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DETROIT<br />

Cleveland Woman Happily<br />

Remembers 'China Night'<br />

105<br />

The largest single-day gross for the Main<br />

rheatre in Royal Oak was scored during<br />

the first Saturday of the engagement of<br />

Disney Productions' "Freaky Friday." according<br />

to Bob Anthony, owner of the independent<br />

750-seat house. Also, this theatre<br />

never before had played a picture longer<br />

than five weeks, so a second record was<br />

broken when "Freaky Friday" was held for<br />

a full seven-week engagement. Upon checking<br />

grosses of all nine area theatres exhibiting<br />

the Disney hit. Anthony found the Main<br />

rheatre was the top grosser for the sevenweek<br />

period.<br />

A special preview of "Black Sunday" was<br />

held at the Northland Theatre March 30<br />

prior to the kickoff of the multiple run in<br />

ten suburban theatres.<br />

One of the popular columns in the News<br />

published the following question from a<br />

teenager: "1 paid $3.45 recently to see a<br />

movie. I am 15 years old. If I am considered<br />

an adult, why can't I see adult movies?" If<br />

anyone has any answers to this query, let's<br />

hear them.<br />

A local reader of the News wrote the<br />

"Personal Contact" column recently. A<br />

Mrs. F.K. of this city asked: "Why don't<br />

the movie houses downtown declare a Men's<br />

Day? It's always Ladies' Day there and<br />

women get the discount—but men must pay<br />

full fare. I'm sure that if just one theatre<br />

adopted this idea, its profits would go up.<br />

In case you are wondering, I'm. female."<br />

(Editor's note: Thanks, Mrs. F.K. We needed<br />

that!)<br />

A Free Press editor recently commented:<br />

"The Detroiters who are attempting to recycle<br />

the grand old National Theatre in the<br />

downtown area may well benefit from a<br />

new economic fact of life. Rehabilitating an<br />

. .<br />

old building often is cheaper than starting<br />

from the ground up . The owners of the<br />

Fox Theatre Building on the fringe of<br />

downtown Detroit should be interested in<br />

the story of the Chicago old Century Theatre<br />

in the New Town sector. The Fox Theatre<br />

people are emptying the beautiful old<br />

building on Woodward, with the exception<br />

of the first floor. This theatre was a showplace<br />

of its day!"<br />

The Fine Arts Theatre, a couple of blocks<br />

north of the Fox Theatre, is in complete<br />

disarray. Operating as a grind house (and<br />

various other phases of operation) during<br />

the past declining years, it has started showing<br />

the "old-time" westerns with Gene<br />

Autry. "My Pal Trigger" (with Roy Rogers),<br />

Wild Bill Hickock in "Red Ryder," etc. The<br />

management hopes to stimulate interest in<br />

the old films among members of "the new<br />

generation" and play on the nostalgia of the<br />

"ciders." lime will tell. So far. the manager<br />

has been unavailable for comment.<br />

Memory of Graf Zeppelin<br />

Awakened by 'Hindenburg'<br />

DETROIT—The "Contact 10" column<br />

of the Detroit News recently published a<br />

letter from a Roseville reader who said:<br />

"The movie 'The Hindenburg" brought<br />

back memores for me but my recollection<br />

is a bit fuzzy. I must have been about five<br />

years old when the Graf Zeppelin flew over<br />

Detroit in the early '30s. I'm sure I saw it<br />

twice either on the same day or the day<br />

after. Was I dreaming or what?"<br />

The editor of the column answered: "If<br />

you were about five, it probably was Oct.<br />

16. 1933, a beautiful sunny day when the<br />

Graf Zeppelin came to Detroit unannounced<br />

in the course of a sightseeing trip<br />

over the Midwest. Lunchgoers downtown<br />

stopped in the streets and 'gazed steadily<br />

upward at the imminent risk of their lives<br />

in traffic' as one contemporary account<br />

said. The Graf followed Michigan Avenue<br />

in from Ypsilanti. swung southward at<br />

Dearborn, floated above Greenfield Village<br />

and the Ford plant, then headed eastward<br />

about a half-mile north of the river.<br />

"In 15 minutes the airship was circling<br />

the Penobscot Building. Crossing Woodward,<br />

the Graf went north beyond Grand<br />

Circus Park, swung west again and turned<br />

south to pass directly over the Detroit<br />

News. Then she crossed the river to Windsor<br />

and disappeared in the haze toward<br />

Lake Erie. That's probably the day you<br />

remember but she also visited the city the<br />

night of Aug. 28, 1929.<br />

"She left Chicago at 5:50 p.m. that day<br />

and attracted great attention from the<br />

ground as she passed over Three Rivers,<br />

Sturgis, Coldwater, lonesville, Moscow,<br />

Chelsea and Ann Arbor before arriving<br />

above the downtown area at 9:40 p.m. when<br />

she was illuminated by searchlights atop<br />

the old Union Trust Building.<br />

"Her appearance was such an event that<br />

the Cass Theatre interrupted its show to<br />

permit the audience, actors and chorus girls<br />

to see the 776-foot craft floating serenely<br />

above the city. It's doubtful, though, that<br />

your memory goes back that<br />

far."<br />

Incidentally, for buffs who may wonder<br />

what disaster befell the Graf Zeppelin, none<br />

did. The airship made hundreds of crossings<br />

between South America and Germany<br />

during the 1930s and finally was retired<br />

be f ore the outbreak of World War II in<br />

1939. According to reports, the dirigible<br />

was disassembled so that aeronautical engineers<br />

could inspect its framework for<br />

stress<br />

factors and metal fatigue.<br />

(Continued from page ME-2)<br />

bushel baskets in which they had been<br />

wrapped and stored for at least 45 years.<br />

We couldn't save the yellowed paper. It<br />

just disintegrated.<br />

"I say last because all told we gathered<br />

together about eight sets (different patterns)<br />

and all were services for eight with<br />

many having extra cups and such. It all<br />

started when I was about eight years old.<br />

My mom and dad lived with her mother<br />

and father on Trowbridge Avenue within<br />

easy walking distance of the theatre. Yes,<br />

walking. Everyone did it in those days.<br />

"Anyway, going to the movies was the<br />

ladies' only recreation other than church,<br />

affairs. So when china nights started, it was<br />

an extra bonus. Since I always went along<br />

they simply paid adult fare for me and so<br />

each evening we received three pieces. And<br />

the movies themselves — 'A Star Is Born,<br />

'Imitation of Life'—and the stars— Ginget<br />

Rogers. Ruby Keeler and a frightful image<br />

of my first glimpse of 'Frankenstein.' 1<br />

never did get to see that movie until I grew<br />

up.<br />

"My family looked to the future whet<br />

there would be lots more of the famih<br />

coming along. It was natural to put togethe<br />

as many sets as we could. After all. dishe.<br />

are easily stored. No spoilage—a little ye!<br />

lowing, maybe, but okay for first startin<br />

out a newly married state. So I've alread<br />

used two, my sister and niece one each<br />

"Now two delightful hostesses (newl<<br />

moved to Lakewood within the last tw<br />

years) are both using the last two sets fc I<br />

company entertaining and being very hi<br />

morons and being very proud about the,<br />

origin.<br />

"I doubt that those gimmick nights ev<<br />

will return. Today there is golf, bowlin<br />

tennis and such for women to participa'<br />

in—and the old Lyceum today is strict<br />

adult 'porno.' "<br />

Problems of Exhibitors<br />

Outlined for Rotarians<br />

HOLLYWOOD — Sherrill C. Corwi'<br />

chairman of the board of Metropolitan Tb<br />

atres. provided an overall view of motii<br />

picture theatre operations as a guest speak<br />

at the Century City Rotary Club lunch*;<br />

Wednesday (6) at the Century Plaza Hot.<br />

Corwin explained the concern express!<br />

by many exhibitors over the shortage }<br />

product, especially the reduced flow of fill*<br />

from major studios, which, he pointed o'.<br />

feel the effects of inflation when budgets<br />

their new pictures.<br />

Corwin reviewed exhibitor contents<br />

that there is a need for a more continues<br />

flow of product to the theatres instead<br />

I<br />

the "feast and famine," which now occ s<br />

during peak seasons. He also discussed e<br />

film buying problems faced by exhibits<br />

and pointed out that many theatre owns<br />

believe they could not stay in business w><br />

out the profits from their snack bars.<br />

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BOXOFTICE :: April 18. 1'

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