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Art and Design A comprehensive guide for creative artists - Aaltodoc

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m) In conclusion, on any outst<strong>and</strong>ing graphic design<br />

In the opinion of Ashwin (1982, 171), “the reeds<br />

containing text—typefaces must be composed after<br />

should be stored in a warm dry place.” Accordingly,<br />

spreading out distance or size on which the design will<br />

a reed meant <strong>for</strong> making a calligraphy pen should<br />

be set.<br />

be stored <strong>for</strong> at least two months to dry.<br />

Calligraphy<br />

However, in today’s world of computers,<br />

The study of typography <strong>and</strong> graphic design is extremely<br />

calligraphy already exists as a font used by personal<br />

large. As <strong>creative</strong> graphic designers, it is important to note<br />

computers. Applications such as Font lab studio<br />

that calligraphy is oftentimes h<strong>and</strong> written.<br />

<strong>and</strong> very many others allow <strong>creative</strong> designers<br />

On the other h<strong>and</strong>, nearly all designers of calligraphy refer<br />

to this type of writing as beautiful writing. Swanson (2000,<br />

144) concurs, “... calligraphy is more than simply a stylish<br />

fashion” of beautiful writing. Nonetheless, it is highly<br />

decorative <strong>and</strong> it contains text written with meticulous<br />

to explore the gallery of calligraphy fonts <strong>and</strong> to<br />

create or design fonts.<br />

How to construct block letters<br />

The procedure of constructing block letters necessitates<br />

drawing long straight lines, which result into a grid of<br />

The parts of<br />

a calligraphy<br />

letter or type<br />

joins, links <strong>and</strong> connections.<br />

squares.<br />

Certainly, learners should be advised not to confuse (italics)<br />

Here is a possible approach in which block letters can be<br />

slanted letters with calligraphy.<br />

constructed.<br />

A h<strong>and</strong> making<br />

scribbles of lowercase<br />

calligraphy letters<br />

on a paper.<br />

Materials: White paper,<br />

a feather <strong>and</strong> black ink.<br />

Almost always, calligraphy writing is commonly used on<br />

stylish official documents, like certificates, manuscripts <strong>and</strong><br />

greetings cards. Such documents; written with calligraphy<br />

text—can only be read very near our eyes in order to<br />

translate their meanings. Hence, calligraphy message has<br />

got to be briefly stated in lowercase with full punctuation<br />

marks.<br />

To achieve the whole idea about writing or scrawling<br />

calligraphy, a <strong>creative</strong> graphic designer is required<br />

to have a flat-nibbled pen, or a soft flat brush, ruled<br />

paper <strong>and</strong> water-based ink.<br />

Some other basic tools used <strong>for</strong> calligraphy<br />

writing are; flat nib or a sharpened quill (from a<br />

goose, raven, crow <strong>and</strong> a swan), bamboo sticks or<br />

elephant grass, quill ink or any water based ink <strong>and</strong><br />

a clean piece of paper.<br />

Open a fresh page in your sketchbook or find a plain sheet<br />

of paper—at least size A3, a ruler, a pen or pencil <strong>and</strong> a pair<br />

of compasses. Then, write down all the letters of alphabets<br />

from A to Z, in capital letters on one corner of the same<br />

paper (page).<br />

Next, draw two lines to <strong>for</strong>m a right angle measuring 90°<br />

with a horizontal line intersecting through a vertical straight<br />

line on one corner of the paper.<br />

Pick a pair of compasses, on its pencil holder fit in a pencil<br />

<strong>and</strong> tie it well. Then, pick a straight ruler with clear (units)<br />

markings. Point the two parts; the needle of a pair of<br />

compasses <strong>and</strong> the pencil nib on a ruler <strong>and</strong> carefully<br />

measure any two units (<strong>for</strong> example, from 0 cm - 1 cm).<br />

The obtained estimations shall represent the actual size<br />

of each square. Get back to the sketchbook;<br />

put the set pair of compasses on the exact<br />

corner where the two lines meet. (Vertical<br />

90º<br />

A quill or a feather can be prepared by scraping<br />

<strong>and</strong> horizontal lines, already drawn at 90<br />

out its thin membrane from inside. Then, cook<br />

the feather <strong>for</strong> some time with hot s<strong>and</strong> to<br />

dry out the natural fats.<br />

degrees).<br />

Move the pair of compasses step by step along the space<br />

on a single straight vertical <strong>and</strong>/or each horizontal line. The<br />

A h<strong>and</strong><br />

constructing<br />

a square grid<br />

Sharpen the calamus (the hollow<br />

mark created on each line with a pencil shall appear like a at 900. Angle<br />

lower part of the shaft of a feather)<br />

curvature or enclosing brackets, which separate words from Materials: A pair<br />

end part on a feather to make a nib.<br />

surrounding text—by twisting <strong>and</strong> turning the pencil. Then, of compasses<br />

Other calligraphy writers use a reed <strong>for</strong><br />

drawing letters.<br />

on each generated mark (indicated as a bracket) draw lines<br />

on them to <strong>for</strong>m a preferred square grid in equal sizes of<br />

a paper, a ruler<br />

<strong>and</strong> a pencil<br />

86<br />

squares.<br />

87

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