UAD Powered Plug-Ins Manual v5.2 - Just Music

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CHAPTER 25 Neve 1081 Equalizer Overview The Neve 1081 channel module was first produced in 1972 by Neve, and was used to provide the mic/line amp and EQ sections in consoles such as the Neve 8048. Vintage 8048 consoles, with 1081 modules, are still in wide use today at classic facilities such as The Village in Los Angeles, and have been chosen by artists ranging from The Rolling Stones to The Red Hot Chili Peppers. Universal Audio’s Neve 1081 EQ delivers the same sonic experience as its analog cousin with exacting detail. The 1081 EQ also includes a DSP optimized 1081SE EQ for higher instance counts. Neve 1081 Screenshot Figure 77. The Neve 1081 plug-in window UAD Powered Plug-Ins Manual - 226 - Chapter 25: Neve 1081 Equalizer
Neve 1081 and 1081SE Controls Overview The Neve 1081 channel module is a four-band EQ with high and low cut filters. The 1081 features two parametric midrange bands, with “Hi-Q” selections for tighter boosts or cuts. Both the high and low shelf filters have selectable frequencies and may be switched to bell filters. Other features include a –20 to +10 db input gain control, phase reverse, and EQ bypass. The bands are arranged and grouped as in Figure 78 below. The bands feature dual-concentric controls. For each of the main bands, the inner knob controls the gain while the outer ring controls the frequency. The low and high cut filters are grouped as one knob/ring set, but they are actually two independent filters. Band Layout High band High-mid band Gain (inner knob) Frequency (outer ring) Low-mid band Low band Low cut (ring) High cut (knob) Figure 78. Neve 1081 band control layout Each feature of the UAD Neve 1081 and 1081SE interfaces are detailed below. Input Gain The Input Gain control sets the level at the input of the plug-in. The range is from –20dB to +10dB. When the Input Gain knob “snaps” to the OFF position, plug-in processing is disabled and UAD DSP usage is reduced. Note: Clicking the OFF screen label toggles between OFF and the previously set Input Gain value. You can also click the Neve logo to toggle between OFF and the previous state. UAD Powered Plug-Ins Manual - 227 - Chapter 25: Neve 1081 Equalizer
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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AMD-8131 Compatible Mode is only re
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Use Host Mode When Use Host Mode is
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Pro Tools Configuration Window Figu
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Logic Pro Figure 16. Launching a UA
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Settings Menu The Settings menu pro
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Increased Host Loading using LiveTr
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Text Entry Parameter values can be
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Multi-DSP UAD-2 systems use signifi
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CHAPTER 8 Tempo Sync Overview The t
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Range Limits Some parameters in Tem
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Roland RE-201 Sync When the RE-201i
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Table 6. Host Application plug-in d
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The UAD Delay Compensator acts as a
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UAD Track Advance Overview The prev
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Solution: Put a TrackAdv plug-in on
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Upsampled Compensation Examples Gro
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Live Processing The previous discus
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In this chapter you will find instr
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Note: Do not bend sharp angles into
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UAD-Xpander Pre-Flight Check 1. Ens
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3. Turn off the power switch on the
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CHAPTER 11 LA-2A and 1176LN Overvie
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+10 0 Compression region 10 dB of c
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LA-2A Controls Figure 30. The LA-2A
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1176LN Controls Figure 32. The 1176
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1176SE “Special Edition” Figure
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LA-3A Controls Background Comp/Lim
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Fairchild Screenshot Figure 35. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Precision Multiband Interface The P
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EQ Display Selection A band can als
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COMPRESS When a band is set to Comp
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EQ Display In the EQ Display, the e
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Frequency Controls Frequency Values
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The band is soloed when its Solo bu
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Power Switch The Power Switch deter
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Precision Limiter Screenshot Figure
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Sliding Meter Scale With the K-Syst
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Meter The Meter switch specifies th
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CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 17 Neve 33609 Compressor Ov
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Technical Article The article “As
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Ratio This control determines the c
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In stereo operation the controls fo
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14dB Typical starting point for mas
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CHAPTER 18 VCA VU Overview The VCA
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Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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Page 177 and 178: An example: When compressing a snar
Page 179 and 180: Slower release times can smooth the
Page 181 and 182: HF Freq This parameter determines t
Page 183 and 184: Cut Enable Cut Frequency This butto
Page 185 and 186: CHAPTER 20 CS-1 Channel Strip Overv
Page 187 and 188: Gain (G) Knob Frequency (fc) Knob B
Page 189 and 190: DM-1 Delay Modulator Figure 53. The
Page 191 and 192: The RECIR units are expressed as a
Page 193 and 194: RS-1 Controls Sync Button Shape Pop
Page 195 and 196: CHAPTER 21 Precision Equalizer Over
Page 197 and 198: Dual Mode In Dual mode (dual-mono m
Page 199 and 200: Frequency Knob The Frequency knob d
Page 201 and 202: CHAPTER 22 Cambridge EQ Overview Th
Page 203 and 204: Zoom Buttons The vertical scale of
Page 205 and 206: Low Cut / High Cut Filters The Low
Page 207 and 208: Gain Knob Q (Bandwidth) Knob This p
Page 209 and 210: Type III When set to Type III, ther
Page 211 and 212: Figure 65. Shelf Type A Figure 66.
Page 213 and 214: Pultec Latency The Pultec and Pulte
Page 215 and 216: Note: In the documentation supplied
Page 217 and 218: In the hardware MEQ-5, the audio is
Page 219 and 220: Dip Response Figure 73. Pultec MEQ-
Page 221 and 222: CHAPTER 24 Neve 1073 Equalizer Over
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Page 225: Neve 1073SE Controls The Neve 1073S
Page 229 and 230: High-Mid Frequency The high-midrang
Page 231 and 232: Cut Filters The independent low and
Page 233 and 234: CHAPTER 26 Helios Type 69 Equalizer
Page 235 and 236: Bass The Bass knob has a dual purpo
Page 237 and 238: Line The Line switch determines whe
Page 239 and 240: CHAPTER 27 Harrison 32C EQ Overview
Page 241 and 242: Four EQ Bands Low Peak Low Frequenc
Page 243 and 244: Harrison 32C Latency The Harrison 3
Page 245 and 246: Roland CE-1 Controls The Roland CE-
Page 247 and 248: Vibrato Controls These two knobs co
Page 249 and 250: Roland Dimension D Controls The Rol
Page 251 and 252: Roland RE-201 Screenshot Figure 86.
Page 253 and 254: Table 15. RE-201 Mode Selector Posi
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Page 257 and 258: CHAPTER 31 RealVerb Pro Overview Re
Page 259 and 260: The RealVerb Pro user interface is
Page 261 and 262: First material Second material Blen
Page 263 and 264: tion frequency, the frequency at wh
Page 265 and 266: 3. Adjust the Band-edge controls fo
Page 267 and 268: 3. Drag the Decay Time control for
Page 269 and 270: Levels The Levels panel lets you ad
Page 271 and 272: RealVerb Pro Preset Management Fact
Page 273 and 274: Screenshot Figure 97. The DreamVerb
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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