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A true desire for investigation was initiated so that they could know the origin and history of the town and all those young adults that worked to give their children and the entire town the best. This desire never seemed to end. This was the era in which many adults still came to Ciadoncha to work on the land and the children enjoyed themselves in the town. Course of handicrafts. Photo provided by Arcadio Varona Even the fire in the headquarters, in which the City Hall files were lost, did not discourage the people. AT the contrary the Cultural Center of Santa Barbara contributed 2 million pesetas from its funds to reconstruct it. This money came out of 1,700,000 pesetas from the insurance policy that they had, plus 300,000 pesetas of its own funds. IN addition to this quantity, thanks to the intervention and actions of the Cultural Center with the civil governor, who was very sensitized by the cultural work that the center was developing, contributed one million pesetas in order to initiate the first works of reconstruction. The carried out by the City Hall. Program of activities of the IV Cultural Summer. August 1996. 154
Even the programs were carefully designed according to the themes that they were about. During these cultural weeks, prestigious personalities from different fields participated, such as Fray Valentín de la Cruz, José María Codón, Gonzalo Martínez Díez, Angel Casas Alonso, Emelina Martín Abosta, José María Alonso del Val, José Pérez Solana, Román Pedrosa Alonso, Ubaldo Herrero Alonso, Mercedes Ausín Villanueva, José m Manuel Suárez Guijarro, Jesús Pérez Bustillo, Esther Díaz García, Isidoro Martín, Martín, Femín González, Raúl Berzosa Martínez, Felipe Fuente Macho, Angel Guerra, Argimiro Peña, and others. Course of handicrafts. Photo provided by Arcadio Varona The Newspaper of Burgos said: “Ciadoncha: the most intellectual town in the province (August 19, 1995). In this article, Roberto Estébanez praises the form to promote Culture, with a capital letter, and not just folklore. It has compliments for the Cultural Center of Santa Barbara and for the Youthful Association- “Los Raneros”. How proud all the neighbors must have been when such a respectable newspaper, such as this one, dedicated not one but many articles congratulating them for the cultural level that they had. The young adults of this era truly demonstrated that if big things can be done well if it is wanted. As one of the ex-presidents of the Center told me: “My idea was to remove the tradition that all festivals could only have the three M’s (Mass, music, merienda (afternoon snack).” He wanted to add culture to it and his dream has come true some time ago. Some private videos and other professionals, besides press reporters and the local television channel, gave faith to the persistence that was put in planning and carrying out these activities. I do not doubt that this work remained as proof of the dedication and desire to share the knowledge of many people that gladly participated in the execution of these events. Many families always remember with great pride the work that they carried out during this time. Others will remember with great nostalgia their artistic participation in the diverse presentation that was done in the church. Many will be the children that will 155
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CIADONCHA SO MANY MEMORIES! Transla
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CONTENT Introduction …………
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this town. The stories are only eng
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For the historical context, I have
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CHAPTER 1 THE TOWN AND ITS PEOPLE C
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A main road crosses Ciadoncha calle
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Well where the water comes out for
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Road to Prescencio in the 70s Photo
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CHAPTER 2 EVOLUTION OF THE POPULATI
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The mobility to the big cities that
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the land owners, nor by the Catholi
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One day, some children came to tell
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CHAPTER 3 A BIT OF HISTORY The name
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CHAPTER 4 THE CHURCH The biggest ar
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A vault with the inscription 1551 i
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Another exceptional piece is that o
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The stained glass window that appea
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contract by the INEM (National Inst
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1919 they attempt again, but again
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the sacristy of the church, wherein
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Returning to a priest’s function
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As was said previously, life in the
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Some nativity scenes are more elabo
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when we have so much food and so mu
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If “el gordo’ does not come for
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A group of women singing the wise m
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Men in the bar after mass. 2006 Pho
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Today is the first (second, third)
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And the procession begins The silve
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And goes to give mass. The allusion
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The last big holiday celebrated in
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CHAPTER 6 THE FOOD The Little Onion
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of thyme. It is then passed to a wi
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Daily life in Ciadoncha during thes
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CHAPATER 7 THE MATANZA The matanza
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Burning the pig’s hair. 1984 Phot
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Cooking the sausages. 1984 Photo Lu
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Making the mixture for the soap. 20
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The wine cellars have been much mor
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Women celebrating someone’s birth
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One of the participants commented t
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With time, the majority of houses i
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The bedrooms had beds with a headbo
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pots full of colorful flowers that
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Angel Varona Temiño with his small
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Water fountain. Drinking water in t
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The majority of the participants re
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CHAPTER 10 THE CYCLE OF LIFE I want
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Others who had their children later
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The “tabas” were the bones from
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The stream brought many memories to
Page 104 and 105: Children playing in front of the sc
Page 106 and 107: Marcos Arroyo with his grandparents
Page 108 and 109: For families, having a son be a pri
Page 110 and 111: Another generation told me that the
Page 112 and 113: The youth from the 70s and 80s had
Page 114 and 115: Emiliano Galiana Porres and María
Page 116 and 117: Youth of the 60s. Photo provided by
Page 118 and 119: Women standing in the doorway of th
Page 120 and 121: participants value the most of this
Page 122 and 123: Cemetery of Ciadoncha in 2006 Photo
Page 124 and 125: Religious Education http://www.geoc
Page 126 and 127: could not do it they could just era
Page 128 and 129: Historic Context In 1954, the gover
Page 130 and 131: Promotion 1964-1970 Photo provided
Page 132 and 133: School for males during the 1950s P
Page 134 and 135: CHAPTER 12 AGRICULTURE AND LIVESTOC
Page 136 and 137: One participant who has been a farm
Page 138 and 139: Another participant remembered nigh
Page 140 and 141: Harvesting in Ciadoncha. 1991 Photo
Page 142 and 143: Sheep grazing. 1984 Photo Lucía Va
Page 144 and 145: e able to rest a little. During the
Page 146 and 147: Old Machinery In the mid 70s one co
Page 148 and 149: An abandoned cart in the 70s For a
Page 150 and 151: Winnowing on the lands. Photo expos
Page 152 and 153: CHAPTER 13 SANTA BÁRBARA CULTURAL
Page 156 and 157: smile upon seeing their fathers or
Page 158 and 159: First ethnological exposition. 1991
Page 160 and 161: agricultural culture, but also educ
Page 162 and 163: Cultural Week. 1994. Photo by Photo
Page 164 and 165: Bibliography Antehistoria.com http:
Page 166: Varona, Lucía. T. “La comunidad
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