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DETROIT<br />
Cleveland Woman Happily<br />
Remembers 'China Night'<br />
105<br />
The largest single-day gross for the Main<br />
rheatre in Royal Oak was scored during<br />
the first Saturday of the engagement of<br />
Disney Productions' "Freaky Friday." according<br />
to Bob Anthony, owner of the independent<br />
750-seat house. Also, this theatre<br />
never before had played a picture longer<br />
than five weeks, so a second record was<br />
broken when "Freaky Friday" was held for<br />
a full seven-week engagement. Upon checking<br />
grosses of all nine area theatres exhibiting<br />
the Disney hit. Anthony found the Main<br />
rheatre was the top grosser for the sevenweek<br />
period.<br />
A special preview of "Black Sunday" was<br />
held at the Northland Theatre March 30<br />
prior to the kickoff of the multiple run in<br />
ten suburban theatres.<br />
One of the popular columns in the News<br />
published the following question from a<br />
teenager: "1 paid $3.45 recently to see a<br />
movie. I am 15 years old. If I am considered<br />
an adult, why can't I see adult movies?" If<br />
anyone has any answers to this query, let's<br />
hear them.<br />
A local reader of the News wrote the<br />
"Personal Contact" column recently. A<br />
Mrs. F.K. of this city asked: "Why don't<br />
the movie houses downtown declare a Men's<br />
Day? It's always Ladies' Day there and<br />
women get the discount—but men must pay<br />
full fare. I'm sure that if just one theatre<br />
adopted this idea, its profits would go up.<br />
In case you are wondering, I'm. female."<br />
(Editor's note: Thanks, Mrs. F.K. We needed<br />
that!)<br />
A Free Press editor recently commented:<br />
"The Detroiters who are attempting to recycle<br />
the grand old National Theatre in the<br />
downtown area may well benefit from a<br />
new economic fact of life. Rehabilitating an<br />
. .<br />
old building often is cheaper than starting<br />
from the ground up . The owners of the<br />
Fox Theatre Building on the fringe of<br />
downtown Detroit should be interested in<br />
the story of the Chicago old Century Theatre<br />
in the New Town sector. The Fox Theatre<br />
people are emptying the beautiful old<br />
building on Woodward, with the exception<br />
of the first floor. This theatre was a showplace<br />
of its day!"<br />
The Fine Arts Theatre, a couple of blocks<br />
north of the Fox Theatre, is in complete<br />
disarray. Operating as a grind house (and<br />
various other phases of operation) during<br />
the past declining years, it has started showing<br />
the "old-time" westerns with Gene<br />
Autry. "My Pal Trigger" (with Roy Rogers),<br />
Wild Bill Hickock in "Red Ryder," etc. The<br />
management hopes to stimulate interest in<br />
the old films among members of "the new<br />
generation" and play on the nostalgia of the<br />
"ciders." lime will tell. So far. the manager<br />
has been unavailable for comment.<br />
Memory of Graf Zeppelin<br />
Awakened by 'Hindenburg'<br />
DETROIT—The "Contact 10" column<br />
of the Detroit News recently published a<br />
letter from a Roseville reader who said:<br />
"The movie 'The Hindenburg" brought<br />
back memores for me but my recollection<br />
is a bit fuzzy. I must have been about five<br />
years old when the Graf Zeppelin flew over<br />
Detroit in the early '30s. I'm sure I saw it<br />
twice either on the same day or the day<br />
after. Was I dreaming or what?"<br />
The editor of the column answered: "If<br />
you were about five, it probably was Oct.<br />
16. 1933, a beautiful sunny day when the<br />
Graf Zeppelin came to Detroit unannounced<br />
in the course of a sightseeing trip<br />
over the Midwest. Lunchgoers downtown<br />
stopped in the streets and 'gazed steadily<br />
upward at the imminent risk of their lives<br />
in traffic' as one contemporary account<br />
said. The Graf followed Michigan Avenue<br />
in from Ypsilanti. swung southward at<br />
Dearborn, floated above Greenfield Village<br />
and the Ford plant, then headed eastward<br />
about a half-mile north of the river.<br />
"In 15 minutes the airship was circling<br />
the Penobscot Building. Crossing Woodward,<br />
the Graf went north beyond Grand<br />
Circus Park, swung west again and turned<br />
south to pass directly over the Detroit<br />
News. Then she crossed the river to Windsor<br />
and disappeared in the haze toward<br />
Lake Erie. That's probably the day you<br />
remember but she also visited the city the<br />
night of Aug. 28, 1929.<br />
"She left Chicago at 5:50 p.m. that day<br />
and attracted great attention from the<br />
ground as she passed over Three Rivers,<br />
Sturgis, Coldwater, lonesville, Moscow,<br />
Chelsea and Ann Arbor before arriving<br />
above the downtown area at 9:40 p.m. when<br />
she was illuminated by searchlights atop<br />
the old Union Trust Building.<br />
"Her appearance was such an event that<br />
the Cass Theatre interrupted its show to<br />
permit the audience, actors and chorus girls<br />
to see the 776-foot craft floating serenely<br />
above the city. It's doubtful, though, that<br />
your memory goes back that<br />
far."<br />
Incidentally, for buffs who may wonder<br />
what disaster befell the Graf Zeppelin, none<br />
did. The airship made hundreds of crossings<br />
between South America and Germany<br />
during the 1930s and finally was retired<br />
be f ore the outbreak of World War II in<br />
1939. According to reports, the dirigible<br />
was disassembled so that aeronautical engineers<br />
could inspect its framework for<br />
stress<br />
factors and metal fatigue.<br />
(Continued from page ME-2)<br />
bushel baskets in which they had been<br />
wrapped and stored for at least 45 years.<br />
We couldn't save the yellowed paper. It<br />
just disintegrated.<br />
"I say last because all told we gathered<br />
together about eight sets (different patterns)<br />
and all were services for eight with<br />
many having extra cups and such. It all<br />
started when I was about eight years old.<br />
My mom and dad lived with her mother<br />
and father on Trowbridge Avenue within<br />
easy walking distance of the theatre. Yes,<br />
walking. Everyone did it in those days.<br />
"Anyway, going to the movies was the<br />
ladies' only recreation other than church,<br />
affairs. So when china nights started, it was<br />
an extra bonus. Since I always went along<br />
they simply paid adult fare for me and so<br />
each evening we received three pieces. And<br />
the movies themselves — 'A Star Is Born,<br />
'Imitation of Life'—and the stars— Ginget<br />
Rogers. Ruby Keeler and a frightful image<br />
of my first glimpse of 'Frankenstein.' 1<br />
never did get to see that movie until I grew<br />
up.<br />
"My family looked to the future whet<br />
there would be lots more of the famih<br />
coming along. It was natural to put togethe<br />
as many sets as we could. After all. dishe.<br />
are easily stored. No spoilage—a little ye!<br />
lowing, maybe, but okay for first startin<br />
out a newly married state. So I've alread<br />
used two, my sister and niece one each<br />
"Now two delightful hostesses (newl<<br />
moved to Lakewood within the last tw<br />
years) are both using the last two sets fc I<br />
company entertaining and being very hi<br />
morons and being very proud about the,<br />
origin.<br />
"I doubt that those gimmick nights ev<<br />
will return. Today there is golf, bowlin<br />
tennis and such for women to participa'<br />
in—and the old Lyceum today is strict<br />
adult 'porno.' "<br />
Problems of Exhibitors<br />
Outlined for Rotarians<br />
HOLLYWOOD — Sherrill C. Corwi'<br />
chairman of the board of Metropolitan Tb<br />
atres. provided an overall view of motii<br />
picture theatre operations as a guest speak<br />
at the Century City Rotary Club lunch*;<br />
Wednesday (6) at the Century Plaza Hot.<br />
Corwin explained the concern express!<br />
by many exhibitors over the shortage }<br />
product, especially the reduced flow of fill*<br />
from major studios, which, he pointed o'.<br />
feel the effects of inflation when budgets<br />
their new pictures.<br />
Corwin reviewed exhibitor contents<br />
that there is a need for a more continues<br />
flow of product to the theatres instead<br />
I<br />
the "feast and famine," which now occ s<br />
during peak seasons. He also discussed e<br />
film buying problems faced by exhibits<br />
and pointed out that many theatre owns<br />
believe they could not stay in business w><br />
out the profits from their snack bars.<br />
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BOXOFTICE :: April 18. 1'