UAD Powered Plug-Ins Manual v5.2 - Just Music

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CHAPTER 7 Using UAD Powered Plug-Ins Overview Once the UAD card(s) and Powered Plug-Ins have been properly installed, the UAD Powered Plug-Ins are accessed and used just like any host-based plugin. All UAD Powered Plug-Ins can run concurrently with each other and with host-based plug-ins simultaneously, in any combination. Most UAD Powered Plug-Ins support up to 32-bit, 192KHz operation (exceptions: Plate 140, Precision Multiband, Nigel, Roland RE-201, and Neve 1073SE/1081SE/33609 cannot run at 176.4kHz and above on UAD-1). Resolution is limited only the by resolution of the host application. Please note that Powered Plug-Ins running at 96KHz use twice as much UAD DSP resources than those used at 48KHz, and so forth. Launching a UAD Powered Plug-In Each host application has its own particular methods for instantiating (launching) a plug-in. Consult the host application documentation for specific instructions on loading and using plug-ins with the application. Cubase SX & Nuendo SX Figure 15. Launching a UAD Powered Plug-In in Steinberg Cubase and Nuendo UAD Powered Plug-Ins Manual - 74 - Chapter 7: Using UAD Powered Plug-Ins
Logic Pro Figure 16. Launching a UAD Powered Plug-In in Apple Logic Pro The UAD Plug-In Window A typical UAD Powered Plug-In window is shown in Figure 17. The graphical user interface (GUI) typically contains several control parameters, for modifying the behavior of the plug-in, and display elements such as meters, for visual feedback. The UAD Toolbar is also displayed. Typical interactive control parameters Display-only element (not a control parameter) Figure 17. A typical UAD plug-in window UAD Toolbar (common to all UAD plug-ins) UAD Powered Plug-Ins Manual - 75 - Chapter 7: Using UAD Powered Plug-Ins
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UAD POWERED PLUG-INS USER MANUAL VE
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Universal Audio, Inc. End-User Lice
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TABLE OF CONTENTS Demo Mode . . . .
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TABLE OF CONTENTS Chapter 12. LA-3A
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TABLE OF CONTENTS Chapter 21. Preci
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TABLE OF CONTENTS Resonance (Equali
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TABLE OF CONTENTS Chapter 40. Littl
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The UAD-2 also introduces version 5
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The UAD System The UAD Powered Plug
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When the content of and function of
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CHAPTER 2 UAD Installation Overview
Page 23 and 24: For detailed technical information
Page 25 and 26: • a) Select the “Install the so
Page 27 and 28: PCI/PCI-X: UAD-1 only PCI Express (
Page 29 and 30: Note: The following procedure requi
Page 31 and 32: •If you already have a my.uaudio.
Page 33 and 34: Learn More Software Removal After i
Page 35 and 36: Note: Multiple UAD hardware types c
Page 37 and 38: The UAD Software The UAD Powered Pl
Page 39 and 40: The DAW Environment The digital aud
Page 41 and 42: I/O Drivers The audio interface is
Page 43 and 44: Bundled Plug-Ins UAD plug-ins that
Page 45 and 46: My Systems The UAD cards and plug-i
Page 47 and 48: 2. Launch the UAD Meter & Control P
Page 49 and 50: Buying Plug-Ins To obtain optional
Page 51 and 52: CHAPTER 5 Using Multiple UAD Cards
Page 53 and 54: Important: If insufficient power is
Page 55 and 56: CHAPTER 6 UAD Meter & Control Panel
Page 57 and 58: UAD Meter Elements Refer to Figure
Page 59 and 60: Click the Menu button Figure 8. Acc
Page 61 and 62: UAD-2 The displayed latency is the
Page 63 and 64: Status Column The Status column ref
Page 65 and 66: For example, you could run low-DSP
Page 67 and 68: With the Limit DSP Load feature, th
Page 69 and 70: AMD-8131 Compatible Mode is only re
Page 71 and 72: Use Host Mode When Use Host Mode is
Page 73: Pro Tools Configuration Window Figu
Page 77 and 78: Settings Menu The Settings menu pro
Page 79 and 80: Increased Host Loading using LiveTr
Page 81 and 82: Text Entry Parameter values can be
Page 83 and 84: Multi-DSP UAD-2 systems use signifi
Page 85 and 86: CHAPTER 8 Tempo Sync Overview The t
Page 87 and 88: Range Limits Some parameters in Tem
Page 89 and 90: Roland RE-201 Sync When the RE-201i
Page 91 and 92: Table 6. Host Application plug-in d
Page 93 and 94: The UAD Delay Compensator acts as a
Page 95 and 96: UAD Track Advance Overview The prev
Page 97 and 98: Solution: Put a TrackAdv plug-in on
Page 99 and 100: Upsampled Compensation Examples Gro
Page 101 and 102: Live Processing The previous discus
Page 103 and 104: In this chapter you will find instr
Page 105 and 106: Note: Do not bend sharp angles into
Page 107 and 108: UAD-Xpander Pre-Flight Check 1. Ens
Page 109 and 110: 3. Turn off the power switch on the
Page 111 and 112: CHAPTER 11 LA-2A and 1176LN Overvie
Page 113 and 114: +10 0 Compression region 10 dB of c
Page 115 and 116: LA-2A Controls Figure 30. The LA-2A
Page 117 and 118: 1176LN Controls Figure 32. The 1176
Page 119 and 120: 1176SE “Special Edition” Figure
Page 121 and 122: LA-3A Controls Background Comp/Lim
Page 123 and 124: Fairchild Screenshot Figure 35. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Precision Multiband Interface The P
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EQ Display Selection A band can als
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COMPRESS When a band is set to Comp
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EQ Display In the EQ Display, the e
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Frequency Controls Frequency Values
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The band is soloed when its Solo bu
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Power Switch The Power Switch deter
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Precision Limiter Screenshot Figure
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Sliding Meter Scale With the K-Syst
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Meter The Meter switch specifies th
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CHAPTER 16 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 17 Neve 33609 Compressor Ov
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Technical Article The article “As
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Ratio This control determines the c
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In stereo operation the controls fo
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14dB Typical starting point for mas
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CHAPTER 18 VCA VU Overview The VCA
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Output Gain Output Gain controls th
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Neve 88RS Screenshot Figure 46. The
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Gate/Expander The gate/expander mod
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The available range is -25dB to +15
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An example: When compressing a snar
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Slower release times can smooth the
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HF Freq This parameter determines t
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Cut Enable Cut Frequency This butto
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CHAPTER 20 CS-1 Channel Strip Overv
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Gain (G) Knob Frequency (fc) Knob B
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DM-1 Delay Modulator Figure 53. The
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The RECIR units are expressed as a
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RS-1 Controls Sync Button Shape Pop
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CHAPTER 21 Precision Equalizer Over
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Dual Mode In Dual mode (dual-mono m
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Frequency Knob The Frequency knob d
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CHAPTER 22 Cambridge EQ Overview Th
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Zoom Buttons The vertical scale of
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Low Cut / High Cut Filters The Low
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Gain Knob Q (Bandwidth) Knob This p
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Type III When set to Type III, ther
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Figure 65. Shelf Type A Figure 66.
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Pultec Latency The Pultec and Pulte
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Note: In the documentation supplied
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In the hardware MEQ-5, the audio is
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Dip Response Figure 73. Pultec MEQ-
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CHAPTER 24 Neve 1073 Equalizer Over
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Note: You can also click the midran
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Neve 1073SE Controls The Neve 1073S
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 26 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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Line The Line switch determines whe
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CHAPTER 27 Harrison 32C EQ Overview
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Four EQ Bands Low Peak Low Frequenc
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Harrison 32C Latency The Harrison 3
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Roland CE-1 Controls The Roland CE-
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 86.
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Table 15. RE-201 Mode Selector Posi
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Note: Echo Volume has no affect whe
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CHAPTER 31 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel lets you ad
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RealVerb Pro Preset Management Fact
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Screenshot Figure 97. The DreamVerb
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Bypass switch Band Amplitude contro
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Shape Menus DreamVerb lets you spec
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Materials Menus DreamVerb lets you
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ER End control bat (time & amplitud
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Late-Field Start Amplitude & Slope
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Distance DreamVerb allows you to co
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Windows On Windows systems, the def
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• Try different diffusion setting
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Plate 140 Controls The Plate 140 in
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Low Frequency Knob This parameter s
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Hidden Controls Several controls ex
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CHAPTER 34 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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Precision Maximizer Latency The Pre
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Precision De-Esser Controls Control
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Gain Reduction The Gain Reduction m
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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SPL Transient Designer Controls Con
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Acknowledgement In addition to crea
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Guitars Use the Transient Designer
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Technology Of course you don‘t ha
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The SUSTAIN Control Circuitry The S
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CHAPTER 38 Nigel Introducing Nigel
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Preflex Plug-in Preflex is the hear
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Gate Fast Button The Fast control r
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Amp Module The Preflex Amp is where
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Pre-EQ Mid Knob Modifies the middle
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Amp-A Type Menu Amp-B Type Menu Amp
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Cabinet On/Off Button Output Level
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LFO Type Menu Determines the LFO (l
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Sens/Rate/ Wah Knob The function an
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Wah Pedal Mode Similar to Wah mode,
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Trem/Fade Module Figure 127. The Tr
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Tremolo Mode When Tremolo mode is s
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If the LFO Type menu is set to one
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Mod Delay LFO Type Table Table 25.
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Recirculation allows both positive
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Moog Filter Screenshot Figure 130.
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Cutoff This parameter defines the c
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LFO Amount Rate Rate LED LFO Reset
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Moog Filter SE Overview The UAD Moo
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CHAPTER 40 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Universal Audio. It wasn't long bef
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well as Sinatra's "It Was A Very Go
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The basic concept of a compressor/l
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Pros Talk UA Both the 1176 and the
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Jim Scott Jim Scott shared a Grammy
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Thank You We would like to thank yo
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INDEX Cambridge EQ Controls 202 Cam
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INDEX Helios 69 Latency 237 Helios
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INDEX Nigel 212, 323, 324 Nigel Mod
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INDEX Sens 339 Sens/Rate/Wah Knob 3
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INDEX UAD Powered Plug-Ins Manual -
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UAD Powered Plug-Ins Manual v5.2 - Just Music

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