Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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A small section<br />
of a floor<br />
surface, showing<br />
r<strong>and</strong>omly<br />
arranged<br />
recycled tiles. The<br />
same approach<br />
can be used<br />
to construct a<br />
mosaic artwork.<br />
And in an indirect method of producing mosaic<br />
artworks there is a great possibility of attaining smooth<br />
<strong>and</strong> even surfaces, as well as having the capacity<br />
to execute very huge collage projects. The Indirect<br />
method involves working or making mosaic in an<br />
inverted (upside down) way on a clean flat surface of<br />
the support. Kennedy & Pompilio (2005, 17) note, “In<br />
the indirect method of creating a mosaic, an adhesive<br />
sheet is placed over a pattern, then tesserae are<br />
carefully assembled on the surface <strong>and</strong> then concrete<br />
or grout is poured over the tesserae.” When the artwork<br />
is turned to the actual (front) side, it will appear smooth<br />
<strong>and</strong> flat.<br />
In a subsequent way, the Ug<strong>and</strong>a Advanced Certificate of<br />
Education, Regulations <strong>and</strong> Syllabuses, 2009 – 2012 (Ug<strong>and</strong>a<br />
National Examinations Board, 2008, (e), 226) offers this<br />
excellent mosaic expectation: “Learners who carry on tasks<br />
with inherent features of mosaics <strong>and</strong> collage ... are expected<br />
to have their finished artworks suitably mounted or framed.<br />
And the artwork must show potential evidence of ability<br />
to relate design to the medium.” For instance, if the mosaic<br />
artwork was created with tiles on a wall surface framing may<br />
be created by arranging lager sizes of tiles in a contrasting<br />
colour or tone.<br />
In Pat Torlen (2001, 4) et al.'s introduction, “traditional mosaic<br />
<strong>and</strong> ceramic tiles are still used to make beautiful art pieces<br />
but with the addition of different materials such as broken<br />
china, glass nuggets, art glass <strong>and</strong> jewels, mirror, stones,<br />
fossils, shells <strong>and</strong> other found objects.” As <strong>creative</strong> <strong>artists</strong>,<br />
we may as well experiment with other found objects<br />
like buttons, beads, as well as small ornamental items of<br />
jewellery to produce mosaic artworks.<br />
How to produce a simple mosaic<br />
Making mosaic artworks can be such a complicated task<br />
since most of the necessary materials are bulky.<br />
However, there are some basic approaches, which can be<br />
used to <strong>creative</strong>ly execute a mosaic artwork. Let us say, if the<br />
<strong>creative</strong> artist uses grout or any other adhesive substance<br />
to arrange stones, or seeds of different colour <strong>and</strong> sizes—<br />
beside each other on a prescribed surface of the support.<br />
The obtained results shall be a simple mosaic artwork.<br />
Here is a simple technique:<br />
Find a source of inspiration <strong>and</strong> make a sketch of a desired<br />
mosaic artwork. Or, use an already done sketch. Remove the<br />
bulk of unwanted details to make it fit well with the desired<br />
task—to stay less complicated.<br />
Then, identify necessary tesserae; you can use small pieces<br />
of stones with varied colours <strong>and</strong> sizes.<br />
In general, a mosaic artwork has got to be done on a hard<br />
surface like a fired pottery/vase, a platter, a table top, picture<br />
frame trays, c<strong>and</strong>le holders, relief sculptures <strong>and</strong> on wall or<br />
ceiling surfaces.<br />
Nevertheless, everything about a satisfactory mosaic<br />
design comes from the <strong>creative</strong> mind of the artist, followed<br />
by having the necessary skills of interpreting some of the<br />
pointed out dem<strong>and</strong>s of a provided task.<br />
If the tesserae used are tiles, but not stones. Break them into<br />
small pieces <strong>and</strong> put them in categories of itemised colours,<br />
sizes or textures accordingly.<br />
Steadily, lay well each tesserae piece on the surface of<br />
the support—following directions provided by a<br />
sketch. Leave small gaps or crevices in between<br />
each tessera <strong>for</strong> adding grout or a provided<br />
adhesive. Dierk, 1997, 25 says, “Grout fills the<br />
crevices between tesserae, adding considerable<br />
strength <strong>and</strong> durability to the construction. Grout<br />
joints also bring a linear quality to the design ...”<br />
When a grouting stage is completely done, use a<br />
dampened sponge to clean off excess grout. And<br />
when the artwork is ready or successfully done,<br />
take it <strong>and</strong> keep it in a safe place to dry.<br />
A mosaic artwork<br />
Materials: A plate<br />
made out of paper,<br />
glue, peanuts<br />
arranged with<br />
cereal grains on<br />
a plastic surface<br />
of the support.<br />
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