UAD Powered Plug-Ins Manual v5.2 - Just Music

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Mod Filter Module The Mod Filter is an advanced filter plug-in that is capable of fixed-wah, autowah, envelope follower, sample/hold-driven filter, and other modulated filter effects. It has been modeled after the Mutron III and other popular filters. The filter cutoff frequency can be controlled by the signal level at the input to the module or a low frequency oscillator (LFO). This realtime dynamic response is what gives the Mod Filter its unique sound. Figure 125. The Mod Filter plug-in window The label and function of the first knob depends upon the Mod Type menu selection. Sync Button This button puts the plug-in into Tempo Sync mode. See Chapter 8, “Tempo Sync”for more information. UAD Powered Plug-Ins Manual - 338 - Chapter 38: Nigel
Sens/Rate/ Wah Knob The function and label of the first knob in the Mod Filter is determined by the Mod Type setting (see Figure 125 on page 338). When the Mod Type is an envelope, the label changes to “Sens” and determines the gain sensitivity of the Mod Filter. When the Mod Type is an LFO, the label changes to “Rate” and determines the rate of the LFO. When the Mod Type is set to Wah, the label changes to “Wah” and adjusts the wah pedal position. Sens When the knob is controlling Sensitivity, a higher setting will have a greater (more sensitive) response to variations in dynamic level. Rate When the knob is controlling Rate, a higher setting will increase the rate of filter cutoff frequency modulation by the LFO. The range is from 0Hz to 8Hz. Wah When the knob is controlling Wah, a higher setting will have a brighter sound, just like when a real wah pedal is pressed forward. On a real wah pedal, the wah filter is alternately enabled and disabled by rocking the pedal to the maximum forward position. Similarly, when the Wah knob is moved to the maximum position the wah effect is alternately enabled/disabled until the knob (or an external controller mapped to the knob) is moved to maximum again. This emulates real wah pedal behavior when an external MIDI control pedal is used in realtime. (Hint: add a rubber stopper to the front of your MIDI pedal to fully emulate a real wah pedal.) Sweep Knobs The Sweep knobs determine the frequency range of the Mod Filter. The low and high frequency values can be independently adjusted. This flexible arrangement allows the Mod Filter to affect a narrow or broad frequency range, and also enables you to tune the frequency response characteristic to match the signal if desired. Sweep Lo Knob Sets the lowest frequency to be affected by the Mod Filter. The available range is from 50Hz to 4000Hz. Because the Sweep Lo frequency cannot be set higher than the Sweep Hi frequency, if the Lo value is increased beyond the Hi value the Hi value will increase to match the Lo value. UAD Powered Plug-Ins Manual - 339 - Chapter 38: Nigel
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
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For detailed technical information
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• a) Select the “Install the so
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PCI/PCI-X: UAD-1 only PCI Express (
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Note: The following procedure requi
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•If you already have a my.uaudio.
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Learn More Software Removal After i
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Note: Multiple UAD hardware types c
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The UAD Software The UAD Powered Pl
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The DAW Environment The digital aud
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I/O Drivers The audio interface is
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Bundled Plug-Ins UAD plug-ins that
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My Systems The UAD cards and plug-i
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2. Launch the UAD Meter & Control P
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Buying Plug-Ins To obtain optional
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CHAPTER 5 Using Multiple UAD Cards
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Important: If insufficient power is
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CHAPTER 6 UAD Meter & Control Panel
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UAD Meter Elements Refer to Figure
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Click the Menu button Figure 8. Acc
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UAD-2 The displayed latency is the
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Status Column The Status column ref
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For example, you could run low-DSP
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With the Limit DSP Load feature, th
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AMD-8131 Compatible Mode is only re
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Use Host Mode When Use Host Mode is
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Pro Tools Configuration Window Figu
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Logic Pro Figure 16. Launching a UA
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Settings Menu The Settings menu pro
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Increased Host Loading using LiveTr
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Text Entry Parameter values can be
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Multi-DSP UAD-2 systems use signifi
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CHAPTER 8 Tempo Sync Overview The t
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Range Limits Some parameters in Tem
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Roland RE-201 Sync When the RE-201i
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Table 6. Host Application plug-in d
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The UAD Delay Compensator acts as a
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UAD Track Advance Overview The prev
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Solution: Put a TrackAdv plug-in on
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Upsampled Compensation Examples Gro
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Live Processing The previous discus
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In this chapter you will find instr
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Note: Do not bend sharp angles into
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UAD-Xpander Pre-Flight Check 1. Ens
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3. Turn off the power switch on the
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CHAPTER 11 LA-2A and 1176LN Overvie
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+10 0 Compression region 10 dB of c
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LA-2A Controls Figure 30. The LA-2A
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1176LN Controls Figure 32. The 1176
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1176SE “Special Edition” Figure
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LA-3A Controls Background Comp/Lim
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Fairchild Screenshot Figure 35. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Precision Multiband Interface The P
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EQ Display Selection A band can als
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COMPRESS When a band is set to Comp
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EQ Display In the EQ Display, the e
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Frequency Controls Frequency Values
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The band is soloed when its Solo bu
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Power Switch The Power Switch deter
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Precision Limiter Screenshot Figure
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Sliding Meter Scale With the K-Syst
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Meter The Meter switch specifies th
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CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 17 Neve 33609 Compressor Ov
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Technical Article The article “As
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Ratio This control determines the c
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In stereo operation the controls fo
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14dB Typical starting point for mas
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CHAPTER 18 VCA VU Overview The VCA
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Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
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The RECIR units are expressed as a
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RS-1 Controls Sync Button Shape Pop
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CHAPTER 21 Precision Equalizer Over
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Dual Mode In Dual mode (dual-mono m
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Frequency Knob The Frequency knob d
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CHAPTER 22 Cambridge EQ Overview Th
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Zoom Buttons The vertical scale of
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Low Cut / High Cut Filters The Low
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Gain Knob Q (Bandwidth) Knob This p
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Type III When set to Type III, ther
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Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
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Note: In the documentation supplied
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In the hardware MEQ-5, the audio is
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Dip Response Figure 73. Pultec MEQ-
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CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
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Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
Page 287 and 288: Windows On Windows systems, the def
Page 289 and 290: • Try different diffusion setting
Page 291 and 292: Plate 140 Controls The Plate 140 in
Page 293 and 294: Low Frequency Knob This parameter s
Page 295 and 296: Hidden Controls Several controls ex
Page 297 and 298: CHAPTER 34 Precision Maximizer Over
Page 299 and 300: Shape The Shape knob is the primary
Page 301 and 302: Output The Output knob controls the
Page 303 and 304: Precision Maximizer Latency The Pre
Page 305 and 306: Precision De-Esser Controls Control
Page 307 and 308: Gain Reduction The Gain Reduction m
Page 309 and 310: Precision Enhancer kHz Screenshot F
Page 311 and 312: Generally speaking, adjust the Outp
Page 313 and 314: SPL Transient Designer Controls Con
Page 315 and 316: Acknowledgement In addition to crea
Page 317 and 318: Guitars Use the Transient Designer
Page 319 and 320: Technology Of course you don‘t ha
Page 321 and 322: The SUSTAIN Control Circuitry The S
Page 323 and 324: CHAPTER 38 Nigel Introducing Nigel
Page 325 and 326: Preflex Plug-in Preflex is the hear
Page 327 and 328: Gate Fast Button The Fast control r
Page 329 and 330: Amp Module The Preflex Amp is where
Page 331 and 332: Pre-EQ Mid Knob Modifies the middle
Page 333 and 334: Amp-A Type Menu Amp-B Type Menu Amp
Page 335 and 336: Cabinet On/Off Button Output Level
Page 337: LFO Type Menu Determines the LFO (l
Page 341 and 342: Wah Pedal Mode Similar to Wah mode,
Page 343 and 344: Trem/Fade Module Figure 127. The Tr
Page 345 and 346: Tremolo Mode When Tremolo mode is s
Page 347 and 348: If the LFO Type menu is set to one
Page 349 and 350: Mod Delay LFO Type Table Table 25.
Page 351 and 352: Recirculation allows both positive
Page 353 and 354: Moog Filter Screenshot Figure 130.
Page 355 and 356: Cutoff This parameter defines the c
Page 357 and 358: LFO Amount Rate Rate LED LFO Reset
Page 359 and 360: Moog Filter SE Overview The UAD Moo
Page 361 and 362: CHAPTER 40 Little Labs IBP Overview
Page 363 and 364: Phase Adjust 90°/180° This switch
Page 365 and 366: Universal Audio. It wasn't long bef
Page 367 and 368: well as Sinatra's "It Was A Very Go
Page 369 and 370: The basic concept of a compressor/l
Page 371 and 372: Pros Talk UA Both the 1176 and the
Page 373 and 374: Jim Scott Jim Scott shared a Grammy
Page 375 and 376: Thank You We would like to thank yo
Page 377 and 378: INDEX Cambridge EQ Controls 202 Cam
Page 379 and 380: INDEX Helios 69 Latency 237 Helios
Page 381 and 382: INDEX Nigel 212, 323, 324 Nigel Mod
Page 383 and 384: INDEX Sens 339 Sens/Rate/Wah Knob 3
Page 385: INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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