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UAD Powered Plug-Ins Manual v5.2 - Just Music

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he started recording everything with feeds to two control<br />

rooms, one for a stereo mix, one for a mono mix.<br />

In late '58, '59 and '60 everything Bill did was recorded<br />

in both stereo and mono.<br />

"When stereo hit big around '61, none of the record<br />

companies had any catalog. But Bill did — he had<br />

two and one half years worth. It was a lot of material<br />

— understand at that period of time he was doing<br />

about $200,000 a month in the United Western<br />

Complex — which is like a million dollars a month<br />

now.<br />

"So the record companies came to Bill and said,<br />

'We'll pay you for the tape.' And he said, 'No, you<br />

can't pay for the tape, but if you repay me all the studio<br />

time that was used in the last two and a half years<br />

you have a deal.' And they did. They wrote him a check for the whole thing."<br />

It’s recollections like these that bring home Putnam's visionary and entrepreneurial style. An undisputed<br />

leader in music recording and in recording technology, with innumerable accolades<br />

to his credit, it's his son, Bill Putnam, who perhaps sums it up best, in a way Bill Sr. himself might<br />

like. Bill Jr. says, simply, "He was a guy who built equipment to solve problems in the studio."<br />

"There's a whole school of what I'd call Bill Putnam engineers out there," concludes Murray<br />

Allen. "People like Allen Sides and Bruce Swedien who worked with him and who really understood<br />

what recording sound should be about. They've carried on his tradition, and I think<br />

we all agree that it's very important for people to know what he contributed."<br />

Classic Compressors<br />

The LA-2A and 1176 compressor/limiters long ago achieved classic status. They're a given in<br />

almost any studio in the world — relied upon daily by engineers whose styles range from rock<br />

to rap, classical to country and everything in between. With so many newer products on the<br />

market to choose from, it's worth looking at the reasons why these classics remain a necessary<br />

part of any professional studio's outboard equipment collection.<br />

<strong>UAD</strong> <strong>Powered</strong> <strong>Plug</strong>-<strong>Ins</strong> <strong>Manual</strong> - 368 - Chapter 41: History

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