Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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The ultimate goal of designing a book cover is to attract or<br />
to capture attention <strong>and</strong> to awaken our interest of finding<br />
the book up <strong>and</strong> read it from a shelf.<br />
Bjornard et al. (2008, 56) discern this point: “the cover is the<br />
first thing; a potential reader will see ... book covers help to<br />
sell books <strong>and</strong> make them memorable.” Hence is the reason<br />
as to why book covers should be highly appreciated.<br />
How to make a repeat pattern<br />
A repeat pattern is a design created with the help of a motif.<br />
The word repeat pattern can be defined separately in this<br />
way. Repeat to mean reproduce <strong>and</strong> pattern to explain<br />
decorative design.<br />
Repeat patterns give rise to sets of designs created from<br />
a motif; repeating in a delightful manner on appealing<br />
surfaces such as fabrics, curtains, wall papers, carpets, table<br />
cloth. In Linderman's (1984, 188) view, “a repeated pattern<br />
is often involved with other qualities, such as colour, line,<br />
shape, positive <strong>and</strong> negative spaces, lights against darks. In<br />
nature we see patterns everywhere—a branch, a group of<br />
flowers, the cluster of leaves.”<br />
Clearly, then, <strong>creative</strong> <strong>artists</strong> who wish to come up with<br />
fascinating repeat patterns—start by creating motifs—<br />
identified from anything just <strong>for</strong> a source of inspiration. As<br />
we have already mentioned, nature boasts with a greater<br />
abundance of essential ideas which can be sketched to turn<br />
them into motifs necessary <strong>for</strong> executing repeat patterns.<br />
For instance plants, insects <strong>and</strong> animals can be sketched as<br />
a study or studies to <strong>for</strong>m a design <strong>for</strong> a repeat pattern.<br />
Accordingly, the obtained sketch can later be adjusted in<br />
order to reach a desired st<strong>and</strong>ard of per<strong>for</strong>mance suitable<br />
<strong>for</strong> creating a motif. Almost always, nearly all sturdy ideas<br />
composed <strong>for</strong> a preferred motif—appear as abstract <strong>and</strong><br />
sometimes silhouettes.<br />
Thus, do not fear to purposefully exaggerate your ideas<br />
at the stage of developing a sketch. Make sure that the<br />
motif you have created holds a meaning that relates to<br />
the prevailing subject matter. That is to say, at the lowest<br />
estimate a repeat pattern meant <strong>for</strong> a hospital wall paper<br />
should show images <strong>and</strong> colours that symbolise healing<br />
<strong>and</strong> well-being.<br />
Remember that a successful repeat pattern appears well<br />
with correctly balanced negative spaces <strong>and</strong> sufficient<br />
positive shapes as well as repetition of textures. Eventually,<br />
if a design of a motif is well composed, it will repeat well at<br />
the stage of printing particularly if it contains registration<br />
marks or corner crop marks.<br />
Torbet (1980, 312) asserts, “... registration marks must be<br />
planned in advance <strong>for</strong> all printing procedures. In planning<br />
the repeat pattern, the way in which each repeat unit will<br />
join ...” We can conclude from this that, it is important <strong>for</strong><br />
the <strong>creative</strong> artist to add registration marks on m<strong>and</strong>atory<br />
parts, which are capable of working successfully <strong>for</strong> a design<br />
of a motif created. Thereby, the repeat pattern shall attain<br />
sufficient alignments during printing.<br />
How to compose a wrapper<br />
There are very many different types of wrappers. Common<br />
wrappers are those that we use <strong>for</strong> packaging shop items<br />
sold in retail <strong>and</strong> wholesale shops. Wrappers can be<br />
designed in different ways, sizes or shapes; to protect <strong>and</strong><br />
dress various kinds of products. For example, they can be<br />
made to look like boxes, envelops as well as bags showing<br />
decorative designs of products they carry.<br />
And they are usually made out of different types of<br />
materials, impressive <strong>and</strong> identifiable colours. The materials<br />
used include plastics papers, metal tins, recycled paper<br />
<strong>and</strong> cloth. According to Eiseman (2003) “graphic designers<br />
who develop packaging <strong>for</strong> consumer products, use<br />
the brightest intensities of complementary colours.” To<br />
cheerfully attract the unsuspecting buyers.<br />
Most wrappers are ornately—made using well decorated<br />
papers presenting intricate shapes, complex patterns <strong>and</strong><br />
symbolic illustrations, colours <strong>and</strong> phrases. Un<strong>for</strong>tunately, it<br />
is typical <strong>for</strong> a wrapper (paper or plastic, or packed in a box)<br />
to be used once.<br />
According to Natarajan et al. (2009, 3) “in the most familiar<br />
<strong>for</strong>m, a package is a simple box on the grocer's shelf or<br />
the wrapper on a c<strong>and</strong>y bar.” Here we see that unlike gift<br />
wrappers, packaging wrappers consist of sides decorated<br />
with a label, sometimes a br<strong>and</strong> name or a trademark, an<br />
illustration <strong>and</strong> text with in<strong>for</strong>mation explaining the content<br />
inside, on an existing package.<br />
Ultimately, <strong>for</strong> any <strong>creative</strong> <strong>artists</strong> attempting a task<br />
regarding wrappers, stick to basic in<strong>for</strong>mation <strong>and</strong> details<br />
stated or required by a task given.<br />
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