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The image of the Virgin of the Assumption, the title of the parish, was carved by Manuel Cortés and polychromed by Pedro Reoyo in 1751. In 1783 Adrián Carazo polychromed the remainder of the altarpiece and the work finished in 1784 by Manuel Benigno Romero who carved the images of San Cosme and San Damián, and polychromed by Romualdo Pérez. Stylistically this work is found in transit to rococo, although the global polychrome of Adrián Carazo gives it a bit of imitated neoclassicism with jaspers and marble (Hernández Payo, 36). Reparation of the church in 1966. Photo provided by Arcadio Varona In 1966, by the initiative of the then parish priest, Antonio Cuezva, a cleansing and reconstruction of the interior of the church was done. It was a very important event for the town. It relied on the the participation of almost all the neighbors, the bricklayers of Peral, whom were called Las Arañas (The Spiders) and the direction of Luís Pérez, the bricklayer of Ciadoncha. Stained glass window in the porthole of the chorus of the church. Photo provided by Arcadio Varona 32
The stained glass window that appears in the porthole of the chorus is a contribution from various neighbors channeled by the Club Cultural Santa Bárbara (Santa Barbara Cultural Club). This beautiful work was placed by the famous Burgos stained glass workers, Hermanos Barrio (Neighborhood Brothers). It was placed in 1996. The church without the tower. Photo provided by Arcadio Varona For many years the church of Ciadoncha did not have a tower. The original tower was destroyed in 1755, possibly as a consequence of the earthquake that destroyed Lisboa. The exterior of the church has endured several transformations since then. At first the church, without a tower where the apse is, emphasized late Romanesque style, starts of the Gothic. Photo provided by Arcadio Varona 33
Page 1 and 2: CIADONCHA SO MANY MEMORIES! Transla
Page 3 and 4: CONTENT Introduction …………
Page 5 and 6: this town. The stories are only eng
Page 7 and 8: For the historical context, I have
Page 9 and 10: CHAPTER 1 THE TOWN AND ITS PEOPLE C
Page 11 and 12: A main road crosses Ciadoncha calle
Page 13 and 14: Well where the water comes out for
Page 15 and 16: Road to Prescencio in the 70s Photo
Page 17 and 18: CHAPTER 2 EVOLUTION OF THE POPULATI
Page 19 and 20: The mobility to the big cities that
Page 21 and 22: the land owners, nor by the Catholi
Page 23 and 24: One day, some children came to tell
Page 25 and 26: CHAPTER 3 A BIT OF HISTORY The name
Page 27 and 28: CHAPTER 4 THE CHURCH The biggest ar
Page 29 and 30: A vault with the inscription 1551 i
Page 31: Another exceptional piece is that o
Page 35 and 36: contract by the INEM (National Inst
Page 37 and 38: 1919 they attempt again, but again
Page 39 and 40: the sacristy of the church, wherein
Page 41 and 42: Returning to a priest’s function
Page 43 and 44: As was said previously, life in the
Page 45 and 46: Some nativity scenes are more elabo
Page 47 and 48: when we have so much food and so mu
Page 49 and 50: If “el gordo’ does not come for
Page 51 and 52: A group of women singing the wise m
Page 54 and 55: Men in the bar after mass. 2006 Pho
Page 56 and 57: Today is the first (second, third)
Page 58 and 59: And the procession begins The silve
Page 60 and 61: And goes to give mass. The allusion
Page 62 and 63: The last big holiday celebrated in
Page 64 and 65: CHAPTER 6 THE FOOD The Little Onion
Page 66 and 67: of thyme. It is then passed to a wi
Page 68 and 69: Daily life in Ciadoncha during thes
Page 70 and 71: CHAPATER 7 THE MATANZA The matanza
Page 72 and 73: Burning the pig’s hair. 1984 Phot
Page 74 and 75: Cooking the sausages. 1984 Photo Lu
Page 76 and 77: Making the mixture for the soap. 20
Page 78 and 79: The wine cellars have been much mor
Page 80 and 81: Women celebrating someone’s birth
Page 82 and 83:
One of the participants commented t
Page 84 and 85:
With time, the majority of houses i
Page 86 and 87:
The bedrooms had beds with a headbo
Page 88 and 89:
pots full of colorful flowers that
Page 90 and 91:
Angel Varona Temiño with his small
Page 92 and 93:
Water fountain. Drinking water in t
Page 94 and 95:
The majority of the participants re
Page 96 and 97:
CHAPTER 10 THE CYCLE OF LIFE I want
Page 98 and 99:
Others who had their children later
Page 100 and 101:
The “tabas” were the bones from
Page 102 and 103:
The stream brought many memories to
Page 104 and 105:
Children playing in front of the sc
Page 106 and 107:
Marcos Arroyo with his grandparents
Page 108 and 109:
For families, having a son be a pri
Page 110 and 111:
Another generation told me that the
Page 112 and 113:
The youth from the 70s and 80s had
Page 114 and 115:
Emiliano Galiana Porres and María
Page 116 and 117:
Youth of the 60s. Photo provided by
Page 118 and 119:
Women standing in the doorway of th
Page 120 and 121:
participants value the most of this
Page 122 and 123:
Cemetery of Ciadoncha in 2006 Photo
Page 124 and 125:
Religious Education http://www.geoc
Page 126 and 127:
could not do it they could just era
Page 128 and 129:
Historic Context In 1954, the gover
Page 130 and 131:
Promotion 1964-1970 Photo provided
Page 132 and 133:
School for males during the 1950s P
Page 134 and 135:
CHAPTER 12 AGRICULTURE AND LIVESTOC
Page 136 and 137:
One participant who has been a farm
Page 138 and 139:
Another participant remembered nigh
Page 140 and 141:
Harvesting in Ciadoncha. 1991 Photo
Page 142 and 143:
Sheep grazing. 1984 Photo Lucía Va
Page 144 and 145:
e able to rest a little. During the
Page 146 and 147:
Old Machinery In the mid 70s one co
Page 148 and 149:
An abandoned cart in the 70s For a
Page 150 and 151:
Winnowing on the lands. Photo expos
Page 152 and 153:
CHAPTER 13 SANTA BÁRBARA CULTURAL
Page 154 and 155:
A true desire for investigation was
Page 156 and 157:
smile upon seeing their fathers or
Page 158 and 159:
First ethnological exposition. 1991
Page 160 and 161:
agricultural culture, but also educ
Page 162 and 163:
Cultural Week. 1994. Photo by Photo
Page 164 and 165:
Bibliography Antehistoria.com http:
Page 166:
Varona, Lucía. T. “La comunidad
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