delay LFO Type Table Table 25.
Page 351 and 352:
Recirculation allows both positive
Page 353 and 354:
Moog Filter Screenshot Figure 130.
Page 355 and 356:
Cutoff This parameter defines the c
Page 357 and 358:
LFO Amount Rate Rate LED LFO Reset
Page 359 and 360:
Moog Filter SE Overview The UAD Moo
Page 361 and 362:
CHAPTER 40 Little Labs IBP Overview
Page 363 and 364:
Phase Adjust 90°/180° This switch
Page 365 and 366:
Universal Audio. It wasn't long bef
Page 367 and 368:
well as Sinatra's "It Was A Very Go
Page 369 and 370:
The basic concept of a compressor/l
Page 371 and 372:
Pros Talk UA Both the 1176 and the
Page 373 and 374:
Jim Scott Jim Scott shared a Grammy
Page 375 and 376:
Thank You We would like to thank yo
Page 377 and 378:
INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
Page 381 and 382:
INDEX Nigel 212, 323, 324 Nigel Mod
Page 383 and 384:
INDEX Sens 339 Sens/Rate/Wah Knob 3
Page 385:
INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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