Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
Art and Design A comprehensive guide for creative artists - Aaltodoc
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Examples of inverse relief can be found on architectural<br />
walls found in Egypt. Rich (1988, 7) asserts, the<br />
Egyptians outlined figures “by means of grooves or<br />
furrows cut around <strong>for</strong>ms.” The images appear clearly<br />
strong <strong>and</strong> noticeable on account of the sun found in<br />
that region.<br />
2. Abstract sculpture does not represent perceivable<br />
realism. Sculpture artworks made in abstract <strong>for</strong>ms<br />
rely on shape, <strong>for</strong>m, colour <strong>and</strong> texture. They are also<br />
characterised with concept-oriented subject matter.<br />
Ultimately, abstract sculpture is common done by<br />
<strong>creative</strong> sculptors who get captivated by exaggerating<br />
<strong>for</strong>ms.<br />
3. Kinetic sculpture is rare. Nonetheless, such artworks<br />
are commonly described as installations because<br />
almost always they are constructed <strong>and</strong> exhibited<br />
within a gallery. Buser (2006, 529) observes, “In recent<br />
years, the number of installations has exploded.<br />
Countless painters, photographers <strong>and</strong> video <strong>artists</strong> ...<br />
Sculptors have constructed kinetic sculpture—work<br />
that actually moves because of wind or water or is<br />
powered by an electric motor.” Thus, a kinetic sculpture<br />
may sometimes involve using video or moving parts<br />
<strong>and</strong> the relation of parts to the whole is important <strong>for</strong><br />
the interpretation of a sculpture artwork.<br />
4. Sculpture in the round is an explanation used <strong>for</strong> free<br />
st<strong>and</strong>ing artworks made to appear in three dimensional<br />
spaces. Sculpture in the round is characterised by<br />
three-dimensional shapes <strong>and</strong> solid geometric <strong>for</strong>ms.<br />
A “free st<strong>and</strong>ing sculpture, or sculpture in the round<br />
... is the type that can be viewed from many angles,”<br />
(Michael et al. 2007, 132) <strong>for</strong> example a statue of a<br />
person or an animal where someone could walk<br />
around.”<br />
Tools, materials <strong>and</strong> equipment <strong>for</strong> sculpture<br />
The basic materials, equipment <strong>and</strong> tools—used <strong>for</strong><br />
executing sculptures are many. Bell (1983, 97) laments,<br />
“The particular interests of a sculptor would lead to some<br />
additions <strong>and</strong> omissions although some tools are made <strong>for</strong><br />
specific purposes.”<br />
Here is a checklist of some necessary tools, materials <strong>and</strong><br />
equipment used in sculpture:<br />
Traditional/<br />
conventional<br />
materials<br />
These are the long-established materials<br />
used by sculptors. They include clay, wood,<br />
soil, stone, cement, wax, rubber, Plaster of<br />
Paris, marble, Iron or metal et cetera.<br />
Include; stone, mallet, sharp sticks, hoe,<br />
nails, screws, nut, stone, knife <strong>and</strong> a chisel.<br />
Others include a hammer, gouge, rasp/<br />
file, armature wires <strong>and</strong> callipers. Also, your<br />
fingers are partly used in habits carried<br />
out by certain tools.<br />
Depends on the artist's inventiveness<br />
<strong>and</strong> inspiration. Examples may include<br />
a bonfire kiln, a cardboard box <strong>for</strong> storing<br />
finished works, plat<strong>for</strong>m-st<strong>and</strong>, pedestal,<br />
bench <strong>and</strong> tables used during moulding<br />
<strong>and</strong> carving.<br />
It is up to a sculptors' <strong>creative</strong> mind that<br />
certain objects can be substituted into<br />
useful materials—to justify the purpose of<br />
a favoured material. For example discarded<br />
plastics, fabrics, metal, s<strong>and</strong>, saw dust,<br />
lacquer or wax, plant glue, bones, mud,<br />
anthill soil <strong>and</strong> papier mâché et cetera.<br />
From various local materials <strong>and</strong> found objects we can find<br />
useful items or objects <strong>for</strong> executing sculpture experiments,<br />
which may later result into powerful artworks. Mujjuzi<br />
(2009, 27) is more enlightening: “Organic plant materials,” are<br />
within easy reach of our learning surroundings.<br />
186 187<br />
Tools<br />
Equipment<br />
Non-traditional/<br />
unconventional<br />
(found materials)