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Art and Design A comprehensive guide for creative artists - Aaltodoc

Art and Design A comprehensive guide for creative artists - Aaltodoc

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The ultimate goal of designing a book cover is to attract or<br />

to capture attention <strong>and</strong> to awaken our interest of finding<br />

the book up <strong>and</strong> read it from a shelf.<br />

Bjornard et al. (2008, 56) discern this point: “the cover is the<br />

first thing; a potential reader will see ... book covers help to<br />

sell books <strong>and</strong> make them memorable.” Hence is the reason<br />

as to why book covers should be highly appreciated.<br />

How to make a repeat pattern<br />

A repeat pattern is a design created with the help of a motif.<br />

The word repeat pattern can be defined separately in this<br />

way. Repeat to mean reproduce <strong>and</strong> pattern to explain<br />

decorative design.<br />

Repeat patterns give rise to sets of designs created from<br />

a motif; repeating in a delightful manner on appealing<br />

surfaces such as fabrics, curtains, wall papers, carpets, table<br />

cloth. In Linderman's (1984, 188) view, “a repeated pattern<br />

is often involved with other qualities, such as colour, line,<br />

shape, positive <strong>and</strong> negative spaces, lights against darks. In<br />

nature we see patterns everywhere—a branch, a group of<br />

flowers, the cluster of leaves.”<br />

Clearly, then, <strong>creative</strong> <strong>artists</strong> who wish to come up with<br />

fascinating repeat patterns—start by creating motifs—<br />

identified from anything just <strong>for</strong> a source of inspiration. As<br />

we have already mentioned, nature boasts with a greater<br />

abundance of essential ideas which can be sketched to turn<br />

them into motifs necessary <strong>for</strong> executing repeat patterns.<br />

For instance plants, insects <strong>and</strong> animals can be sketched as<br />

a study or studies to <strong>for</strong>m a design <strong>for</strong> a repeat pattern.<br />

Accordingly, the obtained sketch can later be adjusted in<br />

order to reach a desired st<strong>and</strong>ard of per<strong>for</strong>mance suitable<br />

<strong>for</strong> creating a motif. Almost always, nearly all sturdy ideas<br />

composed <strong>for</strong> a preferred motif—appear as abstract <strong>and</strong><br />

sometimes silhouettes.<br />

Thus, do not fear to purposefully exaggerate your ideas<br />

at the stage of developing a sketch. Make sure that the<br />

motif you have created holds a meaning that relates to<br />

the prevailing subject matter. That is to say, at the lowest<br />

estimate a repeat pattern meant <strong>for</strong> a hospital wall paper<br />

should show images <strong>and</strong> colours that symbolise healing<br />

<strong>and</strong> well-being.<br />

Remember that a successful repeat pattern appears well<br />

with correctly balanced negative spaces <strong>and</strong> sufficient<br />

positive shapes as well as repetition of textures. Eventually,<br />

if a design of a motif is well composed, it will repeat well at<br />

the stage of printing particularly if it contains registration<br />

marks or corner crop marks.<br />

Torbet (1980, 312) asserts, “... registration marks must be<br />

planned in advance <strong>for</strong> all printing procedures. In planning<br />

the repeat pattern, the way in which each repeat unit will<br />

join ...” We can conclude from this that, it is important <strong>for</strong><br />

the <strong>creative</strong> artist to add registration marks on m<strong>and</strong>atory<br />

parts, which are capable of working successfully <strong>for</strong> a design<br />

of a motif created. Thereby, the repeat pattern shall attain<br />

sufficient alignments during printing.<br />

How to compose a wrapper<br />

There are very many different types of wrappers. Common<br />

wrappers are those that we use <strong>for</strong> packaging shop items<br />

sold in retail <strong>and</strong> wholesale shops. Wrappers can be<br />

designed in different ways, sizes or shapes; to protect <strong>and</strong><br />

dress various kinds of products. For example, they can be<br />

made to look like boxes, envelops as well as bags showing<br />

decorative designs of products they carry.<br />

And they are usually made out of different types of<br />

materials, impressive <strong>and</strong> identifiable colours. The materials<br />

used include plastics papers, metal tins, recycled paper<br />

<strong>and</strong> cloth. According to Eiseman (2003) “graphic designers<br />

who develop packaging <strong>for</strong> consumer products, use<br />

the brightest intensities of complementary colours.” To<br />

cheerfully attract the unsuspecting buyers.<br />

Most wrappers are ornately—made using well decorated<br />

papers presenting intricate shapes, complex patterns <strong>and</strong><br />

symbolic illustrations, colours <strong>and</strong> phrases. Un<strong>for</strong>tunately, it<br />

is typical <strong>for</strong> a wrapper (paper or plastic, or packed in a box)<br />

to be used once.<br />

According to Natarajan et al. (2009, 3) “in the most familiar<br />

<strong>for</strong>m, a package is a simple box on the grocer's shelf or<br />

the wrapper on a c<strong>and</strong>y bar.” Here we see that unlike gift<br />

wrappers, packaging wrappers consist of sides decorated<br />

with a label, sometimes a br<strong>and</strong> name or a trademark, an<br />

illustration <strong>and</strong> text with in<strong>for</strong>mation explaining the content<br />

inside, on an existing package.<br />

Ultimately, <strong>for</strong> any <strong>creative</strong> <strong>artists</strong> attempting a task<br />

regarding wrappers, stick to basic in<strong>for</strong>mation <strong>and</strong> details<br />

stated or required by a task given.<br />

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