28.11.2012 Views

Art and Design A comprehensive guide for creative artists - Aaltodoc

Art and Design A comprehensive guide for creative artists - Aaltodoc

Art and Design A comprehensive guide for creative artists - Aaltodoc

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Examples of inverse relief can be found on architectural<br />

walls found in Egypt. Rich (1988, 7) asserts, the<br />

Egyptians outlined figures “by means of grooves or<br />

furrows cut around <strong>for</strong>ms.” The images appear clearly<br />

strong <strong>and</strong> noticeable on account of the sun found in<br />

that region.<br />

2. Abstract sculpture does not represent perceivable<br />

realism. Sculpture artworks made in abstract <strong>for</strong>ms<br />

rely on shape, <strong>for</strong>m, colour <strong>and</strong> texture. They are also<br />

characterised with concept-oriented subject matter.<br />

Ultimately, abstract sculpture is common done by<br />

<strong>creative</strong> sculptors who get captivated by exaggerating<br />

<strong>for</strong>ms.<br />

3. Kinetic sculpture is rare. Nonetheless, such artworks<br />

are commonly described as installations because<br />

almost always they are constructed <strong>and</strong> exhibited<br />

within a gallery. Buser (2006, 529) observes, “In recent<br />

years, the number of installations has exploded.<br />

Countless painters, photographers <strong>and</strong> video <strong>artists</strong> ...<br />

Sculptors have constructed kinetic sculpture—work<br />

that actually moves because of wind or water or is<br />

powered by an electric motor.” Thus, a kinetic sculpture<br />

may sometimes involve using video or moving parts<br />

<strong>and</strong> the relation of parts to the whole is important <strong>for</strong><br />

the interpretation of a sculpture artwork.<br />

4. Sculpture in the round is an explanation used <strong>for</strong> free<br />

st<strong>and</strong>ing artworks made to appear in three dimensional<br />

spaces. Sculpture in the round is characterised by<br />

three-dimensional shapes <strong>and</strong> solid geometric <strong>for</strong>ms.<br />

A “free st<strong>and</strong>ing sculpture, or sculpture in the round<br />

... is the type that can be viewed from many angles,”<br />

(Michael et al. 2007, 132) <strong>for</strong> example a statue of a<br />

person or an animal where someone could walk<br />

around.”<br />

Tools, materials <strong>and</strong> equipment <strong>for</strong> sculpture<br />

The basic materials, equipment <strong>and</strong> tools—used <strong>for</strong><br />

executing sculptures are many. Bell (1983, 97) laments,<br />

“The particular interests of a sculptor would lead to some<br />

additions <strong>and</strong> omissions although some tools are made <strong>for</strong><br />

specific purposes.”<br />

Here is a checklist of some necessary tools, materials <strong>and</strong><br />

equipment used in sculpture:<br />

Traditional/<br />

conventional<br />

materials<br />

These are the long-established materials<br />

used by sculptors. They include clay, wood,<br />

soil, stone, cement, wax, rubber, Plaster of<br />

Paris, marble, Iron or metal et cetera.<br />

Include; stone, mallet, sharp sticks, hoe,<br />

nails, screws, nut, stone, knife <strong>and</strong> a chisel.<br />

Others include a hammer, gouge, rasp/<br />

file, armature wires <strong>and</strong> callipers. Also, your<br />

fingers are partly used in habits carried<br />

out by certain tools.<br />

Depends on the artist's inventiveness<br />

<strong>and</strong> inspiration. Examples may include<br />

a bonfire kiln, a cardboard box <strong>for</strong> storing<br />

finished works, plat<strong>for</strong>m-st<strong>and</strong>, pedestal,<br />

bench <strong>and</strong> tables used during moulding<br />

<strong>and</strong> carving.<br />

It is up to a sculptors' <strong>creative</strong> mind that<br />

certain objects can be substituted into<br />

useful materials—to justify the purpose of<br />

a favoured material. For example discarded<br />

plastics, fabrics, metal, s<strong>and</strong>, saw dust,<br />

lacquer or wax, plant glue, bones, mud,<br />

anthill soil <strong>and</strong> papier mâché et cetera.<br />

From various local materials <strong>and</strong> found objects we can find<br />

useful items or objects <strong>for</strong> executing sculpture experiments,<br />

which may later result into powerful artworks. Mujjuzi<br />

(2009, 27) is more enlightening: “Organic plant materials,” are<br />

within easy reach of our learning surroundings.<br />

186 187<br />

Tools<br />

Equipment<br />

Non-traditional/<br />

unconventional<br />

(found materials)

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!