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!<br />

ure<br />

I keeping<br />

•<br />

must<br />

use--, "must nol only know his vocation,<br />

know and be able to constantly<br />

actice first aid. He must know the prcliling<br />

cit>. town and state fire laws and<br />

ides He must know the laws in his state<br />

order to handle cases thai arise in Ins<br />

leatre or drive-in so that he will be able<br />

i<br />

protect his company or employer and<br />

,>t jeopardize the insurance status ol his<br />

Deration. He also must seek to protect his<br />

nployees from getting into trouble In<br />

vet reacting in situations."<br />

Stay<br />

Cool<br />

To Macbeath's view, a modern-day thetre<br />

manager must make a constant practice<br />

his cool. A manager, by defini-<br />

'on, is the true diplomat, greetcr, comprom-<br />

,er (when it is found prudent and pointedly<br />

olite to compromise) and negotiator (when<br />

is found necessary to negotiate).<br />

Just what is a modern-day theatre man-<br />

He's the guy who takes the gripes,<br />

s well as the praise—which, sorry to say,<br />

. not given as often as it should be when<br />

le manager achieves, attains, accomplishes<br />

>r when the manager completes an outt.md<br />

ng or at least out-of-the-ordinary<br />

.tunt' tie-up, a promotion that has resulted<br />

1 a healthy boxoffice response.<br />

"So, in essence," Macbeath continues,<br />

management is what we can call a coninuing<br />

evolution each day. in which one is<br />

n 'opener' and a 'closer' and tries not to<br />

.>>.• himself in a welter of paper work and<br />

dministrative<br />

addenda."<br />

Read Avidly<br />

The top-paying, prestigious positions will<br />

jo to that man or woman who makes a<br />

iractice of reading everything applicable to<br />

he industry. "How else is one, hundreds of<br />

niles from an exchange center, to know<br />

vhat's been going on without reading Box-<br />

)ffice each week, cover to cover?", Macbeth<br />

asks. "How else is one to start to comirehend<br />

picture-releasing patterns, storyline<br />

:orttent and the like without reading the<br />

Boxoffice BookinGuide' week after week?<br />

[<br />

f a congressman can wade through<br />

he speeches of his peer group in the 'Congressional<br />

Record' regularly, a motion pic-<br />

theatre manager can make it his business<br />

to wade through the news, notes and<br />

quotes of happenings many miles distant<br />

rom his cinema. In so doing, he or she<br />

earns what the next fellow or girl is doing<br />

jibout pressing problems in the motion piclure<br />

marketplace."<br />

Participate<br />

Actively<br />

The Aroma ol Popcorn is<br />

^bj.<br />

Pleasant.<br />

The Odor ol Cooking is Not.<br />

li^Hf The answer is the<br />

**J<br />

.<br />

if<br />

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This is especially important in hard to<br />

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"If a manager is an employee of a circuit,<br />

he or she makes it a practice, even<br />

[if it is a day-off, to get to significant meetlings,<br />

gatherings, both trade and public, to<br />

[listen, to hear, to absorb. You cannot run<br />

a motion picture theatre today in a vacuum.<br />

;And anybody taking such a stance is soon<br />

;to be in for a rude, awakening shock. Suddenly,<br />

it's 1977, and a lot that's never happened<br />

before is happening now.<br />

"A manager pridefully discusses product<br />

with the public, taking care not to knock<br />

!the opposition, or, for that matter, the<br />

product on his or her own screen. The public<br />

Continued on page 26

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