Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Clay storage<br />
container<br />
Pottery wheel<br />
A clean plastic bucket or a strong polythene<br />
bag. All these <strong>and</strong> more can be used to store<br />
clay safely. Shivers (2010, 144) suggests, “a<br />
wet cloth can be used to cover the stored<br />
clay to retard the loss of moisture. Water<br />
can be added to moist clay if it starts to dry.<br />
Unused clay <strong>and</strong> finished clay artwork can<br />
be reclaimed by wrapping it in a damp cloth<br />
... clay should be stored in a cool, dry place.”<br />
Nonetheless, you can dig a ditch or trough in<br />
the ground to store prepared clay <strong>for</strong> future<br />
use.<br />
There are very many types of pottery wheels<br />
<strong>and</strong> they are made in different sizes. A<br />
<strong>creative</strong> potter can make a home-made<br />
pottery wheel by using a supporting table<br />
frame fitted with a wooden wheel-head to<br />
be used as a turntable device. Also below, it<br />
should be fitted with a flywheel <strong>for</strong> kicking.<br />
Rhodes (2004, 42) in<strong>for</strong>ms us that “if a fly<br />
wheel is too heavy, it will be hard to get it into<br />
motion by kicking, but if it is too light there<br />
will be insufficient momentum.” In general,<br />
kick wheels do not require electricity to<br />
function.<br />
We can conclude with Peterson et al.'s (2002, 36) observation<br />
about “tools <strong>for</strong> working” that “water is essential in the<br />
h<strong>and</strong> building process, but should be used very sparingly.”<br />
This tells us that, well as water is among the fundamental<br />
materials of pottery making—excessive use of water might<br />
cause cracks <strong>and</strong> breakage of your pottery artwork.<br />
Clay classifications<br />
The physical <strong>and</strong> chemical properties of individual types<br />
of clay are dependent on its make up or structure. In<br />
Patwardham's (2005) clay classifications, “residual clay is<br />
found in the same place as the rock from which it is <strong>for</strong>med<br />
... It is purer but less plastic. And, Sedimentary clay is from<br />
silts, which are washed down or blown from higher regions<br />
... it is more plastic because it contains organic materials.”<br />
Undoubtedly, then, residual or primary clays are found<br />
within the same general location as the parent rock from<br />
which they originated. And through processes of surface<br />
weathering, primary clays develop from various types of<br />
decomposed parent rocks.<br />
Consequently, residual clay is made up of larger particles<br />
which make it less plastic than sedimentary clay.<br />
Sedimentary or secondary clay develops from transported<br />
soils. Wind <strong>and</strong> mainly water or any other natural <strong>for</strong>ces<br />
of weather help to induce the process. Sedimentary clay<br />
is composed of a greater mix of other organic decaying<br />
materials from the earth’s surface. Thereby, it is more plastic<br />
than primary clay.<br />
Mining clay<br />
Clay can be found by sampling holes where earth or soil<br />
has been removed. Such places may include swamps,<br />
gardens, post caves or underground holes, dug compounds or<br />
backyards, basements, road cuts, a well, graves <strong>and</strong> ditches<br />
et cetera. There is no special technique required by pottery<br />
<strong>artists</strong> to dig up or mine clay from any available excavation<br />
source.<br />
The most important thing is to identify a clay site. The rest<br />
can be carried out by using our gardening skills, which may<br />
only require using basic tools like a hoe, shovel or spade<br />
<strong>and</strong> a vessel or container <strong>for</strong> collecting mined clay a proper<br />
conveyance or transportation.<br />
Digging clay is a tedious process, so go with a friend. Or, it<br />
can be done in a group to share roles accordingly.<br />
As a clay artist, it is important to visit the clay source that<br />
you will be able to acquire the adequate knowledge<br />
about qualities <strong>and</strong> characteristics of clay. Also, you will<br />
be acquainted with the organic ways clay transpires in the<br />
natural world.<br />
Ultimately, digging your own clay will embrace advantages<br />
<strong>and</strong> disadvantages to you as a <strong>creative</strong> pottery artist. Here is<br />
our quick analysis:<br />
Disadvantages of digging your own clay:<br />
• Preparing clay necessitates countless trials especially<br />
if a pottery artist is uncertain of its properties.<br />
• Working with clay will obviously soil or get a<br />
potter's wear <strong>and</strong> body messy.<br />
• And in many cases, clay sites are far from sculpture<br />
studios. As a consequence, a pottery artist needs<br />
to plan—have enough time to work <strong>and</strong> complete<br />
each <strong>comprehensive</strong> clay process.<br />
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