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Art and Design A comprehensive guide for creative artists - Aaltodoc

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Clay storage<br />

container<br />

Pottery wheel<br />

A clean plastic bucket or a strong polythene<br />

bag. All these <strong>and</strong> more can be used to store<br />

clay safely. Shivers (2010, 144) suggests, “a<br />

wet cloth can be used to cover the stored<br />

clay to retard the loss of moisture. Water<br />

can be added to moist clay if it starts to dry.<br />

Unused clay <strong>and</strong> finished clay artwork can<br />

be reclaimed by wrapping it in a damp cloth<br />

... clay should be stored in a cool, dry place.”<br />

Nonetheless, you can dig a ditch or trough in<br />

the ground to store prepared clay <strong>for</strong> future<br />

use.<br />

There are very many types of pottery wheels<br />

<strong>and</strong> they are made in different sizes. A<br />

<strong>creative</strong> potter can make a home-made<br />

pottery wheel by using a supporting table<br />

frame fitted with a wooden wheel-head to<br />

be used as a turntable device. Also below, it<br />

should be fitted with a flywheel <strong>for</strong> kicking.<br />

Rhodes (2004, 42) in<strong>for</strong>ms us that “if a fly<br />

wheel is too heavy, it will be hard to get it into<br />

motion by kicking, but if it is too light there<br />

will be insufficient momentum.” In general,<br />

kick wheels do not require electricity to<br />

function.<br />

We can conclude with Peterson et al.'s (2002, 36) observation<br />

about “tools <strong>for</strong> working” that “water is essential in the<br />

h<strong>and</strong> building process, but should be used very sparingly.”<br />

This tells us that, well as water is among the fundamental<br />

materials of pottery making—excessive use of water might<br />

cause cracks <strong>and</strong> breakage of your pottery artwork.<br />

Clay classifications<br />

The physical <strong>and</strong> chemical properties of individual types<br />

of clay are dependent on its make up or structure. In<br />

Patwardham's (2005) clay classifications, “residual clay is<br />

found in the same place as the rock from which it is <strong>for</strong>med<br />

... It is purer but less plastic. And, Sedimentary clay is from<br />

silts, which are washed down or blown from higher regions<br />

... it is more plastic because it contains organic materials.”<br />

Undoubtedly, then, residual or primary clays are found<br />

within the same general location as the parent rock from<br />

which they originated. And through processes of surface<br />

weathering, primary clays develop from various types of<br />

decomposed parent rocks.<br />

Consequently, residual clay is made up of larger particles<br />

which make it less plastic than sedimentary clay.<br />

Sedimentary or secondary clay develops from transported<br />

soils. Wind <strong>and</strong> mainly water or any other natural <strong>for</strong>ces<br />

of weather help to induce the process. Sedimentary clay<br />

is composed of a greater mix of other organic decaying<br />

materials from the earth’s surface. Thereby, it is more plastic<br />

than primary clay.<br />

Mining clay<br />

Clay can be found by sampling holes where earth or soil<br />

has been removed. Such places may include swamps,<br />

gardens, post caves or underground holes, dug compounds or<br />

backyards, basements, road cuts, a well, graves <strong>and</strong> ditches<br />

et cetera. There is no special technique required by pottery<br />

<strong>artists</strong> to dig up or mine clay from any available excavation<br />

source.<br />

The most important thing is to identify a clay site. The rest<br />

can be carried out by using our gardening skills, which may<br />

only require using basic tools like a hoe, shovel or spade<br />

<strong>and</strong> a vessel or container <strong>for</strong> collecting mined clay a proper<br />

conveyance or transportation.<br />

Digging clay is a tedious process, so go with a friend. Or, it<br />

can be done in a group to share roles accordingly.<br />

As a clay artist, it is important to visit the clay source that<br />

you will be able to acquire the adequate knowledge<br />

about qualities <strong>and</strong> characteristics of clay. Also, you will<br />

be acquainted with the organic ways clay transpires in the<br />

natural world.<br />

Ultimately, digging your own clay will embrace advantages<br />

<strong>and</strong> disadvantages to you as a <strong>creative</strong> pottery artist. Here is<br />

our quick analysis:<br />

Disadvantages of digging your own clay:<br />

• Preparing clay necessitates countless trials especially<br />

if a pottery artist is uncertain of its properties.<br />

• Working with clay will obviously soil or get a<br />

potter's wear <strong>and</strong> body messy.<br />

• And in many cases, clay sites are far from sculpture<br />

studios. As a consequence, a pottery artist needs<br />

to plan—have enough time to work <strong>and</strong> complete<br />

each <strong>comprehensive</strong> clay process.<br />

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