Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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m) In conclusion, on any outst<strong>and</strong>ing graphic design<br />
In the opinion of Ashwin (1982, 171), “the reeds<br />
containing text—typefaces must be composed after<br />
should be stored in a warm dry place.” Accordingly,<br />
spreading out distance or size on which the design will<br />
a reed meant <strong>for</strong> making a calligraphy pen should<br />
be set.<br />
be stored <strong>for</strong> at least two months to dry.<br />
Calligraphy<br />
However, in today’s world of computers,<br />
The study of typography <strong>and</strong> graphic design is extremely<br />
calligraphy already exists as a font used by personal<br />
large. As <strong>creative</strong> graphic designers, it is important to note<br />
computers. Applications such as Font lab studio<br />
that calligraphy is oftentimes h<strong>and</strong> written.<br />
<strong>and</strong> very many others allow <strong>creative</strong> designers<br />
On the other h<strong>and</strong>, nearly all designers of calligraphy refer<br />
to this type of writing as beautiful writing. Swanson (2000,<br />
144) concurs, “... calligraphy is more than simply a stylish<br />
fashion” of beautiful writing. Nonetheless, it is highly<br />
decorative <strong>and</strong> it contains text written with meticulous<br />
to explore the gallery of calligraphy fonts <strong>and</strong> to<br />
create or design fonts.<br />
How to construct block letters<br />
The procedure of constructing block letters necessitates<br />
drawing long straight lines, which result into a grid of<br />
The parts of<br />
a calligraphy<br />
letter or type<br />
joins, links <strong>and</strong> connections.<br />
squares.<br />
Certainly, learners should be advised not to confuse (italics)<br />
Here is a possible approach in which block letters can be<br />
slanted letters with calligraphy.<br />
constructed.<br />
A h<strong>and</strong> making<br />
scribbles of lowercase<br />
calligraphy letters<br />
on a paper.<br />
Materials: White paper,<br />
a feather <strong>and</strong> black ink.<br />
Almost always, calligraphy writing is commonly used on<br />
stylish official documents, like certificates, manuscripts <strong>and</strong><br />
greetings cards. Such documents; written with calligraphy<br />
text—can only be read very near our eyes in order to<br />
translate their meanings. Hence, calligraphy message has<br />
got to be briefly stated in lowercase with full punctuation<br />
marks.<br />
To achieve the whole idea about writing or scrawling<br />
calligraphy, a <strong>creative</strong> graphic designer is required<br />
to have a flat-nibbled pen, or a soft flat brush, ruled<br />
paper <strong>and</strong> water-based ink.<br />
Some other basic tools used <strong>for</strong> calligraphy<br />
writing are; flat nib or a sharpened quill (from a<br />
goose, raven, crow <strong>and</strong> a swan), bamboo sticks or<br />
elephant grass, quill ink or any water based ink <strong>and</strong><br />
a clean piece of paper.<br />
Open a fresh page in your sketchbook or find a plain sheet<br />
of paper—at least size A3, a ruler, a pen or pencil <strong>and</strong> a pair<br />
of compasses. Then, write down all the letters of alphabets<br />
from A to Z, in capital letters on one corner of the same<br />
paper (page).<br />
Next, draw two lines to <strong>for</strong>m a right angle measuring 90°<br />
with a horizontal line intersecting through a vertical straight<br />
line on one corner of the paper.<br />
Pick a pair of compasses, on its pencil holder fit in a pencil<br />
<strong>and</strong> tie it well. Then, pick a straight ruler with clear (units)<br />
markings. Point the two parts; the needle of a pair of<br />
compasses <strong>and</strong> the pencil nib on a ruler <strong>and</strong> carefully<br />
measure any two units (<strong>for</strong> example, from 0 cm - 1 cm).<br />
The obtained estimations shall represent the actual size<br />
of each square. Get back to the sketchbook;<br />
put the set pair of compasses on the exact<br />
corner where the two lines meet. (Vertical<br />
90º<br />
A quill or a feather can be prepared by scraping<br />
<strong>and</strong> horizontal lines, already drawn at 90<br />
out its thin membrane from inside. Then, cook<br />
the feather <strong>for</strong> some time with hot s<strong>and</strong> to<br />
dry out the natural fats.<br />
degrees).<br />
Move the pair of compasses step by step along the space<br />
on a single straight vertical <strong>and</strong>/or each horizontal line. The<br />
A h<strong>and</strong><br />
constructing<br />
a square grid<br />
Sharpen the calamus (the hollow<br />
mark created on each line with a pencil shall appear like a at 900. Angle<br />
lower part of the shaft of a feather)<br />
curvature or enclosing brackets, which separate words from Materials: A pair<br />
end part on a feather to make a nib.<br />
surrounding text—by twisting <strong>and</strong> turning the pencil. Then, of compasses<br />
Other calligraphy writers use a reed <strong>for</strong><br />
drawing letters.<br />
on each generated mark (indicated as a bracket) draw lines<br />
on them to <strong>for</strong>m a preferred square grid in equal sizes of<br />
a paper, a ruler<br />
<strong>and</strong> a pencil<br />
86<br />
squares.<br />
87